Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108

Visual Materials
Thomas Gainsborough's Jonathan Buttall: the blue boy (1770) and Sir Thomas Lawrence's Sarah Goodin Barrett Moulton: "Pinkie" (1794) hanging in the large drawing room of the Huntington residence. The desk in the foreground (bureau plat) is attributed to Andre-Charles Boulle, with substantial later alterations. The date of the original work is between 1700 and 1750. Beneath "Blue Boy" is a chest of drawers (commode) by Daniel De Loose, from around 1770. Beneath "Pinkie" is a chest of drawers by Martin Carlin, from around 1775. The terracotta sculptures in glass cases on either side of the door are by Claude Michel, called Clodion, and his workshop, and date to approximately 1780 to 1790. On the left is Jeune Femme présente son enfant à un autel (A young Woman Presenting Her Child at an Altar). On the right is Jeune Femme tenant un enfant devant elle (Young Woman Holding Her Child in front of Her). Appeared in Los Angeles Times, Annual Midwinter Number, on January 2, 1930. MS note on verso reads "HEH residence as art gallery: large drawing room."
photCL 107 fld23 (9.1)
Image not available
Manuscripts
Also: letter from May de Riedemann to Huntington, 1925 April 1. Subjects: Archer Huntington and house contents, Arabella D. Huntington's estate, Mrs. Frick visit, Reynolds, Constable, Gainsborough, Birley's portraits, John Russell Pope, Lady Colefax, Andrew Mellon, Italian art purchase, Chelsea vases by Roubiliac, Louis XIV rug, John D. Rockefeller, Jr., Tate Gallery, Blue Boy, Hugh Dillman, LeJeune bust, Horace Harding, Arthur Secor, Jacob Wasserman, "Pinkie," Roger Van der Weyden "Virgin and Child."
mssHEH

Visual Materials
The portraits on the wall from left to right: George Romney's Jeremiah Milles (1780-1783); Thomas Gainsborough's Jonathan Buttall: the blue boy (1770) (the bronze sculpture beneath "Blue Boy" is Mercure (Mercury) by an unknown foundry, after Antoine Coysevox, made between 1700 and 1710); Romney's Rose (Gardiner) Milles (1780-1783). MS note on verso reads "HEH art gallery: new wing, c. 1933." Stamp on verso reads "Hiller Studio, 336 So. Hudson, TE. 6904 Pasadena."
photCL 107 fld23 (41)

Visual Materials
The portraits on the walls, from left to right: George Romney's Penelope (Rycroft) Lee Acton (1791); Sir Joshua Reynolds' Sarah (Kemble) Siddons as the Tragic Muse (1783-1784); Reynolds' Georgiana (Spencer) Cavendish, Duchess of Devonshire (1775-1776); John Hoppner's Isabella (Ingram) Seymour Conway, Viscountess Beauchamp, later Marchioness of Hertford (circa 1789); Thomas Gainsborough's Henrietta Read, later Henrietta Meares (circa 1777); Gainsborough's The Hon. Anne (Batson) Fane (circa 1782); George Romney's Jeremiah Milles (1780-1783); Gainsborough's Jonathan Buttall: the blue boy (1770). The bronze sculpture beneath "Blue Boy" is Mercure (Mercury) by an unknown foundry, after Antoine Coysevox, made between 1700 and 1710. MS note on verso reads "HEH art gallery: new wing (interior view)."
photCL 107 fld23 (39)
Image not available
Manuscripts
Note: the original of the 1927 April 13 letter is cataloged as mssHM 7812. Also: copy of letter relative to biographical sketch, 1925 January 20; copy of telegram from Huntington to LaSalle Corbell Pickett; draft of telegram in Huntington's hand. Subjects: Arabella Huntington's health, death, estate, and memorial, Henry E. Huntington's health, portraits of the Huntingtons by Oswald Birley, "Benjamin Franklin before Privy Council," portrait of Rev. Joshua Huntington, "Lady Hamilton" by George Romney, "Blue Boy," Kahn collection, miniature collection, "Duchess of Devonshire," architect for Greek temple, John Russell Pope, Andrew Mellon, Duveen property in California, Shillman collection, Rockefeller visit, Crown Prince and Princess of Sweden's visit, "Pinkie," Mischelman sale, the library.
mssHEH

Visual Materials
The portraits on the walls, from left to right: Sir Joshua Reynolds' Diana (Sackville), Viscountess Crosbie (1777); Sir Thomas Lawrence's Sarah Goodin Barrett Moulton: "Pinkie" (1794) above a bronze sculpture, Renommée (Fame) by an unknown foundry, after Antoine Coysevox, made between 1700 and 1710; Reynolds' Jane Fleming, later Countess of Harrington (1778-1779); Reynolds' Lavinia (Bingham), Countess Spencer, and John Charles Spencer, Viscount Althorp, later Earl Spencer (1783-1784); Thomas Gainsborough's Karl Friedrich Abel (circa 1777); George Romney's Penelope (Rycroft) Lee Acton (1791); Reynolds' Sarah (Kemble) Siddons as the Tragic Muse (1783-1784); MS note on verso reads "HEH art gallery: new wing, c. 1933." Stamp on verso reads "Hiller Studio, 336 So. Hudson, TE. 6904 Pasadena."
photCL 107 fld23 (38)