Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
Martyria, or, Andersonville Prison
Image not available
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
Image of an elevated view of the Andersonville prison, a Confederate prisoner-of-war-camp in Georgia, with prisoners clustered in groups around tents in the central image; surrounded by twenty-two vignettes including a portrait of Sergeant Leroy Key, Captain Henri Wirz, scenes of prison life, prisoner escapes, and sick and dying prisoners; vignettes are numbered with key in bottom margin.
priJLC_MIL_001232
Image not available
Visual Materials
An uncolored view print of 33,000 Union soldiers imprisoned in Andersonville Prison, a Confederate prisoner-of-war camp. The foreground includes an image of Captain Henry Wirz, shown on horseback escorting a prisoner dressed in tattered clothes to the stockade. Inside the wooden fenced camp, prisoners are depicted in densely packed and cramped enclosures, shown either in acts of labor or carried out on stretchers. The prison is surrounded by armed guards, barren trees, and a forest in the background. The print is labeled with a number key identifying eight scenes; the key reads: "1. Upper Cook - house; 2. Barracks for the sick; 3. Fort of Six Guns; 4. Rebel Sutler's Tent; 5. Swamp within the prison; 6. Bake House; 7. Capt. Wirz taking a prisoner to the Stocks; 8. Meat Wagon." The title is printed in the lower center and reads, "Andersonville Prison: Georgia. Representing the imprisonment of 33,000 Union Soldiers during the months of June, July, and August 1864." Signed and dated by artist John B. Walker in lower left. Signed by lithographer T. Sinclair in lower right. Signed in stone by artist Anton Hohenstein in the image's lower right corner. The top of the print reads "No 1. North View."
priPEF 35
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Visual Materials
The Singleton Collection is organized into four discrete yet interrelated units. The first consists of 79 photographs by Mathew Brady (1823-1896) and Alexander Gardner (1821-1882) of scenes of the Civil War taken between 1861 and 1865. Included are group portraits of generals with their staffs, important wartime sites and activities, and photographs of paintings depicting various skirmishes. While the photographs were taken by Brady and Gardner during the war, the images were printed around 1885 by John Taylor and marketed by the firm of Taylor & Huntington. These photographer-entrepreneurs hoped to capitalize on twenty-fifth anniversary war reunions and commemorations by reissuing the once-familiar views. On the verso of each image is a partial list of the photographs sold by Taylor & Huntington for 75 cents a piece. The second grouping of photographs depicts two views of Abraham Lincoln and portraits of the Lincoln conspirators and their execution. These were also taken by Brady and Gardner during the war and, as with the first group, printed and issued around 1885 by Taylor & Huntington. Of particular rarity are the fourteen photographs of the Lincoln assassination conspirators including portraits of David Herold, George Atzerodt, Edward Spangler, two views of Lewis Payne, two views of Michael O'Laughlin, and an unidentified conspirator. Additionally, there is a complete set of three images depicting the execution of Mrs. Surratt and the conspirators taken by Alexander Gardner on July 7, 1865, as well as three of the five known images documenting the execution of Captain Wirz, the notorious Keeper of Andersonville Prison. Eighty-three cabinet portraits of Confederate Generals and other Southern leaders by George S. Cook (1819-1902) comprise the third section of the collection. Cook was a friend and former employee of Matthew Brady, and he provided E.& H.T. Anthony Co. with portraits from the South, including the first portrait of Colonel Robert Anderson. These portraits may come from sources other than Cook as he purchased competing photographers negatives, issuing them on his mounts. These portraits were taken in the 1860s but printed between 1880 and 1890 when Cook operated his Richmond, Virginia studio at 913 East Main Street. The last grouping of photographs contains 210 images by William H. Tipton (1850-1929), the self-described "Battlefield Photographer." The imperial-sized photographs depict the numerous monuments erected on the Gettysburg battlefield to honor the soldiers who fought and died in this decisive battle. The photographs date from the 1880s. The Singleton Collection constitutes of one of the most complete historic archives of the Gettysburg monuments.
photCL 445