Rare Books
Folding paper: : technique, design, obsession : [prospectus]
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Folding paper : technique, design, obsession
Rare Books
Artists' book exploring art forms related to paper. "Similar to 'Cutting paper' in format and approach, the book explores the art of folded paper, and presents a collection of samples on the pages and laid into the accompanying box. Brief essays discuss folding techniques, the process of creating illustrated pieces, and paper choices. Interspersed are over 150 tipped-in examples from pleating, education, computational geometry, toy making, origami and packaging (some examples are presented shown in progress, as well as finished pieces, in a variety of papers)"--Heavenly Monkey blog (www.heavenlymonkeybooks.blogspot.com)
646643
Three portfolios of paper art samples from Germany
Visual Materials
Three portfolios of samples from Germany which represent various forms of art with paper: paperweaving, sewing cards and paper-cutting and folding. The first set, in Env. 1, is entitled Flecht -u.-Ausuäh Schule; the second, in Env. 2, Versdur-u.-Buchzeichen Schule (Stringing and Bookmarking School); and the third, in Env. 3, Falt-u.-Ausscheide Schule (Folding and Cutouts School). The name "Louise Chur" is stamped at the bottom of the front cover of each of the three portfolios. The first portfolio contains 24 numbered (in ms.) samples of paper weaving, each labeled "Blott" and has "Louise Chur" written in ms., in ink, in the upper right-hand corner. Each sheet measures 5 3/4 in. W x 8 3/4 in. H ; 14.5 cm. W x 22.2 cm. H. The second portfolio contains a total of 23 samples of artwork; the first 11 of which are completed sewing cards; the next 2 are yarn tracings, and the last 10 are examples of paper weaving and folding. The sizes of the pieces vary. The third portfolio contains 20 examples of paper folding and paper cutouts, mounted onto cardstock. Much of the paper folding samples are reminiscent of origami. Each completed, mounted piece measures 8 in. W x 10 3/8 in. H ; 20.3 cm. W x 26.4 cm. H Title supplied by cataloger.
ephKAEE
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Book on folding
Visual Materials
The Nancy and Henry Rosin collection of valentine, friendship, and devotional ephemera contains materials from Europe and North America dating from 1493 to the late 2010s. The bulk of the collection consists of greeting cards exchanged on Valentine’s Day, dating from approximately 1840 to 1930. Early handcrafted valentine cards found within the greeting cards subseries demonstrate folk art methods of pinpricking, paper cutting, paper folding, painting, puzzle making, and illustration. Other cards dating from the Victorian era include comic or “vinegar” valentines, paper lace valentines, cobweb valentines, and cards created by various printing, embossing, and assemblage techniques. Many of the late 19th-century cards are dimensional and mechanical paper constructions, made with a combination of die-cut scraps, honeycomb tissue paper, and levers, strings, or wheels that enable the cards to pop-up or move. Also included in the collection are greeting cards exchanged for other holidays and events, friendship cards dating from the Biedermeier era, friendship albums with locks of hair, language of flowers almanacs and booklets, matrimonial documents, sachets, verse writers, religious devotional items, mourning cards, scrapbook albums, and correspondence relating to love and courtship. The collection also contains artifacts and three-dimensional items such as fans, jewelry boxes, shadow boxes, and additional items, some of which include fragile, glass components. Smaller portions of the collection include educational ephemera, such as rewards of merit and bookmarks, and American Civil War ephemera, such as greeting cards and song sheets. Additional materials include artist and organizational files relating to illustrator Catherine “Kate” Greenaway, printer Louis Prang, and 20th-century greeting card companies Rust Craft and Norcross. The last series of this collection contains research materials compiled by valentine scholar Charles Albert Reed and by Nancy Rosin. The materials consist largely of secondary sources, notes, and newspaper clippings.
priRosin
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Charles Janin Papers
Manuscripts
The collection consists of letters, manuscripts (including diaries and mining reports), photographs and maps related to the career of mining engineer Charles Janin (1873-1937). Subject matter in the collection focuses on minerals, mines and mining, especially in California, Mexico, Alaska, Canada, Russia (including Siberia), and Central and South America. There is information about gold, silver, platinum, and tin mining as well as gold dredging, including a Commission for the Study of Gold in the U.S. by the United States Department of the Interior (Box 23, Folders 11-12) and a 1909 letter from Rossiter Worthington Raymond to Louis Janin regarding the professional ethics and legal problems common to mining engineers (Box 20, Folder 3). Notable material related to Siberia includes a 1918 Memorandum relative to the Necessity for Action by the Allied Governments in Siberia by the American Committee of Engineers in London (Box 1, Folder 7); five letters, dated 1929-1931) from Ennis C. Whitehead to Janin relative to projected flying trip across Siberia (Box 25, Folder 8); and correspondence from George S. Dyer relative to gold mining in Siberia, dated 1917-1936 (Box 4, Folder 23). In addition, there are papers related to the transfer of platinum to the United States from Siberia in the correspondence of Grigorio Benenson (Box 2, Folder 12); Arnold C. Hansen (Box 5, Folder 31); Norman C. Stines (Box 22, Folder 23), as well as responses from Janin to these individuals (see Box 7, Folder 25; Box 9, Folder 6; and Box 13, Folder 15), and in notes on platinum (Box 39, Folder 5). The collection also contains materials on Russian life and politics (including the Revolution of 1917). There are also materials on the history of the Santa Ynez Valley in California, including irrigation project papers (Box 21, Folders 6-8), and a piece, "Some Recollections of Early Days in the Santa Ynez Valley" by Janin (Box 14, Folder 24). Persons represented in the collection include Samuel Insull (14 pieces in Box 6, Folder 21), Vannoy Hartrog Manning (18 pieces in Box 17, Folder 19), and Montifiore G. Kahn (35 pieces in Box 15, Folder 16). The collection includes a letter to Janin from John Powers Hutchins related to pre-World War II in Europe (Box 6, Folder 14). Single letters from William Randolph Hearst, Harold L. Ickes, and William Gibbs McAdoo may also be found in the collection. There is also scattered correspondence from various Janin family members. Businesses or government agencies represented in the collection include the Ingersoll-Rand Company of California, Lena Goldfields, Ltd. (Lenskoe zolotopromyshlennoe tovarishchestvo), and the U.S. Department of the Interior. Although the collection consists basically of mining papers, it will also be of interest to researchers investigating Europe during World War I, Russia and Siberia at the time of the Revolution of 1917, or social and political affairs in the various parts of the world where mining engineers traveled and are intelligent observers, and from which they write letters to each other.
mssJaninc
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Dimensional and mechanical cards (folded)
Visual Materials
The Nancy and Henry Rosin collection of valentine, friendship, and devotional ephemera contains materials from Europe and North America dating from 1493 to the late 2010s. The bulk of the collection consists of greeting cards exchanged on Valentine’s Day, dating from approximately 1840 to 1930. Early handcrafted valentine cards found within the greeting cards subseries demonstrate folk art methods of pinpricking, paper cutting, paper folding, painting, puzzle making, and illustration. Other cards dating from the Victorian era include comic or “vinegar” valentines, paper lace valentines, cobweb valentines, and cards created by various printing, embossing, and assemblage techniques. Many of the late 19th-century cards are dimensional and mechanical paper constructions, made with a combination of die-cut scraps, honeycomb tissue paper, and levers, strings, or wheels that enable the cards to pop-up or move. Also included in the collection are greeting cards exchanged for other holidays and events, friendship cards dating from the Biedermeier era, friendship albums with locks of hair, language of flowers almanacs and booklets, matrimonial documents, sachets, verse writers, religious devotional items, mourning cards, scrapbook albums, and correspondence relating to love and courtship. The collection also contains artifacts and three-dimensional items such as fans, jewelry boxes, shadow boxes, and additional items, some of which include fragile, glass components. Smaller portions of the collection include educational ephemera, such as rewards of merit and bookmarks, and American Civil War ephemera, such as greeting cards and song sheets. Additional materials include artist and organizational files relating to illustrator Catherine “Kate” Greenaway, printer Louis Prang, and 20th-century greeting card companies Rust Craft and Norcross. The last series of this collection contains research materials compiled by valentine scholar Charles Albert Reed and by Nancy Rosin. The materials consist largely of secondary sources, notes, and newspaper clippings.
priRosin
Image not available
Dimensional and mechanical cards (folded)
Visual Materials
The Nancy and Henry Rosin collection of valentine, friendship, and devotional ephemera contains materials from Europe and North America dating from 1493 to the late 2010s. The bulk of the collection consists of greeting cards exchanged on Valentine’s Day, dating from approximately 1840 to 1930. Early handcrafted valentine cards found within the greeting cards subseries demonstrate folk art methods of pinpricking, paper cutting, paper folding, painting, puzzle making, and illustration. Other cards dating from the Victorian era include comic or “vinegar” valentines, paper lace valentines, cobweb valentines, and cards created by various printing, embossing, and assemblage techniques. Many of the late 19th-century cards are dimensional and mechanical paper constructions, made with a combination of die-cut scraps, honeycomb tissue paper, and levers, strings, or wheels that enable the cards to pop-up or move. Also included in the collection are greeting cards exchanged for other holidays and events, friendship cards dating from the Biedermeier era, friendship albums with locks of hair, language of flowers almanacs and booklets, matrimonial documents, sachets, verse writers, religious devotional items, mourning cards, scrapbook albums, and correspondence relating to love and courtship. The collection also contains artifacts and three-dimensional items such as fans, jewelry boxes, shadow boxes, and additional items, some of which include fragile, glass components. Smaller portions of the collection include educational ephemera, such as rewards of merit and bookmarks, and American Civil War ephemera, such as greeting cards and song sheets. Additional materials include artist and organizational files relating to illustrator Catherine “Kate” Greenaway, printer Louis Prang, and 20th-century greeting card companies Rust Craft and Norcross. The last series of this collection contains research materials compiled by valentine scholar Charles Albert Reed and by Nancy Rosin. The materials consist largely of secondary sources, notes, and newspaper clippings.
priRosin