Bayou cuisine : its tradition and transition

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  Ye greate centennial

  Visual Materials

  Image of "Ye Great Centennial,” a four-page special edition newspaper published by the "Centennial Art Journal," for the United States Centennial Exhibition held in 1876 in Philadelphia, Pennsylvania, with an engraving in the masthead of an image of Uncle Sam standing before Independence Hall with the United States Capitol Building in the distance, and surrounded by historic scenes of the American Revolutionary War including ships in Boston Harbor, General George Washington crossing the Delaware River with troops in a boat, and soldiers in battle, with the years "1776" and 1876" at the top left and right; the newspaper’s text includes advertisements for companies, articles about American history and the origins of American symbols and traditions, and historic images of "William Penn's Seal & Signature to the Pennsylvania Charter with the Witnesses" (page 1); an image of a cream pot and a handwritten facsimile of an “Epitaph written 1827” by Benjamin Franklin captioned “Cream Pot Presented to Henry Hill by Dr. Franklin” (page 2); a handwritten facsimile of “The Star-spangled banner, in the hand writing of the Author” (page 3); head-and-shoulder portraits of British King George III and British Revolutionary War General Thomas Gage (on page 3); a facsimile of the masthead of the October 31, 1765, issue of the “Pennsylvania Journal and Weekly Advertiser” (page 4); and the exteriors of “The House in Which Benj. Franklin was born Milk Street House, Boston” (page 4), and the “Burial Place of Benj. Franklin S.E. Cor. Of 5th & Arch St. Philada” (page 4).

  priJLC_FAIR_001765

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  Miscellaneous

  Manuscripts

  This folder contains photocopies of miscellaneous articles consisting of: Gaunt, William. "George Dance's Royal Academy" [photocopy of page 182]; Harris, Cheryl. "Eighteenth-Century Portraiture and the Seventeenth-Century Past," Art History, 1982 [pages 3-4]; "Fonthill and Portraits of William Beckford," The Register of the Museum of Art (1967) [1 page]; "Recollections of Richard Cosway, Esq. R.A." from Library of the Fine Arts (September 1832), photocopy of pp. 184-193; and a newspaper clipping stating …"An 18th century miniature of Thomas Jefferson will be presented to the United States as a bicentennial gift…"

  mssCosway

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  Graduate Student Papers, C-J

  Visual Materials

  One box of graduate student papers from Massachusetts College of Art written by students whose last names begin with the letters C-J. The papers were written by students of Diana Korzenik, for the course "History of Goals and Methods of Art Education." Calvert, Peter. "Art materials Used in Unitarian Sunday Schools 1880-1910." 1987 Carey, Carolyn. "My Grandfather, the Carpenter, the Mechanic, the Artist." 1994 Carter, Thom. "Henry Schaefer-Simmern: Unfolding His Methods and Goals of Art Education." 1994 Carvalho, Caitlin. "Fall River Massachusetts, In Search of Art." 1994 Chisholm, James Ross. "The Apprentice Training Program at Forbes Lithograph Mfg. Co. During the 1930's." 1993 Chmielinski, Nancy. "The Formal and Informal Education of John C. Marin." 1993 Collins, Ralph. "Cambridge Manual Training School." [1986] Coleman, Helen. "Rudolph Steiner." [1990?] Cox, Charles. "The Picture Study Movement in New England." [198-?] Crayton, Wanda L. "Methods of Discipline in the Early Nineteen Hundred, Elementary Public Schools." 1988 Curran, Emily. "In the Eye of the Beholder: Benjamin Ives Gilman and the Establishment of a Museum Docent Program at the Museum of Fine Arts, Boston, 1906-1912." 1991 Cutler, Robin W. "A Research Paper" 1990 Davison, Lesley. "Keeper of the Enchanted Gates: Victor D'Amico and his ideas in action 1937-1960." 1993 DeSantis, Karin Kearney. "Elizabeth Palmer Peabody and Art as a Moral Education." 1990 Dewaters, Roberta. "American Embroidered Samplers of the Eighteenth Century." 1981 Dickinson, Kim. "On the Subject of Dress reform: Who is the Authority on the Definition of Beauty?" 1989 Donabedian, David. [Untitled, 198-?] Downes, Judith. "The Science of Beauty: Planning for the New Museum of Fine Arts, Boston 1902-1909." [198-?] Dunn, Linda S. "Irwin D. Hoffman: Printmaker." 1991 Swinell, Richard D. "Blind Contour Drawing: The Experience of Learning." [198-?] Eccher, Mary Ellen. [Untitled] 1987 Elwell, Ann. "Munsell Color Educational Plans." 1991 Everett, Julie. "Modernism: The Evolution of a Design Trend." 1987 Flores, Jennifer. "Mary Dana Hicks." 1993 Foss, Linda. [Zuni] n.d. Gabriel, Brian. "Rudolf Steiner and Waldorf Education." [198-?] Green, Maureen. "What Were the Influences responsible for the Bauhaus Forms?" 1982 Gurner, Glen. "Sloyd and the North Bennet St. School." 1990 Guthrie, Carole. "How Did Gallery 291 / Alfred Stieglitz Bring Modern Art (A New Visual Aesthetic) to New York?" 1989 Harold, Jane. "Arthur Wesley Dow c. 1857-1922" [1990?] Hayes, Roberta Lynn. "Elma Lewis and the Elma Lewis School of Fine Arts." 1991 Hill, Catherine. "A Lasting Gift: Henry Turner Bailey and the Arts and Crafts School at Chautauqua Institution." 1987 Jaquith, Diane. "The role of School Arts Magazine in the Development of School Programs at Art Museums During the Editorial Term of Henry Turner Bailey, 1901-1917." 1990 Jarvis, Susan. "Cross-Cultural Influences in Quilts Made by White and Slave Women During the Civil War." 1993 Jeas, James. "1886-1903 Arioch Wentworth's Citadel." 1988 (2 copies) Jobin, Cynthia. "Denman Ross Considered." 1988

  ephKAEE

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  Graduate Student Papers, C-J, from various courses taught by Diana Korzenik, 1973-1995

  Visual Materials

  One box of graduate student papers from Massachusetts College of Art. The papers were written by students of Diana Korzenik, for the course "History of Goals and Methods of Art Education." This box contains papers written by students whose last names begin with the letters C-J. Calvert, Peter. "Art materials Used in Unitarian Sunday Schools 1880-1910." 1987 Carey, Carolyn. "My Grandfather, the Carpenter, the Mechanic, the Artist." 1994 Carter, Thom. "Henry Schaefer-Simmern: Unfolding His Methods and Goals of Art Education." 1994 Carvalho, Caitlin. "Fall River Massachusetts, In Search of Art." 1994 Chisholm, James Ross. "The Apprentice Training Program at Forbes Lithograph Mfg. Co. During the 1930's." 1993 Chmielinski, Nancy. "The Formal and Informal Education of John C. Marin." 1993 Collins, Ralph. "Cambridge Manual Training School." [1986] Coleman, Helen. "Rudolph Steiner." [1990?] Cox, Charles. "The Picture Study Movement in New England." [198-?] Crayton, Wanda L. "Methods of Discipline in the Early Nineteen Hundred, Elementary Public Schools." 1988 Curran, Emily. "In the Eye of the Beholder: Benjamin Ives Gilman and the Establishment of a Museum Docent Program at the Museum of Fine Arts, Boston, 1906-1912." 1991 Cutler, Robin W. "A Research Paper" 1990 Davison, Lesley. "Keeper of the Enchanted Gates: Victor D'Amico and his ideas in action 1937-1960." 1993 DeSantis, Karin Kearney. "Elizabeth Palmer Peabody and Art as a Moral Education." 1990 Dewaters, Roberta. "American Embroidered Samplers of the Eighteenth Century." 1981 Dickinson, Kim. "On the Subject of Dress reform: Who is the Authority on the Definition of Beauty?" 1989 Donabedian, David. [Untitled, 198-?] Downes, Judith. "The Science of Beauty: Planning for the New Museum of Fine Arts, Boston 1902-1909." [198-?] Dunn, Linda S. "Irwin D. Hoffman: Printmaker." 1991 Swinell, Richard D. "Blind Contour Drawing: The Experience of Learning." [198-?] Eccher, Mary Ellen. [Untitled] 1987 Elwell, Ann. "Munsell Color Educational Plans." 1991 Everett, Julie. "Modernism: The Evolution of a Design Trend." 1987 Flores, Jennifer. "Mary Dana Hicks." 1993 Foss, Linda. [Zuni] n.d. Gabriel, Brian. "Rudolf Steiner and Waldorf Education." [198-?] Green, Maureen. "What Were the Influences responsible for the Bauhaus Forms?" 1982 Gurner, Glen. "Sloyd and the North Bennet St. School." 1990 Guthrie, Carole. "How Did Gallery 291 / Alfred Stieglitz Bring Modern Art (A New Visual Aesthetic) to New York?" 1989 Harold, Jane. "Arthur Wesley Dow c. 1857-1922" [1990?] Hayes, Roberta Lynn. "Elma Lewis and the Elma Lewis School of Fine Arts." 1991 Hill, Catherine. "A Lasting Gift: Henry Turner Bailey and the Arts and Crafts School at Chautauqua Institution." 1987 Jaquith, Diane. "The role of School Arts Magazine in the Development of School Programs at Art Museums During the Editorial Term of Henry Turner Bailey, 1901-1917." 1990 Jarvis, Susan. "Cross-Cultural Influences in Quilts Made by White and Slave Women During the Civil War." 1993 Jeas, James. "1886-1903 Arioch Wentworth's Citadel." 1988 (2 copies) Jobin, Cynthia. "Denman Ross Considered." 1988

  ephKAEE Box 99

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  Syllabus of a Course of Illustrated Lectures on Historic Art: Historic Ornament and Sculpture, Series of 1899

  Visual Materials

  One pamphlet entitled A Syllabus of a Course of Illustrated Lectures on Historic Art: Historic Ornament and Sculpture, Series of 1899, by James Frederick Hopkins, published by Geo. H. Ellis, Boston, Massachusetts, ca. 1898. This book is 36 numbered pages in length, and is illustrated with black and white reproductions of photographs and drawings. The front cover is illustrated with a drawing of a sculpture, and is printed in green. Two quotations from Henry Wadsworth Longfellow appear on the back cover. The insides of the front and back covers are blank. "Pres of Geo. H. Ellis, Boston" and "Engravings by Folsom and Sunergren, Boston" are printed at the bottom of p. 2. The course schedule, with dates of lectures, is given on p. 4. A listing of some "General works on the history of art" is found on the next 3 pages. The remainder of the book is devoted to fuller descriptions, with illustrations, of each of the topics and sections addressed in the course. Beginning on p. 25 is "A selected list of books in the Boston Public Library recommended for reading in connection with the lectures." "6.50" (price) is written in ms. in the upper right-hand corner of the first page.

  ephKAEE

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  [Metal (bronze?) vessel, very crudely cast. It has a large quantity of rust and hardened soil (?) on its surface. In style of decoration, it evokes the Western Zhou (about 1100 to 771BCE) period. However it is probably not of that vintage. The rusting and its heavy weight seems to indicate some iron in the metal--something that would not be used in the Western Zhou. Iron was used to cast sculpture, etc. later, especially by the Ming and Qing onwards. Was this piece the result of later attempts (i.e. Ming/Qing/modern) to create an antique object? The hardened mud/soil accretions may be an indication of this scenario.] Source: Examination by Huntington Library art curator, 2013

  Rare Books

  The five series are: Library Records; Personal Papers given to the Library; Francis Bacon Foundation Records; the Walter and Louise Arensberg Papers; and the Art and Artifacts Collection. The Library records include administration and collection records, gifts and acquisitions, exhibit records, and a large portion of correspondence. The correspondence, almost entirely written by library director Elizabeth Wrigley, is with students, other organizations, scholars, and, notably, interested Baconians (supporters of the theory that Francis Bacon was the true author of the plays attributed to Shakespeare). There are also records of gifts to the library, including books, ephemera and papers of Baconians and other scholars studying the Shakespeare authorship question. These papers comprise the Personal Papers series, and are organized by owner name: Isabelle Kittson Brown, Eugene Dernay, George Drury, Johan Franco, R. W. (Reginald Walter) Gibson, Olive Woodward Hoss, Karl [Richards] Wallace, and A. Allen Woodruff. The Francis Bacon Foundation papers contain articles of incorporation, financial and legal documents, and some correspondence of the board members. There are also clippings and photostats on Shakespeare, Bacon and Elizabethan history that were collected for research purposes. This represents only a portion of the Foundation records; the remainder are in the collection of the Philadelphia Museum of Art. The personal and family papers of Walter and Louise Arensberg include Walter Arensberg's cryptographic research files, charts and notes; personal papers; drafts of his poems and books; correspondence with Baconians; photographs; and letters of Arensberg and [Louise] Stevens family members. The letters between Walter and his brother Charles F. C. Arensberg are particularly personal and informative. This portion of the Arensbergs' personal papers does not include their correspondence with artists or their art-collecting activities. Those papers (the Arensberg Archives) were given by the Francis Bacon Foundation to the Philadelphia Museum of Art, which also holds the Arensberg Art Collection of Modern and pre-Columbian art. The last series of the archive is a group of art objects and historical artifacts that belonged to the Foundation and library. Some were collected by the Arensbergs, and some were acquired by the library after their deaths. They are listed with their original descriptions kept by the Foundation. The collection is organized into these series and subseries: Series 1. Library Records1.1 Administrative records1.2 Collection records1.3 Correspondence 1.3.1. General 1.3.2. Colleges, Universities and Schools 1.3.3. Foundations, Societies, etc. 1.3.4. Libraries and Related Institutions 1.3.5. Correspondence with Baconians 1.4 Exhibits 1.5 Financial records. Series 2. Personal Papers 2.1. Isabelle Kittson Brown Papers, circa 1880-19282.2. Eugene Dernay Papers, 1861-1960 2.3 George Drury Papers, 1960-1964 2.4. Johan Franco Publication plates, undated 2.5. R. W. (Reginald Walter) Gibson Papers, circa 1940-1959. 2.6. Olive Woodward Hoss Papers, circa 1920-1969. 2.7. Karl [Richards] Wallace Papers, circa 1960-1973. 2.8. A. Allen Woodruff Papers, circa 1893-1949. Series 3. Francis Bacon Foundation Records. Series 4. Walter and Louise Arensberg Papers 4.1. Correspondence. 4.1.1. General. 4.1.2. Correspondence with Baconians. 4.1.3. Arensberg Family correspondence. 4.1.4. Stevens Family correspondence. 4.2. Personal 4.3. Writings 4.4. Financial 4.5. Legal. 4.6. Research 4.7. Photographs. Series 5. Art and Artifacts Collection. Arrangement: The arrangement and titles of the files have been kept as much as possible in the original order of the records maintained by the Arensbergs and the library staff. Folders are arranged alphabetically by title within series. Documents within folders are arranged in chronological order by date with undated materials residing at the end of each folder. One exception is research files, which have been kept in their original order, which was not always chronological, but often by topic.

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