Six painters and the object | Collections | The Huntington

Six painters and the object | Collections | The Huntington

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Directory of painters and sculptors (manuscript)
Manuscripts
An extensive manuscript alphabetical directory of painters and sculptors listing some works exhibited in Great Britain in the 1920s (not in handwriting of Katharine Esdaile or Edmund Esdaile). Files were originally held in a paper portfolio case with lettered tabs, labeled "Loan Exhibition 1922-."
mssEsdaile
Seventh annual exhibition : the Pennsylvania society of miniature painters
Visual Materials
Image of an advertisement for the Seventh Annual Exhibition of the Pennsylvania Society of Miniature Painters featuring a bust-length portrait of a woman with dark upswept hair wearing a necklace in an oval frame.
priJLC_ART_003235
The official catalogue of the United States International Exhibition 1876
Visual Materials
Image of a 4-page folded advertisement for the official catalogue of the United States Centennial Exhibition held from "May 10th to November 10th 1876" in Philadelphia, Pennsylvania; six images of exhibition building exteriors, including the Main Exhibition Building, Horticultural Hall, Agricultural Hall, Art Gallery, Machinery Hall, and Women's Pavilion; two medallions on first page with the goddess Columbia in representations from 1776 and 1876.
priJLC_FAIR_001747
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Dreamers of decadence : symbolist painters of the 1890s
Rare Books
"There have been few movements in the history of Western art as strange as that of the Decadents of the last quarter of the nineteenth century. While public attention (like that of most later critics) was preoccupied with the Impressionists, many painters were reacting in a totally different -- and more imaginative way -- to the grim horrors of the new industrial society around them. The roots of the Decadents, as these artists came to call themselves, were to be found in the poetic visions of the English Pre-Raphaelites of the 1850's. Their first great Continental exponent was a brilliant and neglected painter of the fantastic, Gustave Moreau; their most obvious expression was Art Nouveau, a style closely interwoven with sinuous and half-unconscious eroticism. Philippe Jullian takes the reader on a conducted tour through the bizarre symbolism of this half-forgotten world, introducing him to a large number of writers and artists. Many of these artists -- Moreau; Toorop, the brilliant half-Balinese, half-Dutch painter and draftsman; the French Odilon Redon, the great master of Symbolist art; the Viennese Klimt; and the Belgian Khnopff -- have been known for some time to a few enthusiasts: In this lively study their inventiveness and skill are explored afresh, and their fantastic imaginings and weird symbolism exposed to a sometimes ironic light. Proud of their romantic appearance, extravagant habits, and outragous conduct, the artists of the "mauve nineties" drew on a wide range of writers for their ideas, including not only Edgar Allan Poe, Baudelaire, Swinburne, and Wilde, but also a number of less well-known and stranger poets. The book ends with a short anthology of Symbolist themes taken from these writers, which form a counterpart to the 149 extraordinary pictures drawn from the neglected reserves of museums and collections all over Europe and America. Dreamers of Decadence brings to life a fascinating episode in the history of ideas, which foreshadows today's interest in fantasy and preoccupation with the symbols of love and apprehension"--Back cover.
608272
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Legatt Brothers. Exhibition of English Painters, 1700-1850
Manuscripts
This collection contains research files of English art historian R. B. Beckett, chiefly consisting of study photographs and clippings collected from the late 1940s to early 1960s documenting the works of John Constable and other English artists including William Blake, Thomas Gainsborough, Thomas Rowlandson, J. M. W. Turner, and Richard Wilson. In addition there are also images and clippings related to English portraiture, as well as sporting and comic images. The artist research files contain study art photographs and clippings, with some occasional correspondence and notes and manuscripts by Beckett. Six artists (Blake, Constable, Gainsborough, Rowlandson, Turner, and Wilson) are distinguished as their own subseries, and their files typically contain study photographs, article clippings, some scattered manuscripts and correspondence, and exhibition catalogues. The largest of these are the John Constable files (Boxes 3-9), which includes seven boxes of study images. Other art images in the collection are arranged either in the "Artists (various)" subseries (Box 13) or in the "Portrait artists" subseries (Boxes 14-15). While some of the images are professional photographs acquired from museums, most of the images are clippings from British magazines such as The Connoisseur and Burlington. Most of the images are not annotated or only contain brief handwritten identifications typically of the artist, painting title, date, dimensions, etc. Overall there are very few manuscripts by Beckett in the collection. Exceptions consist of a sketchbook from the late 1920s containing pencil sketches of landscapes by Beckett and a few documents. The correspondence is chiefly from galleries, museums, and publishers related to Beckett's research and publications.
mssBeckett
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Calligraphy art
Manuscripts
Consists of six rolled Chinese calligraphy art (aphorisms, poetry, etc.) and a framed object with Chinese calligraphy and dedicated to Kenneth Y. Fung.
mssFung