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Dreamers of decadence : symbolist painters of the 1890s
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-----. Album page: Conference on the Fantastic in the Arts and InConJunction
Manuscripts
4 photographs and 1 page with autograph notes. Album page: Donald Palumbo and Octavia E. Butler. 1988. Note: top, "Conference on the fantastic in the Arts." Subject : Conference of the Fantastic in the Arts. OEB 7705 Album page: unidentified man, Octavia E. Butler, and Harlan Ellison. 1988, Mar. Note: bottom, "international con on the Arts 3/88 Octavia Butler, Harlan Ellison CNB." Subject : Conference of the Fantastic in the Arts. OEB 7706 Lavender, Roy. Album page: Octavia E. Butler, Paul O. Williams, Juanita Carlson, Gwyneth Hood, Michael P. Kube-McDowell - InConJunction Women Writers Panel. 1988, July. Note: top, verso. "Inconjunction 6-28 to 7-3-88." Subject: InConJunction. OEB 7707 Lavender, Roy. Album page: Octavia E. Butler and George "Lan" Laskowski. 1988, July. Note: bottom, verso. "Interview before audience." "George 'Lan' Laskowski (publishes Lan's Lantern Fanzine)." Subject: InConJunction. OEB 7708 Page with autograph notes. OEB 7709
OEB 7705-7709
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Six painters and the object
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All of the painters in the 1963 exhibition Six Painters and the Object were born between 1923 and 1933, making them, at the time of the exhibition, either emerging artists or artists who were mid-career Although some of these six artists were commonly referred to as "object-makers," this exhibition focused on the artists as painters and the canvas as subject. The six artists who were highlighted in this exhibition include: Robert Rauschenberg, Jim Dine, Jasper Johns, Roy Lichtenstein, James Rosenquist, and Andy Warhol. In his catalogue essay, curator Lawrence Alloway underscores a shared similarity between the artists to be found in the common use of objects drawn from communications network and the physical environment of the city. On the cusp of Pop art's explosion in the art world, the exhibition marks a significant moment in art history and the accompanying catalogue an essential guide to understanding the nascent exhibitions leading up to a movement that would sweep the art world. The catalogue includes a list of works in the exhibition and reproductions of selected works in the exhibition.
637082
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Burton : a biography of Sir Richard Francis Burton
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The spirit and scope of this authoritative biography of Richard Burton do full justice to a fantastic life.
635787
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Legatt Brothers. Exhibition of English Painters, 1700-1850
Manuscripts
This collection contains research files of English art historian R. B. Beckett, chiefly consisting of study photographs and clippings collected from the late 1940s to early 1960s documenting the works of John Constable and other English artists including William Blake, Thomas Gainsborough, Thomas Rowlandson, J. M. W. Turner, and Richard Wilson. In addition there are also images and clippings related to English portraiture, as well as sporting and comic images. The artist research files contain study art photographs and clippings, with some occasional correspondence and notes and manuscripts by Beckett. Six artists (Blake, Constable, Gainsborough, Rowlandson, Turner, and Wilson) are distinguished as their own subseries, and their files typically contain study photographs, article clippings, some scattered manuscripts and correspondence, and exhibition catalogues. The largest of these are the John Constable files (Boxes 3-9), which includes seven boxes of study images. Other art images in the collection are arranged either in the "Artists (various)" subseries (Box 13) or in the "Portrait artists" subseries (Boxes 14-15). While some of the images are professional photographs acquired from museums, most of the images are clippings from British magazines such as The Connoisseur and Burlington. Most of the images are not annotated or only contain brief handwritten identifications typically of the artist, painting title, date, dimensions, etc. Overall there are very few manuscripts by Beckett in the collection. Exceptions consist of a sketchbook from the late 1920s containing pencil sketches of landscapes by Beckett and a few documents. The correspondence is chiefly from galleries, museums, and publishers related to Beckett's research and publications.
mssBeckett
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The English dreamers
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"Irrationality and super-clarity are the two elements that all dreams seem to have in common. The life-like clarity causes one to overlook the rational flaws of a dream and to be swept up on its wings. Like a great work of fiction, a dream is totally convincing. Only when the grip of the irrational thrusts one into a vortex whose end is certain death does the dreamer rebel and rip away the cobwebs which bind him. The English Victorian painters whose works are shown in this book have dealt with this delicate mental balance between reality and illusion in a way which the later dream painters, the Surrealists, could not approach because of the very fact that pyschoanalysts like Freud and Jung had made attempts to explain and thus rationalize the nature of a dream." -- Introduction.
608103
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Research, Subject files, Painters
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The five series are: Library Records; Personal Papers given to the Library; Francis Bacon Foundation Records; the Walter and Louise Arensberg Papers; and the Art and Artifacts Collection. The Library records include administration and collection records, gifts and acquisitions, exhibit records, and a large portion of correspondence. The correspondence, almost entirely written by library director Elizabeth Wrigley, is with students, other organizations, scholars, and, notably, interested Baconians (supporters of the theory that Francis Bacon was the true author of the plays attributed to Shakespeare). There are also records of gifts to the library, including books, ephemera and papers of Baconians and other scholars studying the Shakespeare authorship question. These papers comprise the Personal Papers series, and are organized by owner name: Isabelle Kittson Brown, Eugene Dernay, George Drury, Johan Franco, R. W. (Reginald Walter) Gibson, Olive Woodward Hoss, Karl [Richards] Wallace, and A. Allen Woodruff. The Francis Bacon Foundation papers contain articles of incorporation, financial and legal documents, and some correspondence of the board members. There are also clippings and photostats on Shakespeare, Bacon and Elizabethan history that were collected for research purposes. This represents only a portion of the Foundation records; the remainder are in the collection of the Philadelphia Museum of Art. The personal and family papers of Walter and Louise Arensberg include Walter Arensberg's cryptographic research files, charts and notes; personal papers; drafts of his poems and books; correspondence with Baconians; photographs; and letters of Arensberg and [Louise] Stevens family members. The letters between Walter and his brother Charles F. C. Arensberg are particularly personal and informative. This portion of the Arensbergs' personal papers does not include their correspondence with artists or their art-collecting activities. Those papers (the Arensberg Archives) were given by the Francis Bacon Foundation to the Philadelphia Museum of Art, which also holds the Arensberg Art Collection of Modern and pre-Columbian art. The last series of the archive is a group of art objects and historical artifacts that belonged to the Foundation and library. Some were collected by the Arensbergs, and some were acquired by the library after their deaths. They are listed with their original descriptions kept by the Foundation. The collection is organized into these series and subseries: Series 1. Library Records1.1 Administrative records1.2 Collection records1.3 Correspondence 1.3.1. General 1.3.2. Colleges, Universities and Schools 1.3.3. Foundations, Societies, etc. 1.3.4. Libraries and Related Institutions 1.3.5. Correspondence with Baconians 1.4 Exhibits 1.5 Financial records. Series 2. Personal Papers 2.1. Isabelle Kittson Brown Papers, circa 1880-19282.2. Eugene Dernay Papers, 1861-1960 2.3 George Drury Papers, 1960-1964 2.4. Johan Franco Publication plates, undated 2.5. R. W. (Reginald Walter) Gibson Papers, circa 1940-1959. 2.6. Olive Woodward Hoss Papers, circa 1920-1969. 2.7. Karl [Richards] Wallace Papers, circa 1960-1973. 2.8. A. Allen Woodruff Papers, circa 1893-1949. Series 3. Francis Bacon Foundation Records. Series 4. Walter and Louise Arensberg Papers 4.1. Correspondence. 4.1.1. General. 4.1.2. Correspondence with Baconians. 4.1.3. Arensberg Family correspondence. 4.1.4. Stevens Family correspondence. 4.2. Personal 4.3. Writings 4.4. Financial 4.5. Legal. 4.6. Research 4.7. Photographs. Series 5. Art and Artifacts Collection. Arrangement: The arrangement and titles of the files have been kept as much as possible in the original order of the records maintained by the Arensbergs and the library staff. Folders are arranged alphabetically by title within series. Documents within folders are arranged in chronological order by date with undated materials residing at the end of each folder. One exception is research files, which have been kept in their original order, which was not always chronological, but often by topic.
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