Rare Books
O beautiful for spacious skies
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Productions: O by title
Visual Materials
The Jay T. Last sheet music collection consists of approximately 37,419 scores dating from 1794 to the 1960s. It includes a wide range of American popular music styles, as well as some British and European popular music. The collection encompasses ballads, comic songs, minstrel scores, military scores, patriotic melodies, ragtime compositions, Broadway tunes, rhythm and blues hits, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which have ornately lithographed covers and bear the signatures of composers, performers, and artists, as well as sellers' marks. It's important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate. The Jay T. Last collection is an archive of printed paper artifacts that documents American lithographic, social, and business history. The collection began in the early 1970s when physicist and Silicon Valley pioneer, Jay T. Last moved to Southern California and started collecting citrus box labels he found at local flea markets and rummage sales. As his collection grew, Last realized that these labels conveyed important information about commercial printing, graphic design, and social history, and he expanded his collection to include other forms of American visual culture. Today this collection contains more than 250,000 prints, posters, and ephemera of nineteenth and twentieth century American origin and represents works by more than five hundred lithographic companies.
priJLC_SMUS
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Minstrels: E-O by performer
Visual Materials
The Jay T. Last sheet music collection consists of approximately 37,419 scores dating from 1794 to the 1960s. It includes a wide range of American popular music styles, as well as some British and European popular music. The collection encompasses ballads, comic songs, minstrel scores, military scores, patriotic melodies, ragtime compositions, Broadway tunes, rhythm and blues hits, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which have ornately lithographed covers and bear the signatures of composers, performers, and artists, as well as sellers' marks. It's important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate. The Jay T. Last collection is an archive of printed paper artifacts that documents American lithographic, social, and business history. The collection began in the early 1970s when physicist and Silicon Valley pioneer, Jay T. Last moved to Southern California and started collecting citrus box labels he found at local flea markets and rummage sales. As his collection grew, Last realized that these labels conveyed important information about commercial printing, graphic design, and social history, and he expanded his collection to include other forms of American visual culture. Today this collection contains more than 250,000 prints, posters, and ephemera of nineteenth and twentieth century American origin and represents works by more than five hundred lithographic companies.
priJLC_SMUS
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Creators: European American women O-Rin by name
Visual Materials
The Jay T. Last sheet music collection consists of approximately 37,419 scores dating from 1794 to the 1960s. It includes a wide range of American popular music styles, as well as some British and European popular music. The collection encompasses ballads, comic songs, minstrel scores, military scores, patriotic melodies, ragtime compositions, Broadway tunes, rhythm and blues hits, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which have ornately lithographed covers and bear the signatures of composers, performers, and artists, as well as sellers' marks. It's important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate. The Jay T. Last collection is an archive of printed paper artifacts that documents American lithographic, social, and business history. The collection began in the early 1970s when physicist and Silicon Valley pioneer, Jay T. Last moved to Southern California and started collecting citrus box labels he found at local flea markets and rummage sales. As his collection grew, Last realized that these labels conveyed important information about commercial printing, graphic design, and social history, and he expanded his collection to include other forms of American visual culture. Today this collection contains more than 250,000 prints, posters, and ephemera of nineteenth and twentieth century American origin and represents works by more than five hundred lithographic companies.
priJLC_SMUS
Our Washington as the Artist sees It: 20 sketches of impressive beauty in the national capital, series No. 1
Visual Materials
One portfolio of unbound images, copyright 1931, entitled Our Washington as the Artist sees It: 20 sketches of impressive beauty in the national capital, Series No. 1, by J. B. Himmelheber, published by Grafico, Washington, D.C. This portfolio is comprised of 15 images of buildings and monuments in Washington, D.C. The set of plates are laid into a brown paper portfolio that is illustrated with an image of George Washington. Some of the images included in the set are: the Capitol Building, the Washington Monument, Columbus Memorial Fountain, The White House, The National Cathedral of Saint Peter and Saint Paul, and the Library of Congress. A description is printed on the verso of each plate. "[Copyright symbol] J.B.H. 1931, Reproduced + Published Wash. D.C. Box 243 Grafico" is printed on the back cover of the portfolio.
ephKAEE
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Museum culture
Visual Materials
A screen-printed portfolio cover containing eight screen prints that humorously critique museum methods and ideologies on material collection, exhibition, and organization. The portfolio was printed by Columbia University's LeRoy Neiman Center for Print Studies and is indicated by the chops (printer's marks) on the verso of the prints. The portfolio cover contains an image of a broken column, and the eight prints include labeled diagrams and charts of insects, sea creatures, birds, plants, and mythical creatures in a style reminiscent of nineteenth-century natural history illustrations. Titles include: On the Exhibition of a Museum Collection Object; Thorny Territory; Notable Bird Beaks of American History; Intangible Associations; Exhibition Paradise and Perdition; The Bestiary of Museum Visitors; On Museum Collection and Controls; and The Stegosaurus of Alfred H. Barr Jr. The prints are in red, blue, and black ink, and in pencil the artist has signed his name, date, and the edition number. This is the seventh edition out of the twenty that were printed.
priPEF 1
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Extra-illustrated set of The Writings of John Muir
Rare Books
This collection consists of an extra-illustrated set of the 10-volume The Writings of John Muir : Manuscript Edition (Boston and New York: Houghton Mifflin Company, 1916-1924), identified as set number 126 of 750 (of the standard edition). Tipped into each volume is: A manuscript fragment from a draft of "The Glacier Meadow," chapter 7 in The Mountains of California in John Muir's hand. A hand-colored photogravure frontispiece of one of the illustrations within the volume. 26 to 27 additional platinum prints, each preceded by a page containing a typescript title and corresponding quotation from the text. The added images (in addition to the 114 photogravure plates originally included with the set) include 260 platinum photographic prints chiefly by photographer Herbert W. Gleason (1855-1937), which correspond to the text. Images chiefly consist of landscapes related to Muir's travels and writings about the American West, including Alaska, California, Nevada, Oregon, Utah, and Washington; as well as close-up photographs of animals and plants. While most of the images depict natural scenery, there are a few photographs of Muir or specific buildings or individuals related to his life, as well as two photographs each depicting an unidentified man and woman: "Agate Stumps in Yellowstone Park" (Volume 6, facing page 68) and "An Artesian Well. [Part of the water supply of the city of Ogden, Utah]" (volume 8, facing page 162). The compiler of this extra-illustrated set is unidentified but may have been Gleason. There are similarities between some of the typescript titles and the original envelope titles created by Gleason for his negatives in the Robbins-Mills Collection of Herbert Wendell Gleason Photographic Negatives at the Concord Free Public Library. Each copyright page has the printed text "Edition Limited to Seven Hundred and Fifty Copies This is Number 126." All of the volumes are stamped on the verso of flyleaf, "Bound at the Riverside Press."
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