Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
Horses and movement : drawings and paintings by Lowes Dalbiac Luard
Image not available
Rare Books
Image not available
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
One drawing book entitled Drawing Horses, by Victor Perard, published by Pitman Publishing Corporation, New York and Chicago, copyright 1944. This book is 64 unnumbered pages in length, and provides step-by-step instructions for drawing horses and similar animals, such as mules and donkeys. All of the images are in black and white, and most pages contain at least some instructional text. The front cover is printed in brown on green paper; it features several images below the title from within the book. The imagery on the back cover is a duplicate of the front cover. "$1.00" is printed in the lower right-hand corner of the front and back covers. The inside of the front cover is blank; the inside of the back cover is a publisher's advertisement for "Pitman Art Series by Victor Perard." Laid inside the front cover are two newspaper clippings, dated 1951 and 1947 respectively.
ephKAEE
Image not available
Manuscripts
This collection contains research files of English art historian R. B. Beckett, chiefly consisting of study photographs and clippings collected from the late 1940s to early 1960s documenting the works of John Constable and other English artists including William Blake, Thomas Gainsborough, Thomas Rowlandson, J. M. W. Turner, and Richard Wilson. In addition there are also images and clippings related to English portraiture, as well as sporting and comic images. The artist research files contain study art photographs and clippings, with some occasional correspondence and notes and manuscripts by Beckett. Six artists (Blake, Constable, Gainsborough, Rowlandson, Turner, and Wilson) are distinguished as their own subseries, and their files typically contain study photographs, article clippings, some scattered manuscripts and correspondence, and exhibition catalogues. The largest of these are the John Constable files (Boxes 3-9), which includes seven boxes of study images. Other art images in the collection are arranged either in the "Artists (various)" subseries (Box 13) or in the "Portrait artists" subseries (Boxes 14-15). While some of the images are professional photographs acquired from museums, most of the images are clippings from British magazines such as The Connoisseur and Burlington. Most of the images are not annotated or only contain brief handwritten identifications typically of the artist, painting title, date, dimensions, etc. Overall there are very few manuscripts by Beckett in the collection. Exceptions consist of a sketchbook from the late 1920s containing pencil sketches of landscapes by Beckett and a few documents. The correspondence is chiefly from galleries, museums, and publishers related to Beckett's research and publications.
mssBeckett
Image not available
Visual Materials
Items include a birds-eye-view painting of Disneyland, signed "Roger Hong, Summer '55"
archHong
Image not available
Manuscripts
Sketches and paintings, primarily from the early 1960s. Subjects are mostly women, with a few self-portraits, animals, and still lifes. Some are signed and dated.
mssBabitz