Rare Books
An inheritance of poetry
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San Marino, CA 91108
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Manuscripts
The material includes: HM 82903 (1) - a commonplace book of English poetry, songs and hymns (1865-1902); 92 pages with additional blank pages, entries written in several hands of various ages. There is an autograph note on the inside front cover: "This book was given to me by Lady Abercomby, Lady Dysarts oldest friend at Adelaide House, St Leonards."
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Manuscripts
Drafts, galleys, proofs, notes, correspondence, publicity, and other materials related to Dana Gioia's published works of poetry and poetry criticism, including his five volumes of poetry: Daily Horoscope (1986), The Gods of Winter (1991), Interrogations at Noon (2001), Pity the Beautiful (2012), and 99 Poems: New & Selected (2016); and his books Can Poetry Matter? (1991), Barrier of a Common Language: An American Looks at Contemporary British Poetry (2003); and Disappearing Ink: Poetry at the End of Print Culture (2004).
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Rare Books
A work with English translations of Japanese poetry along with historical content.
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Manuscripts
A collection of 1,695 items from 1969 to 1986; it consists primarily of correspondence and poems relating to the compilation and publication of "Modern poetry of western America, an anthology of poems written by principal 20th century poets of the western United States," the book was published in 1975 by the Brigham Young University Press. The book was compiled and edited by Clinton F. Larson and William E. Stafford, both poets and professors of English. The collection includes biographical writing, editorial materials, published reviews, published poetry with lists and waivers, rejected poetry, and miscellaneous material. The letters written between Larson and Stafford express various thoughts, opinions and criticisms regarding the poems submitted for their review as well as decision-making concerning which authors, and which of their poems, to ultimately include or exclude from the anthology. In the invitations extended by the editors to contributing authors, the following material was provided: a letter conveying their vision for the anthology and a request for samples of the author's work, a release form for permission to publish the selected works, and a cover sheet requesting biographical information of the author. The bulk of the collection is dated 1974 and consists of these returned release forms and cover sheets, in addition to copies of poems submitted for review by the authors. Both accepted poems and rejected poems from nearly all authors are included, as well as biographical profiles from contributing authors. Poets in the collection include, among others: Earle Birney, Marilyn McMeen Miller, R. A. Christmas, Marden J. Clark, Thomas H. Ferril, Brewster Ghiselin, Thom Gunn, Philip Levine, Sandra McPherson, Theodore Roethke, Ralph J. Salisbury, Karl Shapiro, Ann Stanford, A. Wilber Stevens, May Swenson, and Peter Wild.
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Visual Materials
Image of an advertisement for Moods quarterly; a man and a woman in flowing garments walk towards a forest path.
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Rare Books
The influence and popularity of Rilke's poetry in America have never been greater than they are today, more than fifty years after his death. Rilke is unquestionably the most significant and compelling poet of romantic transformation, of spiritual quest, that the twentieth century has known. His poems of ecstatic identification with the world exert a seemingly endless fascination for contemporary readers. In Stephen Mitchell's versions, many readers feel that they have discovered an English rendering that captures the lyric intensity, fluency, and reach of Rilke's poetry more accurately and convincingly than has ever been done before. Mr. Mitchell is impeccable in his adherence to Rilke's text, to his formal music, and to the complexity of his thought; at the same time, his work has authority and power as poetry in its own right. Few translators of any poet have arrived at the delicate balance of fidelity and originality that Mr. Mitchell has brought off with seeming effortlessness. The generous and unusual selection that the translator has made from Rilke's large body of work has been praised by scholars for the judicious picture it offers of the breadth and depth of Rilke's greatness. The German text is printed facing the translations, and the poems have been extensively annotated with relevant quotations from Rilke's correspondence and other essential information. Noted poet and critic Robert Hass's searching introduction, "Looking for Rilke," discusses the span of Rilke's career and his importance for the American poetic tradition.
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