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[Geographical playing cards] [graphic]

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  • American Card Company's Union playing cards, national emblems, the suits are eagles, shields, stars and flags : Colonel in place of King, --- Goddess of Liberty for Queen, --- Major for Jack

    American Card Company's Union playing cards, national emblems, the suits are eagles, shields, stars and flags : Colonel in place of King, --- Goddess of Liberty for Queen, --- Major for Jack

    Visual Materials

    Image of a print created by Benjamin W. Hitchcock's American Card Company advertising Union playing cards designed during the American Civil War. The title is decorative, with red, white, and blue elements used in the design. In the center of the title is an image of an American eagle perched above a dome, surrounded with scrollwork and decorative elements. Main images on print are the twelve covers of the playing cards. Traditional French card icons of suit of hearts, diamonds, clubs, and spades have been replaced with patriotic icons of eagles, shields, stars, and flags. The image of the King is replaced by an image of a colonel in military attire. The image of the Queen is replaced by the allegorical Lady/Goddess Liberty shown in stripes and stars while holding up a red liberty cap. The Jack image is replaced by an image of a major dressed in military attire. A decorative border surrounds the print on all sides.

    priJLC_SPO_003582

  • Interior - group playing cards

    Interior - group playing cards

    Visual Materials

    A group of two men and two women play cards at a table. On the right, another woman sits with book on her lap. To the left a women sits and watches the game. Room has ornate floor covering and wallpaper, and lace curtains on the window behind the group.

    photCL 6

  • "Physogs" : the novel card game / Waddy Production

    "Physogs" : the novel card game / Waddy Production

    Rare Books

    Physogs, a British game from the 1940s, is a popularized version of physiognomy, the art of judging human character from facial features. Based on sociologist Jacques Penry's How to Judge Character from the Face (1939), the game consists of fifty-six printed cards and a key book describing thirteen distinct "facial-character types": acquisitive-shrewd, dissipated, bad-tempered, determined, suave-obsequious, artistic-imaginative, credulous-impractical, magnetic, excitable-impetuous, self-conscious, crafty-self-centered, pleasant-cheerful, and narrow-minded-stubborn. There are four sets of playing cards: eye cards, nose cards, mouth cards, and type cards.

    646244

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    Rambles through our country : an instructive geographical game for the young

    Visual Materials

    Image of a pictorial map of the United States used as an interactive game board. Regional landmarks and natural features of each state are illustrated with simplistic and exaggerated imagery (i.e. waterfalls, mountains, wild animals, government buildings, foliage). Specific areas on the map are numbered. The print has two vignettes, one on the upper right corner which depicts the Statue of Liberty, an American Eagle and American flags next to text that reads, "The Rising Generation." Another vignette located on the bottom left corner of the print depicts a dramatized image of four indigenous people holding rifles while hiding out amongst trees on a hill watching over a train that passes by below. Bodies of water are shown bordering the map, illustrated with sails and ferries.

    priJLC_SPO_005003

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    People playing cards on beach; women holding oversize playing cards

    Visual Materials

    This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.

    photCL 555

  • Initiatory Drawing Cards, Part I

    Initiatory Drawing Cards, Part I

    Visual Materials

    One set of drawing cards entitled Initiatory Drawing Cards, Part I, by B.F. Nutting, printed by M. J. Whipple, Boston, Massachusetts, 1848. Originally the set came with 18 cards; only seventeen are present in this set--card 10 is missing. Each of the cards is single-sided, and bear a "1" in the upper left-hand corner and a different number in the upper right-hand corner. One card is unnumbered and appears to have been added at a later time. The cards are each described in an instructional pamphlet, eight pages in length, which is entitled Initiatory Drawing Cards, In Four Parts: Eighteen Cards in Each, Presenting Carefully Drawn Examples, and Accompanied by Directions Illustrating the First Principles of Drawing; for the Use of Schools and Families. The pamphlet also features instructions in basic drawing techniques. On the upper right-hand corner of the pamphlet's cover there is a handwritten note, in pencil, which reads "17 (of 18) cards / #10 Lacking/ 35-/ c.f. xix of Drepperd Amer. Draw. [?] NY 1946." The cards and the pamphlet were originally enclosed in an envelope with a green-criss-cross design.

    ephKAEE