Rare Books
To the American people
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Felipe letter to the marqués de Branciforte
Manuscripts
This letter concerns details of the Pious Fund, which benefitted missions in California starting in 1796. In Spanish.
mssHM 4074
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People and culture: Native Americans
Visual Materials
The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.
priJLC_SMUS
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The Bamboo People : the law and Japanese-Americans
Rare Books
Pioneering Nisei attorney Frank F. Chuman (1917- ) was active in many of the key civil rights-related cases in the early postwar era. He is also credited with being one of the first to come up with the concept of reopening the wartime cases using the writ of error coram nobis. During his time in law school, he worked at the Los Angeles County Probation Department. Following Executive Order 9066, Chuman was placed on "leave of absence" from his job, and subsequently taken away and confined at Manzanar. Chuman left Manzanar in the fall of 1943 to continue his legal studies. During the postwar years, he served as legal counsel for the national JACL from 1953-60 and as its national president from 1960-62. During his term as president, Chuman negotiated with UCLA president, Franklin Murphy, the creation of the Japanese American Research Project (JARP), to be housed at UCLA, with archives holding rare materials on Japanese immigrants. In connection with JARP, Chuman devoted several years of research, when he could get away from his law practice, to the creation of a legal history of Japanese Americans, including the evolution of legislation and jurisprudence in regard to immigration restrictions, alien land laws, wartime confinement and other subjects. Chuman's book remains the standard work in that area
655028
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People and culture: African Americans A-B by title
Visual Materials
The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.
priJLC_SMUS
Image not available
People and culture: African Americans A-D by title
Visual Materials
The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.
priJLC_SMUS