Rare Books
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
The collection focuses on Freeman's travel writings from the early 1900s through the 1950s, and includes unpublished book and article manuscripts, published articles in printed journals, and correspondence with various agents and publishers regarding Freeman's writing submissions. The collection also includes some personal manuscripts, photographs, and diaries.
mssFreeman papers
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Manuscripts
The collection chiefly consists of the administrative, scientific, and personal correspondence of Walter S. Adams spanning the years 1921 to 1956, including his work during World War II. Adams and the observatory staff worked, in secret, with the U.S. government and helped create prisms and optics for various types of binoculars and gun sights; the staff also assisted with aerial and naval defense and attack strategy. There is also material from Adams' retirement years. The collection also contains manuscripts and photographs (some of which are of the B-29 bomber), also dealing with Adams' astronomical work.
mssAdamsw
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Visual Materials
The photographs in this collection depict Hopi natives and their families; the Hopi villages of Oraibi and Mishongnovi; the Snake Dance; the Antelope Dance; the Blue Flute Ceremony; the race before the Snake Dance; initiation ceremonies into the Snake Society; kivas; the altar of the Blue Flute Society; preparations for the Blue Flute Ceremony; and crypts (in which smallpox victims were burned) being used as a storage area. There are also photographs of Earle R. Forrest traveling through Arizona and Louis Akin observing the Snake Dance ceremony. A photograph of an amphitheater in Wupatki National Monument and a photograph of a stone serpent head at a temple of Quetzalcoatl in San Juan Teotihuacán, Mexico are included. It appears from the photo captions that Forrest placed these photos in the collection to help explain the origins of the Hopi Snake Dance.
photCL 126
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Visual Materials
The photographs in this collection depict Hopi natives and their families; the Hopi villages of Oraibi and Mishongnovi; the Snake Dance; the Antelope Dance; the Blue Flute Ceremony; the race before the Snake Dance; initiation ceremonies into the Snake Society; kivas; the altar of the Blue Flute Society; preparations for the Blue Flute Ceremony; and crypts (in which smallpox victims were burned) being used as a storage area. There are also photographs of Earle R. Forrest traveling through Arizona and Louis Akin observing the Snake Dance ceremony. A photograph of an amphitheater in Wupatki National Monument and a photograph of a stone serpent head at a temple of Quetzalcoatl in San Juan Teotihuacán, Mexico are included. It appears from the photo captions that Forrest placed these photos in the collection to help explain the origins of the Hopi Snake Dance.
photCL 126