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Snake priests descending into the Snake kiva on the edge of the dance plaza after the Snake race in the early morning of the Snake Dance. Old Oraibi, Hopi Indian Reservation, Arizona


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    The Snake Dance at Oraibi in 1908. Old Oraibi, Hopi Indian Reservation, Arizona

    Visual Materials

    The photographs in this collection depict Hopi natives and their families; the Hopi villages of Oraibi and Mishongnovi; the Snake Dance; the Antelope Dance; the Blue Flute Ceremony; the race before the Snake Dance; initiation ceremonies into the Snake Society; kivas; the altar of the Blue Flute Society; preparations for the Blue Flute Ceremony; and crypts (in which smallpox victims were burned) being used as a storage area. There are also photographs of Earle R. Forrest traveling through Arizona and Louis Akin observing the Snake Dance ceremony. A photograph of an amphitheater in Wupatki National Monument and a photograph of a stone serpent head at a temple of Quetzalcoatl in San Juan Teotihuacán, Mexico are included. It appears from the photo captions that Forrest placed these photos in the collection to help explain the origins of the Hopi Snake Dance.

    photCL 126

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    Five Snake priests and one Antelope priest (at the right) on the edge of the mesa during the Snake Race on the day of the public Snake Dance at Mishongnovi. Mishongnovi, Hopi Indian Reservation, Arizona

    Visual Materials

    The photographs in this collection depict Hopi natives and their families; the Hopi villages of Oraibi and Mishongnovi; the Snake Dance; the Antelope Dance; the Blue Flute Ceremony; the race before the Snake Dance; initiation ceremonies into the Snake Society; kivas; the altar of the Blue Flute Society; preparations for the Blue Flute Ceremony; and crypts (in which smallpox victims were burned) being used as a storage area. There are also photographs of Earle R. Forrest traveling through Arizona and Louis Akin observing the Snake Dance ceremony. A photograph of an amphitheater in Wupatki National Monument and a photograph of a stone serpent head at a temple of Quetzalcoatl in San Juan Teotihuacán, Mexico are included. It appears from the photo captions that Forrest placed these photos in the collection to help explain the origins of the Hopi Snake Dance.

    photCL 126

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    Snake Dance at Mishongnovi. Old Oraibi, Hopi Indian Reservation, Arizona

    Visual Materials

    The photographs in this collection depict Hopi natives and their families; the Hopi villages of Oraibi and Mishongnovi; the Snake Dance; the Antelope Dance; the Blue Flute Ceremony; the race before the Snake Dance; initiation ceremonies into the Snake Society; kivas; the altar of the Blue Flute Society; preparations for the Blue Flute Ceremony; and crypts (in which smallpox victims were burned) being used as a storage area. There are also photographs of Earle R. Forrest traveling through Arizona and Louis Akin observing the Snake Dance ceremony. A photograph of an amphitheater in Wupatki National Monument and a photograph of a stone serpent head at a temple of Quetzalcoatl in San Juan Teotihuacán, Mexico are included. It appears from the photo captions that Forrest placed these photos in the collection to help explain the origins of the Hopi Snake Dance.

    photCL 126

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    Snake priests dancing with live rattlesnakes held in their mouths. Old Oraibi, Hopi Indian Reservation, Arizona

    Visual Materials

    The photographs in this collection depict Hopi natives and their families; the Hopi villages of Oraibi and Mishongnovi; the Snake Dance; the Antelope Dance; the Blue Flute Ceremony; the race before the Snake Dance; initiation ceremonies into the Snake Society; kivas; the altar of the Blue Flute Society; preparations for the Blue Flute Ceremony; and crypts (in which smallpox victims were burned) being used as a storage area. There are also photographs of Earle R. Forrest traveling through Arizona and Louis Akin observing the Snake Dance ceremony. A photograph of an amphitheater in Wupatki National Monument and a photograph of a stone serpent head at a temple of Quetzalcoatl in San Juan Teotihuacán, Mexico are included. It appears from the photo captions that Forrest placed these photos in the collection to help explain the origins of the Hopi Snake Dance.

    photCL 126

  • Image not available

    A snake priest dancing with a larger rattler held in his mouth. Old Oraibi, Hopi Indian Reservation, Arizona

    Visual Materials

    The photographs in this collection depict Hopi natives and their families; the Hopi villages of Oraibi and Mishongnovi; the Snake Dance; the Antelope Dance; the Blue Flute Ceremony; the race before the Snake Dance; initiation ceremonies into the Snake Society; kivas; the altar of the Blue Flute Society; preparations for the Blue Flute Ceremony; and crypts (in which smallpox victims were burned) being used as a storage area. There are also photographs of Earle R. Forrest traveling through Arizona and Louis Akin observing the Snake Dance ceremony. A photograph of an amphitheater in Wupatki National Monument and a photograph of a stone serpent head at a temple of Quetzalcoatl in San Juan Teotihuacán, Mexico are included. It appears from the photo captions that Forrest placed these photos in the collection to help explain the origins of the Hopi Snake Dance.

    photCL 126

  • Image not available

    Snake racers coming up the trail from the desert to the rim of the Third Mesa, during the Snake Race in the early morning of the Snake Dance. Old Oraibi, Hopi Indian Reservation, Arizona

    Visual Materials

    The photographs in this collection depict Hopi natives and their families; the Hopi villages of Oraibi and Mishongnovi; the Snake Dance; the Antelope Dance; the Blue Flute Ceremony; the race before the Snake Dance; initiation ceremonies into the Snake Society; kivas; the altar of the Blue Flute Society; preparations for the Blue Flute Ceremony; and crypts (in which smallpox victims were burned) being used as a storage area. There are also photographs of Earle R. Forrest traveling through Arizona and Louis Akin observing the Snake Dance ceremony. A photograph of an amphitheater in Wupatki National Monument and a photograph of a stone serpent head at a temple of Quetzalcoatl in San Juan Teotihuacán, Mexico are included. It appears from the photo captions that Forrest placed these photos in the collection to help explain the origins of the Hopi Snake Dance.

    photCL 126