Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
Image not available
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Image not available
Rare Books
Folder contains an invoice from the "'Old Corner Bookstore,' Springfield, Mass." sending this map to the Southern Historical Society in Richmond, Va. "on approval" for 50 cents. "By Franklin Leonard Pope, Member of Berkshire Historical and Scientific Society." Prime meridian: GM. Relief: hachures. Projection: Cylindrical. Printing Process: Lithography. Verso Text: Huntington sticker 116134..
116134

Rare Books
Image contains a map showing the area from Pine Street to Vallejo Street (left to right) and from Front Street to Dupont Street (bottom to top). The darkened portions of the map indicate where the fire was. There are fifty-four numbered destroyed buildings on the map, and twenty-three lettered saved buildings. Below the map is a key for these labeled buildings, indicating the occupants and material used in their construction. "S.J. Gower del. Fishbourne's Lithog. Ohio Street, San Francisco."--text, below map. Paper color: gray.
48052:122
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Visual Materials
Printer: Fishbourne, R.W, 1836-1862, San Francisco (Calif.). Printer: Gower, S.J., San Francisco (Calif.)
priJLC_TRAV_006056
Image not available
Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers. Photographers represented in the collection are: Archer's Art Shop of Los Angeles; Hollywood photographers Irving Archer; Archer's Studios; Curt Fox; Paralta Studios; and Harry Wenger. A few photographs include the imprints of Peerless Photo of Los Angeles, John Sirgio, H.W. Steward of San Francisco, Talbot of New York, Weaver of Los Angeles, and White Studio of New York.
photCL 487