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Visual Materials
Photographs of the American West, dating from the 1870s to the 1890s, collected by Carl S. Dentzel (1913-1980), director of the Southwest Museum in Los Angeles, California, including a disbound album of photographs of Alaska taken by A. L. Broadbent. These views show Revenue Cutter Service ships and officers; Alaskan natives; towns; scenery; the fur trade and mission schools. Other notable photographs in this collection include portraits of John C. Frémont, Harrison Gray Otis, and John A. Sutter; a series of Lake Tahoe card photographs; and views of early western settlers around the time of the Oklahoma Land Rush of 1889. The collection also depicts Alaskan native graves; missionaries; walrus hunting; whaling ships; totem poles; officers in the U.S. Revenue Cutter Service; vacationers throughout California; the logging industry; Kingston, New Mexico; Greek Orthodox church buildings; the first grand jury in Nome, Alaska; James Gilchrist Swan; and a portrait of one of the collection's photographers, Alfred Lee Broadbent. Photographers who contributed to this collection include William C. Billington, Alfred Lee Broadbent, F. Davey, Edward De Groff, Charles D. Kirkland, D. S. Mitchell, C.H. Shaffner, Julius Ulke, and Raper James Waters.
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Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
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Rare Books
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