Verso

Home to gorgeous gardens, spectacular art, and stunning rare books and manuscripts, The Huntington also offers an impressive slate of lectures and conferences on topics and themes related to its collections. Featured are audio recordings of five recent lectures and conversations.

The summer day simmered. As artist Mario Ybarra Jr., his assistant Jennifer Vanegas, and I strolled through the gardens under the shade of carefully trimmed foliage, steam rose from the warm, dark earth underfoot...

What wildly popular 19th-century painter had throngs of Londoners lining up to catch a glimpse of canvases so sensational and operatic that some swooned at the sight?

In John George Brown's Scraping a Deerskin of 1904, sunshine bathes the inside of a toolshed. The light flows from a window that frames a cheery, rural landscape. Yet inside the shed, a rather gruesome scene unfolds.

During their summer break, 30 selected teachers participated in the first Huntington Voices teacher institute, spending a week on site to learn from Education staff and others how to use The Huntington's collections to strengthen their student's voices through writing, spoken language, performance, and visual and media arts.

This month, Los Angeles Times employees decamp from their namesake building at the corner of First and Spring streets downtown. After 83 years of occupying the building, the Times is moving staff to a new home in El Segundo—leaving behind a monumental icon of the city's Art Deco period.

The master gardeners who volunteer each Saturday at the Huntington Ranch Garden Open House are the perfect hosts for this one-of-a-kind garden experience...

The offerings are explosive: "Balloon Rockets, Devil Bombs, and Barking Dog Cap Bombs, Floating Stars changing colors, making a most beautiful display in the air," reads a fireworks catalog entry. A promotional poster announces Sanderson & Lanergan, pyrotechnists to Boston, and promises a fireworks show, "[f]urnished as usual in the highest style of the art."