News

The Huntington has acquired an ambitious, large-scale masterpiece by 18th-century French portraitist Antoine-François Callet, the official painter of Louis XVI. The work is the fourth in a series of acquisitions made possible by The Ahmanson Foundation.

The Huntington announced the appointment of Diego Godoy as the associate curator of the Library’s California and Hispanic collections. Godoy comes to The Huntington from Duke University Libraries, where he serves as librarian for Latin American, Iberian, and Latino Studies. He begins his new role on Aug. 26.

The Huntington will present the culmination of the national touring exhibition “Raqib Shaw: Ballads of East and West” from Nov. 16, 2024, through March 3, 2025. Raqib Shaw is a London-based artist known for opulent and fantastical works that blend Eastern and Western influences to create mesmerizing paintings that merge fable, history, and autobiography.

The Huntington has appointed Annabel Adams to the position of vice president of communications and marketing. Recently serving as assistant dean of communications at UCLA’s School of Law, Adams has nearly two decades of experience leading communications and marketing teams in higher education, humanities, and legal and health-technology sectors.

The Huntington announced today the appointment of Diva Zumaya as the new associate curator of European art. Zumaya comes to The Huntington from the Los Angeles County Museum of Art (LACMA), where she currently holds the position of associate curator of European painting and sculpture.

New exhibition explores how German Renaissance artist Albrecht Dürer’s travels to Italy and beyond, and the cultural exchange with his contemporaries, transformed European art.

June 1–Sept. 23, 2024
Huntington Art Gallery

The exhibition puts today’s environmental issues in historical context, examining the profound changes that industrialization and a globalized economy have wrought on everyday life, as charted by artists, scientists, and writers during the 19th century.

This exhibition displays 24 objects and a participatory artwork highlighting how historical Chinese gardens have served as spaces that not only delight the senses and nourish the body but also inspire the mind—both intellectually and spiritually.