In 1848, a small group of British artists and writers banded together intent on reforming art. They rejected what they felt was the Royal Academy of Art’s reverence for the elegant but mechanical art of the Italian Renaissance, especially that of the so-called Mannerist painters who followed Michelangelo and Raphael.
In October of 1810, England's King George III slipped into that final madness from which only death would release him, nearly a decade later. The following February,
Some three dozen intricately carved sculptures by Southern California artist John Frame take center stage in a new exhibition that brings together a body of work carefully assembled over the past five years, featuring sculpture, still photography, and stop-motion animation.
John Frame says he was influenced heavily as a young artist by the works of Shakespeare and the illustrations and writings of William Blake; both figure deeply into the current project on display.
Subjects drawn from Greek and Roman mythology have appealed to artists for many centuries. Often dealing with epic struggles, feats of courage, or amorous adventures...
Visually evocative prints and related artwork are featured in an exhibition that explores American artists' innovative and unconventional printmaking techniques in the years during and just after World War II.
Many of the greatest practitioners of landscape painting in Britain also were actively engaged in printmaking. "Picturesque to Pastoral" explores the graphic side of landscape in British art from the 18th through the 20th century.