Reimagined American Art Galleries
As part of The Huntington’s THIS LAND IS… initiative, the reinstallation of the Virginia Steele Scott Galleries of American Art introduces a broad, multicultural narrative of American art.
The THIS LAND IS… initiative launches in September 2025 with the debut of the Zebulon Trickey House Mural, a 19th‑century landscape originally created for a New England residence. In December 2025, the reinstallation of six additional permanent-collection galleries will build on “Borderlands,” a permanent collection initiative begun in 2021, to provide a more expansive view of American art history from the colonial period through the 19th century.
The reimagined galleries will feature approximately 135 objects—including paintings, sculptures, works on paper, and decorative arts.
Highlights
- Recently acquired works by Grafton Tyler Brown, Toshio Aoki, Agostino Brunias, and Jean‑Baptiste Carpeaux
- Rarely seen objects from The Huntington’s art and library collections
- Contemporary works by such artists as Kara Walker, Nari Ward, and Todd Gray, offering dialogues between past and present








Todd Gray, Rome Work (Niobe and her Chirren), 2023. Archival pigments prints in artist's frame, UV laminate, 45 x 108 x 4 3/4 inches. © Todd Gray. Courtesy the artist and Lehmann Maupin, New York, Seoul, and London. Photo by Jeff McLane.
Toshio Aoki, Untitled (Goddess), ca. 1900, watercolor on paper, 22 × 14 in. Promised gift of Robert Hori.
| The Huntington Library, Art Museum, and Botanical Gardens.Kara Walker, Freedom, A Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times, 1997, bound volume of off-set lithographs and five laser-cut, pop-up silhouettes on wove paper, brown leather binding book, 9 1/2 × 8 1/2 × 3/4 in. Purchased with funds from the Kelvin Davis Endowment. © Kara Walker.
| The Huntington Library, Art Museum, and Botanical Gardens.Nari Ward, Anchoring Escapement; Baule, 2018, grandfather clock case, copper sheet with patina, copper nails, and African statue. Purchased with funds from the estate of George and Nancy Parsons. Courtesy of the artist. © Nari Ward.
| The Huntington Library, Art Museum, and Botanical Gardens.Jean-Baptiste Carpeaux (French, 1827 – 1875), Why Born Enslaved! 1868 (1872). Terracotta, 23 1/2 × 19 × 12 in. Photo courtesy of Schoelkopf Gallery. Purchased with funds from the Art Collectors' Council, with additional support from the Frances Crandall Dyke Bequest, and the Caillouette Acquisition Endowment for British and Continental Art.
| The Huntington Library, Art Museum, and Botanical Gardens.Agostino Brunias, Flower Girls of Dominica, n.d., oil on canvas, 11 3/4 × 9 1/8 in. Purchased with funds from the Art Collectors' Council, with additional support from the Schweppe Art Acquisitions Fund, the Connie Perkins Endowment and the estate of George and Nancy Parsons.
Thomas Cole, Portage Falls on the Genesee, ca. 1839. Oil on canvas, 84 1/4 x 61 1/4 in. Gift of The Ahmanson Foundation.
| The Huntington Library, Art Museum, and Botanical Gardens.Jonathan D. Poor, Water wall, ca. 1835, pigment, glue, and distemper on lime plaster, 68 5/8 × 143 × 3 in. Gift of Jonathan and Karin Fielding.
| The Huntington Library, Art Museum, and Botanical Gardens.Special Feature
As part of the reinstallation, The Huntington debuts a dedicated space for film screenings in partnership with Ghetto Film School. The venue will showcase original short films by teenage filmmakers in creative conversation with The Huntington’s collections.
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