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Born in the Atwater Village neighborhood of Los Angeles, Bachardy grew up steeped in the culture of movies. His mother fostered this love, saving money to take him and his brother Ted to the movie theater each week. He has said that, from age 5, he was devoted to the movies and began drawing copies of the photographs of actors and actresses he saw in fan magazines. When they grew older, he and Ted would sneak into movie premieres, taking pictures with stars including Marilyn Monroe and Humphrey Bogart. “I always felt so lucky, even as a kid, to be living in the same place that the movies were made in,” he said.
Ted Bachardy, Don and Marilyn Monroe, 3 1/2 × 3 1/2 in. Don Bachardy Papers.
| The Huntington Library, Art Museum, and Botanical Gardens.Bachardy began college at UCLA to study modern languages, transferred to Los Angeles City College, returned to UCLA, and then dropped out. By that time, he had met Christopher Isherwood.
In 1953, when he was 18, Bachardy met writer Christopher Isherwood, who was 48, at the beach in Santa Monica. They became a couple almost instantly and stayed together until Isherwood died in 1986. Isherwood was a well-established writer who had published several novels and screenplays, and their Santa Monica home became an epicenter for performers, writers, directors, producers, choreographers, composers, and other important cultural figures. Through Isherwood, Bachardy had access to the people he had long admired and he drew portraits of many of them, including Bette Davis, Joan Crawford, and Katharine Hepburn.
Early on, Isherwood encouraged Bachardy’s drawing and was his first in-person, live subject. Financially supported by Isherwood, Bachardy began studying art formally, enrolling at Chouinard Art Institute (now CalArts), and starting a daily practice of drawing from life. He also traveled in Europe and lived for a time in London, where he had his first gallery exhibition in 1961.
Throughout their relationship, Bachardy and Isherwood supported each other’s creative work, sharing it daily. Isherwood was Bachardy’s most frequent sitter, the subject of more than 1,000 portraits. When Isherwood was dying of cancer, they agreed that Bachardy would paint him every day to chronicle his decline with honesty. Over the course of six months, Bachardy made 447 portraits of Isherwood.
When Bachardy doesn’t have a sitter to draw, he turns to himself, even though he is not his preferred subject. He has said of his self-portraits, which he creates using a mirror, “When I feel I have a fierce need to work, and it is so fierce I can even get myself to do another self-portrait. The subject just couldn’t interest me less. But if I have to work, I have to find something there to work with.” These self-portraits present an unsparing insight into growing older.
This painting, Self-portrait, August 8, 2018, is Bachardy at 84 years old. His face takes up approximately two-thirds of the paper, and he stares directly at the viewer with a slight frown. His white hair is cropped close, and he has some facial hair. The blue of his tank top echoes in some of the detailing of his skin, face, and hair. His direct gaze challenges the viewer to take him as he is, wrinkles and all.
Bachardy asks almost everyone he meets to sit for him and has said, “I have drawings and paintings of just about everybody I have known in the past 40 years, including the most casual friends.” Each portrait is done in silence for several hours at a time. He often gets as close as possible to his subject, sometimes just a few inches away.
The paper Bachardy uses dictates each artwork’s scale. He prefers paper instead of canvas because of its smooth surface. Before Isherwood’s death, he rarely used color but developed a palette of colors afterward using acrylic paint. Brightly colored acrylic is ideal for Bachardy’s portraits because it’s easy and quick to work with.
Bachardy aims to portray each person as he sees them and devotes much energy to getting it right. He starts with the eyes as he has said those are the most important feature, though he believes the mouth is where a person expresses their personality. The portrait may not be flattering, but it is true to life. To authenticate the work and declare the portrait a collaboration between artist and subject, Bachardy asks the sitter to sign and date it.
Author
Kim Tulipana is associate director of Public, School, and Digital Programs at The Huntington.
Reviewers
Dora Dalton is a freelance writer and editor.
Karla Nielsen is senior curator of Literary Collections at The Huntington.
Kristen Anthony is assistant curator for Special Projects at The Huntington.
Sarah Francis is assistant curator of Literary Collections at The Huntington.
Victoria Gonzalez is a digital learning specialist at The Huntington.
Bachardy, D. (2009). Christopher Isherwood; Last Drawings. Chiem & Read. https://cheimread.com/exhibitions/112-don-bachardy-christopher-isherwood-last-drawings.
Bachardy, D. (artist), D. Carr (editor), K. Nielsen (editor), S. Brooke Gordon (foreword by), and C. Nielsen. (2025). Don Bachardy: A Life in Portraits. The Huntington Library, Art Museum, and Botanical Gardens.
Cirigliano, Michael II. (2018, Feb. 7). “Exploring the Love Letters of Christopher Isherwood and Don Bachardy.” Perspectives. https://www.metmuseum.org/perspectives/animals-love-letters-christopher-isherwood-don-bachardy.
Drohojowska-Philp, H. (2025, Mar. 24). “A Lifetime of Portraits.” Alta. https://www.altaonline.com/culture/art/a63905202/don-bachardy-huntington-portraits-exhibition.
Gelt, J. (2014, Nov. 28). “Don Bachardy Puts Honest Face on Fame in ‘Hollywood.’” L.A. Times. https://www.latimes.com/entertainment/arts/la-et-cm-don-bachardy-hollywood-20141130-story.html.
Griffin, J. (2023, Feb. 10). “Don Bachardy: The Man Who Drew Joan Didion (and Everyone Else).” Frieze. https://www.frieze.com/article/don-bachardy-frieze-la-2023.
Harrity, C. (2014, Sept. 29). “The Enduring Love and Exquisite Observations of Don Bachardy.” Advocate. https://www.advocate.com/arts-entertainment/art/2014/09/29/enduring-love-and-exquisite-observations-don-bachardy.
LAist. (2014, Dec. 9). “Don Bachardy’s ‘Hollywood’: Celebrity Portraits and Time Machines.” https://laist.com/podcasts/off-ramp/don-bachardys-hollywood-celebrity-portraits-and-time-machines
Huntington, The. (2022, Apr. 27). “Skill, Speed, and Diplomacy: The Artistic Achievement of Don Bachardy.” YouTube. youtube.com/watch?v=FH9kMPWFoys.
KPBS Public Media. (2015, Sept. 9). “Don Bachardy’s Hollywood Portraits Make County Debut in Chula Vista.” YouTube. youtube.com/watch?v=b5dZX6FKWxQ,
Morgan, S. (2010, Oct. 12). “Don Bachardy: Regarding Portraits.” East of Borneo. https://eastofborneo.org/articles/don-bachardy-regarding-portraits.
Outwords. (2024, Mar. 26). “Gay Painter Don Bachardy: ‘An Identity of My Own.” YouTube. youtube.com/watch?v=ayZBg_pWu7k.
Smithsonian Archives of American Art. (2009). “Oral History Interview with Don Bachardy.” https://www.aaa.si.edu/download_pdf_transcript/ajax?record_id=edanmdm-AAADCD_oh_286032.
Zhong, F. (2015, Jan. 14). “Don Bachardy: The Stars in His Eyes.” W Magazine. https://www.wmagazine.com/story/don-bachardy-hollywood-portraits.