Collages
Untitled
1 of 2
The Celtic design Cornell featured in this collage reflects his interest in abstraction. He had incorporated geometric abstraction into his boxes as early as the 1940s, and by the 1960s explored organic forms. The seemingly careless drips of blue pigment in the upper left may denote the influence of the gestural painting style of Abstract Expressionists. In the 1940s and 1950s, Cornell became friends with several artists associated with Abstract Expressionism, including Robert Motherwell, Franz Kline, and Willem de Kooning.





