Visual Materials

Color folk art prints of English race horses

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Description: Four prints adhered to glass, with paint added to the back of the images, possibly in the 19th century. Three are in matching black wood frames with rough wood backings; one is unframed. The images are folk art of men holding horses, with a rural background. At the bottom, text gives the name of the horse, the owner, the races won and prize money. Also on prints: Printed for Robert Sayer at no. 53 Fleet Street and Published 1 July 1770.
Type: Visual Materials(Opens in new tab)
Production date: 1770.
Call number: priSayer
Provenance: Gift of Courtland Palmer, May 2018.
Restrictions: Open for use by qualified researchers and by appointment. Please contact Reader Services at the Huntington Library for more information.
Rights: The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining permission rests with the researcher.

Two horses at gate of snow covered corral at Vermejo Ranch

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Black and white photograph of two horses at the gate of a snow covered corral. Rough wood fences and trees visible.

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The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

photCL 402

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This series contains 51 large color prints, generally 11 x 18 inches to 22 x 34 inches in size. Includes several proof prints with lithographic markings, and some lithographs of artwork. One photograph is included here, with the matching print.

645655

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Visual Materials

Maynard L. Parker negatives, photographs, and other material consists of 57,893 black-and-white negatives, color transparencies, black-and-white prints, and color prints; 39 presentation albums; and 17 boxes of office records, 1930-1974. Created primarily by Maynard Parker, the archive documents the residential and non-residential work of architects, interior designers, landscape architects, artists, builders, real estate developers, and clients associated with these fields, foremost among them the magazine House Beautiful. Also included in the collection are photographs taken by other individuals, such as architect Cliff May and Parker's assistant, Charles Yerkes.

photCL MLP

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Folk art

Visual Materials

The collection consists of 6202 black-and-white and color photographs, pen and ink drawings, and postcards, 1412 black-and-white and color negatives, 2606 black-and-white and color slides, and ephemeral materials, 1898-1982 (bulk 1920s-1930s) collected by the Automobile Club of Southern California. They form a general photographic reference collection as well as a broad visual survey of topics of interest to California motorists. Included are images of sites in North and Central America (with an emphasis on California), Europe, the Pacific Islands, and portraits, as well as images related to other subjects of interest to the Club's membership. Many of the images were published as illustrations for articles in the Club's first member magazine, Touring Topics. A large portion of the photographs were taken by authors of articles that appeared in Touring Topics; others were commissioned by the Club; and others appear to have been sent to the Club. Photographers (and authors) include, but are not limited to, Ansel Adams, Fred Archer, Viroque Baker, George Hugh Banning, Adelbert Bartlett, Virginia S. Bartlett, Andrew R. Boone, Julius Cindrich, Norman Clyde, Will Connell, Loyd Cooper, Imogen Cunningham, Asahel Curtis, Edward Sheriff Curtis, Fred Dapprich, E.H. Davis, E.E. East, John Anson Ford, Frasher, Ewing Galloway, Forman G. Hanna, Phil Townsend Hanna, Hoag and Ford, John Edwin Hoag, Bert W. Huntoon, Philip Johnston, Dr. Frederick Monsen, Dave Packwood, C.C. Pierce, Ernest M. Pratt, Putnam Studios, E. Willard Spurr, and John L. Von Blon.

photCL 375

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Photographs, notes, sketches, colored prints, bills, receipts, pamphlets, clippings, and ephemera

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A collection of material related to the life and career of Benson John Lossing. The collection includes correspondence, documents, drawings, photographs, a ciphering book, printed material, and ephemera. The correspondence deals with Lossing's business and social affairs; also included are letters written by his son, Edwin Lossing, concerning his position and the loss of it in the United States Navy. The drawings range from rough pencil sketches to finished ink wash drawings; a majority of them are identified. The eighteen photographs were probably used as illustrations in his books. There are also miscellaneous photographic prints, newspaper clippings, and ephemera.

mssLS2

Color folk art prints of English race horses

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Two horses at gate of snow covered corral at Vermejo Ranch

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