Visual Materials
Jewish New Year greeting cards
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Christmas and New Year's Eve greeting cards
Visual Materials
Includes dimensional, mechanical, and flat greeting cards. The cards in folder 4 include pressed flower petals and leaves.
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Christmas and New Year's Eve greeting cards, by company
Visual Materials
The Nancy and Henry Rosin collection of valentine, friendship, and devotional ephemera contains materials from Europe and North America dating from 1493 to the late 2010s. The bulk of the collection consists of greeting cards exchanged on Valentine’s Day, dating from approximately 1840 to 1930. Early handcrafted valentine cards found within the greeting cards subseries demonstrate folk art methods of pinpricking, paper cutting, paper folding, painting, puzzle making, and illustration. Other cards dating from the Victorian era include comic or “vinegar” valentines, paper lace valentines, cobweb valentines, and cards created by various printing, embossing, and assemblage techniques. Many of the late 19th-century cards are dimensional and mechanical paper constructions, made with a combination of die-cut scraps, honeycomb tissue paper, and levers, strings, or wheels that enable the cards to pop-up or move. Also included in the collection are greeting cards exchanged for other holidays and events, friendship cards dating from the Biedermeier era, friendship albums with locks of hair, language of flowers almanacs and booklets, matrimonial documents, sachets, verse writers, religious devotional items, mourning cards, scrapbook albums, and correspondence relating to love and courtship. The collection also contains artifacts and three-dimensional items such as fans, jewelry boxes, shadow boxes, and additional items, some of which include fragile, glass components. Smaller portions of the collection include educational ephemera, such as rewards of merit and bookmarks, and American Civil War ephemera, such as greeting cards and song sheets. Additional materials include artist and organizational files relating to illustrator Catherine “Kate” Greenaway, printer Louis Prang, and 20th-century greeting card companies Rust Craft and Norcross. The last series of this collection contains research materials compiled by valentine scholar Charles Albert Reed and by Nancy Rosin. The materials consist largely of secondary sources, notes, and newspaper clippings.
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Leap Year greeting cards
Visual Materials
The Nancy and Henry Rosin collection of valentine, friendship, and devotional ephemera contains materials from Europe and North America dating from 1493 to the late 2010s. The bulk of the collection consists of greeting cards exchanged on Valentine’s Day, dating from approximately 1840 to 1930. Early handcrafted valentine cards found within the greeting cards subseries demonstrate folk art methods of pinpricking, paper cutting, paper folding, painting, puzzle making, and illustration. Other cards dating from the Victorian era include comic or “vinegar” valentines, paper lace valentines, cobweb valentines, and cards created by various printing, embossing, and assemblage techniques. Many of the late 19th-century cards are dimensional and mechanical paper constructions, made with a combination of die-cut scraps, honeycomb tissue paper, and levers, strings, or wheels that enable the cards to pop-up or move. Also included in the collection are greeting cards exchanged for other holidays and events, friendship cards dating from the Biedermeier era, friendship albums with locks of hair, language of flowers almanacs and booklets, matrimonial documents, sachets, verse writers, religious devotional items, mourning cards, scrapbook albums, and correspondence relating to love and courtship. The collection also contains artifacts and three-dimensional items such as fans, jewelry boxes, shadow boxes, and additional items, some of which include fragile, glass components. Smaller portions of the collection include educational ephemera, such as rewards of merit and bookmarks, and American Civil War ephemera, such as greeting cards and song sheets. Additional materials include artist and organizational files relating to illustrator Catherine “Kate” Greenaway, printer Louis Prang, and 20th-century greeting card companies Rust Craft and Norcross. The last series of this collection contains research materials compiled by valentine scholar Charles Albert Reed and by Nancy Rosin. The materials consist largely of secondary sources, notes, and newspaper clippings.
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Christmas and New Year's Eve greeting cards, unknown creator
Visual Materials
The Nancy and Henry Rosin collection of valentine, friendship, and devotional ephemera contains materials from Europe and North America dating from 1493 to the late 2010s. The bulk of the collection consists of greeting cards exchanged on Valentine’s Day, dating from approximately 1840 to 1930. Early handcrafted valentine cards found within the greeting cards subseries demonstrate folk art methods of pinpricking, paper cutting, paper folding, painting, puzzle making, and illustration. Other cards dating from the Victorian era include comic or “vinegar” valentines, paper lace valentines, cobweb valentines, and cards created by various printing, embossing, and assemblage techniques. Many of the late 19th-century cards are dimensional and mechanical paper constructions, made with a combination of die-cut scraps, honeycomb tissue paper, and levers, strings, or wheels that enable the cards to pop-up or move. Also included in the collection are greeting cards exchanged for other holidays and events, friendship cards dating from the Biedermeier era, friendship albums with locks of hair, language of flowers almanacs and booklets, matrimonial documents, sachets, verse writers, religious devotional items, mourning cards, scrapbook albums, and correspondence relating to love and courtship. The collection also contains artifacts and three-dimensional items such as fans, jewelry boxes, shadow boxes, and additional items, some of which include fragile, glass components. Smaller portions of the collection include educational ephemera, such as rewards of merit and bookmarks, and American Civil War ephemera, such as greeting cards and song sheets. Additional materials include artist and organizational files relating to illustrator Catherine “Kate” Greenaway, printer Louis Prang, and 20th-century greeting card companies Rust Craft and Norcross. The last series of this collection contains research materials compiled by valentine scholar Charles Albert Reed and by Nancy Rosin. The materials consist largely of secondary sources, notes, and newspaper clippings.
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Subseries A. Greeting cards
Visual Materials
The subseries contains greeting cards created for Valentine's Day. Included are handmade cards with theorem painting, paper cut work (Scherenschnitte), rebus puzzles, frakturs, puzzle purses, endless knots, pinpricking, and other folk art methods. Also included are greeting cards created during the Victorian era by English and American stationers, makers, and distributors such as Joseph Addenbrooke, Dobbs and Co., Thomas De La Rue, Esther Howland, Jonathan King, Joseph Mansell, and George C. Whitney which demonstrate various methods of design and production, often on intricate paper lace with embossing, scrap assemblage, and other illustrative and printing techniques. This subseries also contains comic or "vinegar valentines" created by publishers McLoughlin Bros. and Raphael Tuck & Sons, and printers A. Park, A.J. Fisher, Marks & Sons, and Thomas W. Strong. Many of the comic valentines are illustrated by Charles Howard who worked for the various publishers. Of note are dimensional and mechanical valentines, which either have mechanical levers, honeycomb tissue paper, paper wheels, or pulls to hold the cards up or move in different directions.
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Devotional cards
Visual Materials
Folders include dimensional and mechanical greeting cards with images of Christ, the Virgin Mary, angels, and other religious motifs.
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