Creators and performers: European American men, F-Hall | Collections | The Huntington

Creators and performers: European American men, F-Hall | Collections | The Huntington

You might also be interested in

Image not available
Creators and performers: European American men, Hi-J
Visual Materials
The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.
priJLC_SMUS
Image not available
Creators and performers: European American men, K-M
Visual Materials
The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.
priJLC_SMUS
Image not available
Creators and performers: European American men, Cantor-E
Visual Materials
The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.
priJLC_SMUS
Image not available
Creators and performers: European American men, 1st-Cantor
Visual Materials
The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.
priJLC_SMUS
Image not available
Creators and performers: European American men, N-S
Visual Materials
The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.
priJLC_SMUS
Image not available
Creators and performers: European American men, E.T. Paull
Visual Materials
The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.
priJLC_SMUS