Visual Materials
Science (between 8 x 10 inches and 11 x 14 inches in size)
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Science (8 x 10 inches or smaller in size)
Visual Materials
The Jay T. Last collection of science prints and ephemera contains approximately 40 printed items related to science and natural history in the United States from approximately 1843 to 1921, with the bulk of the content dating from 1880 to 1900. Most items are lithographs, but engravings and woodcuts are also included. The collection deals with products, services, activities, and imagery relating to the pursuit of knowledge by observation and/or experimentation in the fields of physical science: astronomy, chemistry, earth science, ecology, oceanography, and physics; life science: biology, botany, and zoology; and pseudoscience: astrology, alchemy, occult beliefs, and phrenology. Scientific illustrations, equipment, lectures, and expeditions of discovery can be found here. As graphic materials, the collection highlights developing techniques and trends in printmaking while documenting the artists, engravers, lithographers, printers, and publishers involved in the creative process. Notable items include a complete set of 15 astronomical drawing prints by E. L. Trouvelot published by Charles Scribner's Sons in 1882.
priJLC_SCI
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Series I. Science Prints and Ephemera (small size)
Visual Materials
The Jay T. Last collection of science prints and ephemera contains approximately 40 printed items related to science and natural history in the United States from approximately 1843 to 1921, with the bulk of the content dating from 1880 to 1900. Most items are lithographs, but engravings and woodcuts are also included. The collection deals with products, services, activities, and imagery relating to the pursuit of knowledge by observation and/or experimentation in the fields of physical science: astronomy, chemistry, earth science, ecology, oceanography, and physics; life science: biology, botany, and zoology; and pseudoscience: astrology, alchemy, occult beliefs, and phrenology. Scientific illustrations, equipment, lectures, and expeditions of discovery can be found here. As graphic materials, the collection highlights developing techniques and trends in printmaking while documenting the artists, engravers, lithographers, printers, and publishers involved in the creative process. Notable items include a complete set of 15 astronomical drawing prints by E. L. Trouvelot published by Charles Scribner's Sons in 1882.
priJLC_SCI
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Series II. Science Prints and Ephemera (large size)
Visual Materials
The Jay T. Last collection of science prints and ephemera contains approximately 40 printed items related to science and natural history in the United States from approximately 1843 to 1921, with the bulk of the content dating from 1880 to 1900. Most items are lithographs, but engravings and woodcuts are also included. The collection deals with products, services, activities, and imagery relating to the pursuit of knowledge by observation and/or experimentation in the fields of physical science: astronomy, chemistry, earth science, ecology, oceanography, and physics; life science: biology, botany, and zoology; and pseudoscience: astrology, alchemy, occult beliefs, and phrenology. Scientific illustrations, equipment, lectures, and expeditions of discovery can be found here. As graphic materials, the collection highlights developing techniques and trends in printmaking while documenting the artists, engravers, lithographers, printers, and publishers involved in the creative process. Notable items include a complete set of 15 astronomical drawing prints by E. L. Trouvelot published by Charles Scribner's Sons in 1882.
priJLC_SCI
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Jay T. Last Collection of Science Prints and Ephemera
Visual Materials
The Jay T. Last Collection of Science Prints and Ephemera contains approximately 40 printed items related to science and natural history in the United States from 1840 to approximately 1921, with the bulk of the content dating from 1880 to 1900. Most items are lithographs, but engravings and woodcuts are also included. The collection deals with products, services, activities, and imagery relating to the pursuit of knowledge by observation and/or experimentation in the fields of physical science: astronomy, chemistry, earth science, ecology, oceanography, and physics; life science: biology, botany, and zoology; and pseudoscience: astrology, alchemy, occult beliefs, and phrenology. Scientific illustrations, equipment, lectures, and expeditions of discovery can be found here. As graphic materials, the collection highlights developing techniques and trends in printmaking while documenting the artists, engravers, lithographers, printers, and publishers involved in the creative process. Materials are arranged in two series: small-size items (11 x 14 inches or less) and large-size items (more than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and select small-size items are fully inventoried with printers, artists, and publishers indexed by name. The collection includes 26 large-size items comprised mainly of astronomy and natural history prints. Small-size items number approximately 15 and contain a variety of materials, including trade cards, leaflets, documentary prints, and printed billheads and letterheads (with manuscript text). Notable items include a complete set of 15 astronomical drawing prints by E. L. Trouvelot published by Charles Scribner's Sons in 1882 (Series II).
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Livestock (between 8 x 10 inches and 11 x 14 inches in size)
Visual Materials
The Jay T. Last collection of agriculture prints and ephemera contains roughly 2,115 items from approximately 1818 to 1924, with the majority of material dating from 1850 to 1900. The collection consists mainly of advertising prints and ephemera related to crop, hay, livestock, and dairy farming, including the tools, equipment, supplies, and structures used for cultivating soil; raising, harvesting, and storing crops; irrigating land; growing grasses for animal fodder; marking territory lines or separating fields and pastures; and boarding, breeding, feeding, rearing, tending, and selling farm animals. Agricultural machinery and implement companies dominate. Manufacturers and dealers of fertilizer, windmills, and fencing supplies are also represented, as are veterinary medicine, items used to collect or make dairy products, and items used on horses such as blankets, halters, harnesses, horseshoes, nails, saddles, and riding whips. Certificates issued by or pertaining to agricultural societies and organizations are also found here. The collection's prints and ephemera are primarily promotional in nature and provide information about American farming and agriculture-related industries, as well as the evolution of advertising strategies employed by these businesses in the 19th and early 20th centuries. Materials in this collection also provide a perspective on American membership and participation in various agricultural societies and organizations. As graphic materials, the items offer evidence of printmaking techniques and trends, as well as information about the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_AGR
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Footwear (between 8 x 10 inches and 11 x 14 inches in size)
Visual Materials
The Jay T. Last collection of fashion prints and ephemera contains approximately 7,500 items dating from the 1570s to the early 1900s, with the bulk of the items spanning from 1825 to 1900. This collection consists of fashion plates, advertising prints, broadsides, and promotional ephemera produced for clothiers and tailors, dry goods suppliers, garment manufacturers, fashion publications, and textile companies affiliated with the design, production, and/or sale of clothing, accessories, and dry goods. While most of the materials are American, there are also notable quantities of foreign items in the collection, including French fashion plates, fez labels in several languages, and foreign textile labels. Labels affixed to textile samples of various sizes are also included. Materials are broadly divided into two series: small-size items (11 x 14 inches or smaller) and large-size items (typically larger than 11 x 14 inches). Small-size items are described broadly at the series level; large-size items and select small-size items are fully inventoried with printers, artists, and publishers indexed by name. The collection includes 250 large-size items comprised mainly of lithographic advertising prints and fashion plates. Small-size items number approximately 7,250 and contain a variety of promotional materials including trade cards, calendars, booklets, product labels, fashion plates, periodicals, clippings, and printed billheads and letterheads with manuscript text. Each series is divided into subseries according to the kind of business, service, or trade sponsoring the advertisement. Types of businesses have been identified according to the principal type of product(s) manufactured or sold by the business. These subseries are arranged as follows: Accessories; Clothiers, Tailors, and Dry Goods; Fashion Plates And Periodicals; Footwear; Garments; Headwear; Sewing Supplies; and Textiles. This collection contains many American and European printed illustrations, commonly known as "fashion plates," that typically depict men, women, or children modeling current clothing and dress styles. Small plates (usually 14 x 10 inches or less in this collection) illustrated the pages of magazines and bound volumes that were marketed specifically for women. Larger plates, primarily intended for display, advertised the products and services of fashion designers, tailors, and pattern makers. The collection provides a resource for studying clothing and dress, sales and merchandise, textiles, and sewing, as well as changing fashion trends in the United States and Europe in the 19th century. The images are primarily promotional in nature and provide information about the history of the American fashion, clothing, dry-goods, and textile industries and the evolution of their advertising strategies in the 19th and early 20th centuries. As graphic materials, the prints offer evidence of developing techniques and trends in printmaking, and of the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_FASH