Visual Materials
Philippines exhibit at St. Louis Exposition photographic postcard
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Cabinet photograph of Barasoain y Malolos train station in Bulacan, Philippines
Visual Materials
Cabinet photograph of a street view of the Barasoain y Malolos train station in Malolos, Bulacan, Philippines. The station name is seen on a brick building with a smaller second story that may have been the station master's quarters. A few people are seated on benches under a wide awning. The station was built in 1891, along a route from Manila to Dagupan operated by the Philippine National Railways.
photPF 26023
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Photographic postcards, photographs, and ephemera from the Philippines
Visual Materials
A collection of approximately 300 photographic postcards, 200 color postcards, 200 snapshot photographs, and 23 negatives of people and places in the Philippines. Also included are Philippines postage stamps and peso currency issued under the Japanese government. The imagery covers a range of subject matter and locations within the Philippines, spanning the decades of U.S. control after the end of Spanish colonial government, 1898 to 1946, along with later images dating to 1997. Many postcards have writing and were sent by mail to the U.S. and other locations. Several snapshots appear to have been taken by U.S. servicemen, who also appear in the images with Filipinos. The most recent images are several commercial color postcards produced approximately 1967 to 1997, and a few color photographs from the 1960s to 1980s. Subject matter includes: people in everyday activities, with many Indigenous people represented; social and cultural activities; street and market scenes in Manila and other locations; weaving; religious ceremonies; landscapes; buildings; historic sites; churches; villages; military ships and U.S. servicemen. There are several studio portraits, mostly of women. Please note that this collection contains historical images and language that library users may find harmful, offensive, or inappropriate.
photCL 719
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Japanese occupation of Philippines photograph album
Visual Materials
A photographic regimental history of the Japanese Imperial Army, Watari Philippine Occupation Expeditionary Force, 14th Army unit assigned to the Philippines during World War II. The halftone photographs with captions in Japanese are printed on the album pages, along with a few maps. Written in Japanese inside the front cover: "Suzuki Unit / Matsushima Group / Matsumoto Division." Images include: Military posts throughout the Philippines; broken American and Filipino tanks in Tarlac; destroyed bridges and buildings; Nitsuba house near Antimonan; the Suzuki Division headquarters in San Miguel; Amato jin'ya, or "Confection Barracks/Fort Sweet-Tooth" hung with Japanese flags; group photographs of Japanese Army forces, and others. Also featured is a unit memorial service with a eulogy given by Army Commander Honma Masaharu, who led the Japanese invasion of the Philippines.
photCL 735
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Photographic postcards of individuals and groups in the Philippines
Visual Materials
A group of 29 photographic postcards and snapshots of people and activities in the Philippines prior to World War II. There are also images of indigenous Igorot peoples at the Alaska-Yukon-Pacific Exposition of 1909 in Seattle, Washington, and a few photographs of Filipinos in San Francisco, including a group at the Filipino Community Methodist Church. Photographs taken in the Philippines include studio portraits (some with inscriptions in Tagalog), family groups, children, sports teams, and cock fighting. A 1945 image shows an overview of the Santo Tomas internment camp where Japanese authorities interned civilians during WWII. Some postcards have correspondence in English and were mailed to the United States. Please note that this collection contains historical images and language that library users may find harmful, offensive, or inappropriate.
photCL 739
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Willis J. Raynor photograph album of the Philippine-American War
Visual Materials
An album compiled by Major Willis J. Raynor documenting his experiences in the Philippines during the Philippine-American War (1899-1902), which was waged between the United States and the First Philippine Republic after the Philippines was annexed at the conclusion of the Spanish American War in 1898. The photographs are a mixture of personal snapshots and commercially-produced images, and several have handwritten captions. The album begins with scenes of Fort Logan, Colorado, in 1899, where Raynor was stationed, showing officer's quarters and presumably his wife and small children. The remainder of the album is set in the Philippines and subjects include: Raynor and other members of the 25th Infantry; war carnage; native Filipinos at work and with families; homes; and buildings in Corregidor, Luzon, Manila and elsewhere. Other photographs include "Decoration Day" at Corregidor and a cyanotype of patients in a hospital ward in Iloilo. Of note are several portraits of significant figures of the Philippine Revolution, including Emilio Aguinaldo, Antonio Montenegro and General Francisco Macabulos. The back of the album has a few clippings related to the war, and a personal clipping about the birth of Raynor's son on October 31, 1902, days before he shipped back to the United States.
photCL 710
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Photograph album of U.S. Asiatic Fleet serviceman stationed in the Philippines
Visual Materials
A photograph album chronicling the travels of an unidentified U.S. Navy Reserve officer while serving with the Asiatic Fleet and the Pacific Reserve Fleet, from 1912 to 1920, while stationed in the Philippines. The photographs also incude Shanghai, China and San Diego, San Pedro, and San Francisco, California, with a visit to the Panama Pacific International Exposition. There are also images of the USS Maumee launching in California, the USS South Dakota, and several other Navy vessels and facilities in and around Manila, Subic Bay, and the naval base at Olangapo, Philippines. The mostly snapshot images also depict Philippine residents in everyday activities, a 1920 Fourth of July parade, indigenous Philippine inhabitants in an archery contest, street scenes, and a funeral. Handwritten captions appear throughout the album, and some images have captions in the negative.
photCL 656