Visual Materials
Henry Ward Beecher stereograph
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Napoleon Sarony cabinet photographs of Theodore Tilton and William A. Beach
Visual Materials
Two cabinet photograph portraits of men connected to Henry Ward Beecher: Theodore Tilton, a poet and former assistant to Beecher who sued him in an adultery scandal in 1874; and Tilton's lawyer, William A. Beach, who attempted to prosecute Beecher in the ensuing trial. The photographs were both taken by Napoleon Sarony in New York. Tilton's portrait was taken between 1866 and 1871 when Sarony was at his 37 Union Square studio, and Beach's portrait was taken after 1871, at Sarony's Broadway studio.
photPF 26025
Portraits of Harriet Elizabeth (Beecher) Stowe and Henry Ward Beecher
Manuscripts
Eight black and white printed portraits, one frontispiece of Harriet Beecher Stowe, and one portrait of Henry Ward Beecher.
mssHM 24162-24166
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Beecher, Henry Ward. The Revision of Creeds
Manuscripts
The collection consists of an almost equal number of manuscripts and correspondence with a few miscellaneous items. All manuscripts within the collection were submitted to Bryce for publication while he worked as the editor for the North American review. All correspondence is addressed to Bryce and most of it concerns editorial matters. The collection's miscellaneous items include pieces that relate to the personal lives of Bryce and his wife, Edith Cooper.
HM 50523
Katharine Beecher Stetson on horse in front of Masters barn
Visual Materials
Katherine Beecher Stetson, as a little girl, wearing a light dress and bonnet, sits astride a horse in front of the long, one-story barn building of Willis Masters in Pasadena, California.
photPF 23720
Katharine Beecher Stetson on front lawn of Masters place
Visual Materials
Katherine Beecher Stetson, as a little girl, sits astride a donkey in an open, landscaped area on the property of Willis Masters in Pasadena, California. A windmill stands in the background to the right.
photPF 23721
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Beecher, Henry Ward. Shall Clergymen be Politicians?
Manuscripts
The collection consists of an almost equal number of manuscripts and correspondence with a few miscellaneous items. All manuscripts within the collection were submitted to Bryce for publication while he worked as the editor for the North American review. All correspondence is addressed to Bryce and most of it concerns editorial matters. The collection's miscellaneous items include pieces that relate to the personal lives of Bryce and his wife, Edith Cooper.
HM 50524