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Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Visual Materials
Two photographs by English photographer William Henry Fox Talbot: an image of an unidentified man seated at a desk (photPF 1753) and an image of the Lion monument in Lucerne, Switzerland, designed by Bertel Thorvaldsen (photPF 1574).
photPF 1573-1574
Rare Books
The plates are mounted salt print photographs using the calotype process by Talbot, printed at the Reading Establishment under the supervision of N. Henneman and, later, B. Cowderoy. The prints are mounted on stiff card, within a single rule inked border, and numbered in the lower right in ink or pencil. Plates 1 and 5 exist in 2 different images. Plate 1: in earlier copies, the building is cropped; in later copies, the building is fully visible. Plate 5: in earlier copies, the bust faces straight ahead and the print measures 12.5 x 13.5 cm.; in later copies, the bust faces to the left and the print measures 17.5 x 17 cm. Title printed in red and black within border of type ornaments. A 3-line slip, "Notice to the Reader", was inserted in most or all copies of pt. 2; a 5-line slip was inserted in pts. 3-6 and later issues of pt. 1. Each pt. was issued in cream paper covers, with decorated front cover lithographed in black and red; the pts. were numbered in ms. The front cover was retouched as pt. 5 was being issued: some copies of pt. 5, pt. 6, and later copies of pt. 1 have the cover in second state.
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Rare Books
Contents include: Matted letterpress prints Page from Ashendene Press – "Don Quixote" Press in Tuscany Alley keepsake announcement for "The Work & Play of Adrian Wilson" at Stanford University Cubberley Auditorium. Quail Press prospectus with woodcut illustration for "The Coast of California: Point Reyes to Point Sur" by Tom Killion. Signed in pencil by the artist. Press in Tuscany Alley keepsake leaf from "The Work & Play of Adrian Wilson". Signed in pen "For Sandy / Adrian Wilson / 2/12/84". Copy of newspaper clipping Green, Blake, "Impressions of a Fine Printer" (A profile of Andrew Hoyem and the Arion Press.) San Francisco Chronicle [May 17, 1986]. Rampant Lions Press advance prospectus for "The Very Rich Hours of Le Boulvé by Anthony Gross. Calendar of Exhibitions – The Huntington Library [October and November 1971] – Laid in – two broadsides printed at the Huntington Library on Morris's Albion Press Unidentified press broadside announcement of "Fifteen Year Service Proclamation". Cal State University Los Angeles Graphic Arts Laboratory press broadside keepsake "I Am The Printing Press". Poem "Try" printed by Andrew Hoyem on the occasion of his address before the Roxburghe Club of San Francisco entitled "The Poet as Printer". 4to folded sheet, unidentified press, "Reproduction of a drawing by Maynard Dixon salvaged by Andrew Hoyem from the basement of the Grabhorn Press…" Arion Press, pp. 17-20 of a booksellers catalog. Laid paper with deckle edges. Broadside prose poem "Petit Mal" by Andrew Hoyem. Broadside commemoration "University of San Francisco: William J. Monihan, S. J.". Signed on reverse in ink – calligraphic script "Designed & Printed by Lawton & Alfred Kennedy". California State Library's Albion Press keepsake "This Albion Press Is Dedicated To The Memory Of Saul Marks…". Broadside woodcut portrait of Edwin Grabhorn "This portrait of Ed Grabhorn was reproduced … by Richard Lloyd…". Black Vine Press elephant folio sheet folded twice "A note on the Latin preface to Eric Gill's introduction for his Engravings, 1929 by Walter Shewring". Nova Press folio broadside "The Nova Press Credo". Grabhorn-Hoyem keepsake for the members of the Roxburghe Club on the occasion of a meeting at an exhibit of the Eragny Press, January 1972. Arif Press broadside poem "Two Logging Songs". Lawton and Alfred Kennedy folded folio broadside 1971 reprint of the 1928 announcement "Roxburghe Redivivus". Ms inscription by Lawton R. Kennedy in ink on reverse. Lawton and Alfred Kennedy folded sheet facsimile of the poem "Queen-Mother to New Queen" by Robert Graves and portrait sketch of the poet in red on cover. Journeyman Press folio "Cartoons for the Cause" – 1976 reprint of original 1886 edition. Pictorial wraps with silk ribbon tie. Castle Press - French fold 8vo – "Fearless Rest and Hopeful Work" from a lecture delivered by William in 1882. One of 100 copies printed by Grant Dahlstrom for members of the Roxburghe and Samorana Clubs. John Henry Nash folded broadside - "A Morris Keepsake" with text by Edward O' Day. Printed by John Henry Nash in San Francisco, 1927 and sent out by the Zellerback Paper Company to their friends and patrons. (2 copies). Unidentified press – "William Morris and the Kelmscott Press: The Bookmaker's Art: An Exhibition of the Private Collection of John J. Walsdorf", March 3-27, 1981 Quercus Press –bifolium leaf with two inserted leaves – "An evening with William Morris' Albion Proof Press April 1st, 1940" (3 copies – 2 of which lack inserted leaves). Grabhorn-Hoyem – "A Typographical Divertissement for the Joint Meeting of the Zamorano Club & the Roxburghe Club of San Francisco: Los Angeles, 1966" – 13 pages Unidentified artist – woodcut of William Morris. John Robert Press – Menu for the Double Crown Club's 210th dinner July 16, 1971 (some stains). Numerous ms signatures. Announcement of the first meeting of the Book Club of California. Invitation to "An Evening with William Morris & Friends", February 1, 1981 – Melvin Gelman Library, George Washington University (2 copies, one folded and one flat). The Beckett Paper Company – "William Morris: A Monograph". Stiff wraps (2 copies). Stalwart Sloth Press – broadside – "A Thought for the Nineties from William Morris". Inscribed in pencil on verso "Bob Dickover / Stalwart Sloth Press". John Henry Nash, printer – poem - single sheet folded once – "The Lighthouse" by Longfellow, tribute to President Franklin Delano Roosevelt. John Henry Nash, printer – announcement - single sheet folded once – "The Book Club of California announces that a Loan Collection of Incunabula will be exhibited…." Richard Mathews, printer at the University of Tampa– poetry broadside – "The Makers" by Howard Nemerov. John Henry Nash, printer - two (2) invitations, five (5) keepsakes, two (2) lists of exhibitors, and one (1) blank, decorated notecard commemorating "1834 -1934 The William Morris Centenary Exhibition" – Mills College Art Gallery. Business card from Alta California bookstore inserted. Keepsake for a lecture given by William Peterson at Kelmscott House Taylor & Taylor, printers, announcement - single sheet folded once – "The annual meeting of the Book Club of California will be held on…" - copy of photograph of William Morris mounted inside. John Henry Nash, printer – announcement - "Emandatio Mechanica Plagularum: An announcement of importance to advertisers, printers, authors, and poet's from John Henry Nash". (Probably) Richard Mathews, printer – blue card cover for "An Introductory Guide to the Utopian and Fantasy Writing of William Morris". Eagle Press – keepsake printed for the 509th meeting of the Sacramento Book Collectors Club. Signed on verso in pencil "Vince Lozito, Prop." Eagle Press – keepsake printed for members of the Sacramento Book Collectors Club on the occasion of the 50th anniversary of the club. Letter from Vince Lozito to Sanford Berger gifting the above two keepsakes and a Morris broadside (probably the Stalwart Sloth broadside referenced above which was not grouped with the letter). Handwritten note attached to letter. Lawton and Alfred Kennedy – announcement – "William Morris and Helen & Sandy Berger now resides at Kelmscott Carmel and occasionally at San Francisco. Lawton and Alfred Kennedy - folded sheet – "A Comparison of a Trial Design and Final Version of the Frontispiece for the Kelmscott Press Edition of 'News from Nowhere' Written by William Morris . Two (2) copies. Rampant Lions Press – prospectus for "William Morris; "The Story of Cupid and Psyche…". Ms note "S. L. Berger / Sandy - / Thought you might like / to have this. / Gayle", keepsake, order form, announcement laid in Unidentified press – single sheet printed with quotation from "A Dream of John Ball" – signed "Scripsit, F. Brooks". Woodblock print of Morris by Barry Moser. Signed in pencil by artist. Woodblock print of Morris by Barry Moser. Signed in pencil by artist. The Arts and Crafts Press - greeting card (Morris quotation) from Bruce and Yoshiko at The Arts and Crafts Press. Woodcut "Bemerton" signed by Howard Phipps and dated 1988. Page with woodcut illustration – probably from Perdix Press edition of "The Prologue to the Canterbury Tales" illustrated by Howard Phipps. Stalwart Sloth Press – keepsake illustrated with Barry Moser woodcut of Morris. Printed to commemorate the February 13, 1988 meeting of the Sacramento Book Collectors Club. Leonard Baskin – woodcut of William Morris. Signed with initial "B" and pomegranate device.
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Manuscripts
This folder contains: a. Georgiana Duchess of Devonshire by Valentine Green after Maria Cosway, Connoisseur XLVII, March 1917 [photocopy of p. 166] b. Mrs. Fitzherbert, Christie's March 19, 1968, Lot 133 [photocopy] c. "A Smuggling Machine [Richard Cosway in his wife's hoop]" [photocopy of page 329 headed "Richard Cosway, R.A." ] d. Woman with music book [photocopy of page 237 with handwritten note "Richard Cosway. A young lady by a Pillar, a book of music open before her"] e. Mrs. Cosway and her Daughter by Smith [photographic print copy of Eye of Jefferson Catalogue entry #342] f. Mrs. Fuller and son [photocopy of Parke-Bernet Jan. 15-19, 1957 #446] g. The Milkmaid [photocopy of drawing with handwritten note "The Milkmaid – M/s Cosway"] h. Richard Cosway [photocopy of drawing of a man in profile signed Geo. Dance, 1793] i. Mrs. Cosway and daughter; Harriet, Lady Cockerell as a Gypsy Woman [photocopy of two drawings with handwritten note "Collection of E.M. Hodges"] j. Sir James Hamlyn, 1st Baronet & wife Miss Williams [photocopy with handwritten note of identification] k. Richard and Maria Cosway, engraved by Richard Cosway, 1786 [photocopy of book page] l. Cosway pencil drawing [photocopy with note "#42 Photos of a Private Collection"] m. Drawing of a woman [photocopy with the handwritten note at bottom of page "Lord Peel acquired Rubens' chapeau de Paille in 1823"] n. Article with "Lady With Hat," attributed to Maria Cosway [photocopy of page 32 of The Art Digest, 15th March, 1934] o. Portraits of Richard Cosway [photocopy of "Foskett, Vol. 2 – courtesy Natl Gallery of Ireland", Plate 60] p. Caleb Whiteford [photocopy of page 272 headed "Nollekens and his Times"] q. The Macaroni Painter [photocopy of page 320 headed "Nollekens and his Times"] r. The Painter of Macaronis [photocopy of page 321 headed "Richard Cosway, R.A."] s. Richard Cosway miniature of Maria Cosway [photocopy of page of book with handwritten note "Repro: Brodie – plate 1 – cp. p. 192"] t. Prince Regent portrait by Richard Cosway [photocopy of page of The Illustrated London News, June 15, 1957] u. Four miniatures [photocopy of page showing four miniatures sold at Christie's, June 1, 1896 with handwritten note "between p. 86 & 87"] v. Three miniatures [photocopy of page of three miniatures headed "Collection of Henry Drake, Esq." with handwritten note ' between p. 42 & 43"] w. Three miniatures [photocopy of page with three miniatures with handwritten note at bottom of page "Collection of H.R.H. Duke of Cambridge, k. G."] x. H.R.H. Prince of Wales [photocopy of portrait noted "#39 Photos Private Collection"] y. H.R.H. Princesses and Queen Charlotte [photocopy of page of three miniatures with handwritten note "Coll: Her Majesty the Queen" and "between p. 78 & 79"] z. H.R.H. Princesses [photocopy of page of two miniatures with handwritten note: "Coll. H.R.H. The Duke of Cambridge, k. G."] aa. Portrait of Princess Isabel Czartoryska [photocopy of Apollo, Mar 1965, Vol. 82, p. 392] bb. Photocopy of two pages of drawings with handwritten note "Oliver Millar, Late Georgian Pictures" cc. Photocopy of page 286 of Van Dyck, Des Meisters Gemalde, 1931 dd. Photocopy of page 381 of Van Dyck, Des Meisters Gemalde, 1931 ee. Photocopy of page 459 of Van Dyck, Des Meisters Gemalde, 1931 ff. Photocopy of page with three drawings headed "At Lodi" with handwritten note at bottom of page "between p. 62 & 63" gg. Photocopy of pages 197-199 and a second copy of page 199 Europe: The Vaunted Scene from The Eye of Jefferson, Exhibition Catalogue, National Gallery, Washington '76 hh. Photocopy of page 395 Selected Biographies from The Eye of Jefferson, Exhibition Catalogue, National Gallery, Washington '76 ii. Page of handwritten notes headed "Richard & Maria – engraved 1786" jj. Page of handwritten notes headed "Rasagna – Self Portrait & La Dick Whittington – see my Corres" kk. Black-and-white photographic reproduction of Mrs. Cosway painting with handwritten note "Cincinnati Art Museum…" ll. Photocopy of a page of book headed "In the Uffizi Gallery, Florence At Lodi" with handwritten note at bottom of page "between p. 72 & 73" mm. Photocopy of a page of book headed "At Lodi" with handwritten note at bottom of page "between p. 58 & 59" nn. Photocopy of a page of book headed "At Lodi" with handwritten note at bottom of page "between p. 60 & 61" oo. Photocopy of a page of book with handwritten note at bottom of page "between p. 64 & 65" pp. Photocopy of a page of book headed "In the Collection Belonging to the Crown" with handwritten note at top of page "Coll: The Crown" qq. Photocopy of a drawing of two seated figures with handwritten note "#44 - Photos of a Private Collection" rr. Photocopy of a drawing of George, Prince of Wales with handwritten note #40 Photos of a Private Collection" ss. Photocopy of a page of book showing Maria Cosway's design for Angelica Church from "A Diary of the French Revolution, Gouverneur Morris, Vol. 1 op. p. 530" tt. Photocopy of a drawing labeled "Maria Cosway. From a Stipple Engraving by Bartolozzi. 1785" uu. Photocopy of Apollo, Apr 1966, Vol. 83, p. 256 vv. Photocopy of page 114 headed "Richard Cosway 1742-1821" with handwritten note at bottom of page "The Fuseli Circle in Rome" ww. Photocopy of two drawing of George IV by R. Cosway xx. Photocopy of a drawing of Saint George by R. Cosway with handwritten note at bottom "Roll 36 Proof sheet #9H" yy. Photocopy of pages 144 and 145 of "Rassegna D'Arte" zz. Photocopy of drawing with handwritten note at bottom of page "self portrait ?" and noted "HEH Photo files" aaa. Photocopy of a drawing labeled "Angel holding a child" by R. Cosway bbb. Photocopy of a drawing labeled "H.R.H. George, Prince of Wales (Geo. IV.)" by R. Cosway
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Manuscripts
The collection focuses on Lewis Freeman's travel writings from the early 1900s through the 1950s, and includes unpublished book and article manuscripts, published articles in printed journals, and correspondence with various agents and publishers regarding Freeman's writing submissions. The collection also includes some personal manuscripts, photographs, and diaries. The correspondence includes personal letters from British Military Secretary Sir Douglas Brownrigg (1919-1921); a letter from L.A. Huffman regarding ordering photographs (1922); a letter from photo artist Byron Harmon regarding Freeman's travel photographs (1925); and reviews and fan mail from various correspondents regarding Freeman's published books and articles. Navy correspondence includes a letter from the Lords Commissioners of the British Admiralty granting Freeman the rank of Temporary Honorary Lieutenant RNVR aboard the H.M.S. President (1917); a letter from Richard W. Gruelick of the U.S. Office of Naval Intelligence regarding Freeman's joining of a fleet sailing from Hawaii for an Australia-New Zealand Cruise (1925); a letter from R.S. Berkey of the U.S.S. California inviting Freeman to come aboard by favor of Admiral Pratt (1929); a letter from H.V. Butler of the U.S.S. Texas passing on edits made by Admiral Wiley to one of Freeman's forthcoming articles (1929); a letter from N.W. Camanole of the U.S. War Department asking for Freeman's cooperation in supplying his knowledge as an "authority of the Far East"; and a letter from S.C. Godfrey of the War Department's Mississippi River Commission, which includes 8 photographs taken on the U.S. tender boat Willow. Also included is correspondence and maps from the Hillman-Long Company regarding Freeman's oil leases in Orange County, California (1936-1937). There are a few pieces of correspondence written by Freeman, including two extensive letters to the Secretary of the Explorers Club (1946). Much of the correspondence consists of responses – both of acceptance and rejection – from various publications in response to Freeman's proposed books and articles. Correspondents include The Authors' League of America, Bus Transportation , The Daily Telegraph, Dodd, Mead and Company, Fox Film Corporation, The Hudson's Bay Company, The Illustrated London News, the Italy America Society, the League of American Pen Women, The Livingston Enterprise, the London Joint City and Midland Bank Limited, The London Times, National Geographic, Popular Mechanics, and Sunset Magazine. The miscellaneous manuscripts and ephemera include personal items such as Freeman's passport (1916-1917), Colombian identity card (1930), and various song lyrics and poems; naval dispatches sent by Freeman during his time aboard the U.S.S. California, the U.S. Submarine Holland, the U.S. Destroyer Litchfield, and the U.S.S. Saratoga (c.1929); a group of destroyer reports from the British Admiralty (1916-1918); sheet music composed by Freeman and Helen Lurens Gaut (1924); excerpts from various publications; a copy of the introduction to Freeman's photographs for "The Feet of the Young Men"; and 46 pieces of newspaper clippings and printed ephemera. The photographs in Box 2 include those for Freeman's articles "Amazon Navigation" and "Rubber," one of a tree at Cedar Breaks National Park in Utah, a scene of an Indian village at Walpi on the Colorado River, a portrait photograph of Freeman by G. Maillard-Kesslere, a posed portrait of the Delta Phi Club (1895), navy photographs of Freeman and Commander Ramsoy, and a photograph of Freeman on an unidentified tundra. The diaries include those of Freeman's trips to Alaska (1898-1900) and the Canadian Rockies (1916), as well as undated accounts of travels to Colombia and throughout South America, to the Marquesas and the South Seas, along the Missouri and Mississippi Rivers, and brief accounts of trips to Wisconsin and Grand Rapids. The essays and articles consist of typed copies of Freeman's stories, many of which were later published. Some of the articles are accompanied by photographs, several of which were also used in later publications. The articles focus on Freeman's extensive travel experiences, including his trips to India, the South Pacific, South America, Canada, Cuba, along the Mississippi River, Samoa, Hawaii, China, French Polynesia, and Indonesia. Other topics covered in the articles include Rudyard Kipling, World War I (including the British Red Cross in Italy and battles over Serbia), naval events, new forms of electricity, the Guayaquil and Quinto Railway, the conditions of Chinese immigrants in ship steerage, the Shanghai Plague Riot, hunting in British East Africa, and the use of whale meat. The unidentified book notes include manuscript pages and notebooks containing fragments of writings apparently to be used in constructing book texts. The pencil manuscript for When Kalu Blooms contains original drafts for portions of the book, although significant sections (including chapters 6-13) are not included. The typed book manuscripts consist of annotated typescripts and galley proofs for portions of Afloat and Aflight in the Caribbean, Boating Arctic Rivers, Caribbean Jungle Jaunts, Discovering South America, Dogs and Dog-Fights, Many Rivers, Marquesan Nocturne (2 versions of the complete manuscript), Waterways of Western Wandering, and When Kalu Blooms. The publications include articles that appeared in printed journals and other publications. Some of the many and widely varied topics the articles explore are bus travel, boating American rivers, railroads in Asia, Africa, and South America, hydro-electricity, industrialization in Italy, polo and tennis in California, World War I, the future of Jerusalem, business opportunities in the Philippines, Turkey's relationship to Asia, and flight exploration. While most of the articles were written by Freeman, there are also a few pieces by other authors, including R.J. Bjierstedt, Arthur James, Angus McGregor, Moacir Simardi, and Gino Speranza, as well as an interview with Freeman that appeared in Andean Air Mail and Peruvian Times (1942). Some of the publications include The Atlantic Monthly, World Today, Motor Boating, Bus Transportation, The American Review of Reviews, Outing Magazine, The Outlook, The Los Angeles Times, The Pacific Monthly, Popular Mechanics Magazine, Overland Monthly, The Sportsman, Andean Air Mail and Peruvian Times, and The Sportsman Pilot.
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Manuscripts
Part. 1. 1 leaf. [Dogale]. Latin. Commission to Vincenzo Donà as "Comes" of Lesina (now Hvar) issued by Leonardo Loredan (doge, 1501-21) . The initials "V.D." on either side of the Donà shield, barry of 6 azure and or, a chief argent (Rietstap, vol. 2, pl. 214, but lacking the charge in chief). Script: First 4 lines of text in gold square capitals; remainder, recto and verso, in an italic hand. Decoration: Full illuminated border on the recto with medallions of St. Mark's lion, allegorical figures, St. Vincent Ferrer, rabbits. In the lower margin, a later hand has written "Joannes Bellinus 1515." Assigned Date: s. XVI1/4. Part 2. 1 leaf. [Dogale]. Latin. Arms of Marcello, azure a bend wavy or (Rietstap, vol. 4, pl. 139 ; also on art. 23), and another coat of arms, unidentified, or on a bend sable, a bendlet lozengy argent. Blank on the verso. Decoration: The appointee being presented to the Virgin and Child by St. Nicholas. Assigned Date: s. XVI. Part 3. 1 leaf. [Dogale]. Latin. No arms. Blank on the verso. Decoration: St. Nicholas presents the appointee to the Virgin and Child, while a male figure hands his commission to him. Part. 4. 1 leaf. [Dogale]. Latin. Arms, apparently of Falier, quarterly, 1 or, 2 azure (although here it appears very dark), 3 and 4 argent (here very dark, perhaps oxidized: Rietstap, vol. 2, pl. 299 ). Blank on the verso, although notes in Huntington files state that it once had on the back a printed hymn and prayer, with engraved medallion portrait of Francis de Paola, signed "Zuliani F.". Decoration: The appointee kneels before the Virgin who supports the dead Christ; behind the appointee are twins (?) in court dress, holding checkered oval objects. Possibly by the same artist as in Parts 23, 25, and 26. Part 5. 1 leaf. [Dogale]. Latin. Arms, apparently of Bolano, per fess or and azure, on a bend gules, a bendlet argent; also on Part 29. Blank on the verso. Decoration: The Virgin and blessing Child look upon the appointe who is being presented by a saint in Dominican robes, holding fetters, possibly the blessed Antonio Neyrot. Part 6. 1 leaf. [Dogale]. Latin. Arms of Tron, per fess or, 3 fleurs-de-lis on thrones gules, and barry of 6 or and gules (Rietstap, vol. 6, pl. 52 , but without the 3-step "thrones" supporting the fleurs-de-lis). Blank on the verso. Decoration: The appointee, wearing a black surcoat, is being presented by a male saint holding a palm tree and a globe, to the Virgin and blessing Child. Part 7. 1 leaf. [Dogale]. Latin. Arms of Leoni, azure, a lion rampant or, on a bend or 3 roses gules (Rietstap, vol. 4, pl. 48 ; also on Part 28). Blank on the verso. Decoration: Mark, seated with the lion at his feet, hands he commission to the appointee; a vision of the Virgin and Child appears in the sky; though the open window, in the background, a ship sailing towards an island. Part. 8. 1 leaf. [Dogale]. Latin. Possibly the arms of Taiapiera, although damaged, or, on a bend azure a bendlet nebuly (Rietstap, vol. 6, pl. 2 , although in the manuscript the colors are reversed). Blank on the verso. Decoration: The appointee stands before a vision of Christ in the aperture of clouds in the sky. Part 9. 1 leaf. [Dogale]. Latin. Commission from Alvise Mocenigo (doge, 1570-77) to Andrea Pesaro as Commissioner to Zante (now Zakinthos); Pesaro arms, per pale indented or and azure (Rietstap, vol. 5, pl. 40 ). Script: Italic. Decoration: The appointee kneels before the Virgin and Child, as the Child holds the scepter towards him. Assigned Date: s. XVI2. Part 10. 1 leaf. [Dogale]. Latin. Commission from Niccolò da Ponte (doge, 1578-85) to Francesco Duodo as Captain of Brescia; Duodo arms, gules, on a bend argent 3 fleurs-de-lis azure (Rietstap, vol. 2, pl. 238 ); also on Parts 20 and 22. Script: Square capitals in gold; Humanistic script (imitative). Decoration: The appointee receives a plam leaf from a female saint holding a pine cone, while gazing up at a vision of the Holy Spirit. Assigned Date: s. XVI4/4. Part 11. 1 leaf. [Dogale]. Latin. No arms. Decoration: A triumphal cart drawn by 2 lions and driven by a woman holding sword and scaales, representing Justice, while another figure holding Cross and Chalice gazes upwards at the Holy Spirit; other figures surround them. Part 12. 1 leaf. [Dogale]. Latin. Arms effaced. Blank on the verso. Decoration: The appointee kneels before the Crucifixion, while a young man dressed in blue places the scepter in his hands; Francis of Assisi stands behind him. Allegorical medaillons in the border labelled Obedientia, Umiltà, Stabilità, Eternità (?), Resolutione, Constantia. Part 13. 1 leaf. [Dogale]. Latin. Commission of Marino Grimani (doge, 1595-1605) to A[lvi]se Muazzo to serve an office in "detta città nostra": the text has been scraped and is only partially legible; Muazzo arms, per fees or and azure a fleur-de-lis counter-changed (Rietstap, vol. 4, pl. 257 ); also on Part 15. Attributed to Giovanbattista Zelotti. Script: Square capitals in gold; Italic. Decoration: Venice, represented allegorically as an eleganti clad queen, hands the commission to the appointee, as a vision of God the Father appears in the sky. By the same person who made the attribution of artist for Part 1; the note here reads "Zilotti" presumably in reference to Giovanbattista Zelotti (ca. 1526-1578) rather than to Bernardo Zilotti (ca. 1730-1780). Assigned Date: s. XVI/XVII. Part. 14. 1 leaf. [Dogale]. Latin. Unidentified arms, barry of 6 argent and gules, an eagle displayed gules. Blank on the verso. Decoration: Allegorical female figures, the central one holding a flaming vessel; medallions in the border (as in Part 12), representing Virtù, Concordia, Felicità, Pace, Clementia, Sapientia. Part 15. 1 leaf. [Dogale]. Latin. Commission of Pasquale Cicogna (doge, 1585-95) to __?___ Muazzo as Podestà of A__?___a: the text has been scraped and is only partially legible. Muazzo arms as on Part 13. Decoration: The appointee and the allegorical representation of Venice adore a vision of the Crucifixion. The attribution is in the same hand as that of the person who made attributions of artist to Parts. 1 and 13. Assigned Date: s. XVIex. Part 16. 1 leaf. [Dogale]. Latin. Arms of Corner, per pale or and azure, an eagle displayed sable (Rietstap, vol. 2, pl. 128 ). Blank on the verso. Decoration: The figure of Venice rises from the lagoon and is crowned by a cherub, while Christ leans down from the clouds to point at the Doge's Palace and the Piazzetta San. Marco. Part 17. 1 leaf. [Dogale]. Latin. Two coats of arms, unidentified: on the left, argent, a lion rampant holding a fleur-de-lis (tincture uncertain), and on the right, gules, a mullet of 6 points or between 2 serpents (?) erect combatant. Blank on the verso. Decoration: The allegory of Justice sits with one foot on the globe, attended by 2 women supporting shields with coats of arms. Part 18. [Dogale]. 1 leaf. Latin. Space for St. Mark's lion at the top of the border, and that for the arms of the appointee at the bottom are painted brown. Blank on the verso. Decoration: Justice seated on the lion, rests her foot on the globe. Part 19. [Dogale]. 1 leaf. Latin. Commission from Niccolò da Ponte (doge, 1578-85) to Daniele Foscarini as "Locotenens" of Udine. Foscarini arms, or a bend lozengy azure (Rietstap, vol. 2, pl. 347 ). Script: Square capitals; Humanistic; Italic. Decoration: Justice, with her foot on the globe, sits between Truth and Temperance (?). Part 20. 1 leaf. [Dogale]. Latin. Arms of Duodo, as on arts. 10 and 22, and the inscription: "Procurator creatus anno 1587 28 Martii anno aetatis suae LXVIII mens VI." Blank on the verso. In the border are the arms of Corfù (now Kerkyra), Udine, Padua, Brescia, Bergamo and the Procuratia. Decoration: Christ Triumphant appears before the appointee; in the background the sea and a red ship are visible. Part 21. 1 leaf. [Dogale]. Latin. Arms, apparently of Fesso, azure, 2 bendlets or. On the verso, the space for the heading with the doge's name and the text space for the appointee's name have been left blank, although in the same hand as the rest of the text, the designation of office (Podestà) and of place (Treviso) have been inscribed. Decoration: Justice standing in an architectural niche (of simple execution). Part 22. 1 leaf. [Dogale]. Latin. Commission of Pietro Loredan (doge, 1567-70) to Francesco Duodo as Podestà of Bergamo. Duodo arms as on Parts 10 and 20; inscription: "Non nobis domine non nobis gloria tibi soli." Decoration: Shield held by Justice, and beside her 2 women hold the shields of Bergamo and Udine, while Neptune supports that of Corfù (Kerkyra). Assigned Date: s. XVI3/4. Part 23. 1 leaf. [Dogale]. Latin. Commission from Alvise Mocenigo (doge, 1570-77) to Giovan Marcello as Commissioner and Captain of Legnago and Porto (in the province of Verona). Marcello arms as on Part 2. Script: Square capitals; Italic. Decoration: John the Baptist presenting the appointee to Mark who hands him his commission; in the center, a vision of Christ Triumphant. Possibly by the same artist as in Parts 4, 25, and 26. Part 24. 1 leaf. [Dogale]. Latin. No arms, possibly because the painting has been severely trimmed and no border remains. Blank on the verso. Decoration: Judith, still holding the sword, places the severed head of Holofernes in a bag held by a servant. Part 25. 1 leaf. [Dogale]. Latin. Commission of Alvise Mocenigo (doge, 1570-77) to Girolamo Mocenigo as "Locotenens" of Udine. No arms, although the 2 5-petalled blue flowers set into the top of the architectural border may indicate Mocenigo, per fess azure and argent, a rose counterchanged (Rietstap, vol. 4, pl. 219 ); see arts. 26 and 30. Inscription: "Anno II Magnae Navalis Victoriae Dei Gratia contra Turcas [sic] M D LXXII," referring to the battle of Lepanto. Decoration: Venice crowned by Mark. Possibly by the same artist who painted Parts 4, 23 and and 26. Part 26. 1 leaf. [Dogale]. Latin. Arms of Mocenigo, as in Parts 25 and 30. Inscription: "Cum esset annorum quinquaginta magistratumque gereret sapientis terre firme electus fuit locumtenens Utini." Blank on the verso. Decoration: The kneeling appointee in purple robes receives book from a pope, at whose sides stand a doge and a king (representing Pius V, Alvise Mocenigo and Philip I of Spain?) Possibly by the same artist as in Parts 4, 23 and 25. Part 27. 1 leaf. [Dogale]. Latin. No arms. Blank on the verso. Decoration: An allegorical figure in armor stands on a pedestal, with Truth and Justice on either side. Part 28. 1 leaf. [Dogale]. Latin. Commission of Niccolò da Ponte (doge, 1578-85) to Jacopo Leoni as Podestà and Captain of Capodistria. Leoni arms as on Part 7. Decoration: Virgin and Child, rather coarsely done. Part 29. 1 leaf. [Dogale]. Latin. Arms of Bolano, as on Part 5. Blank on the verso. Decoration: St. Mark's lion stands with 2 feet on the water and 2 on land; the saints on either side are Anthony abbot and Mark; the painting is of mediocre quality. Part 30. 1 leaf. [Dogale]. Latin. Commission of Pietro Lando (doge, 1539-45) to Andrea Mocenigo as Podestà of Padua. Mocenigo arms as in Parts 25 and 26. Decoration: The Virgin and Child are in the center between Elizabeth and John the Baptist; Jerome and Andrew in medallions in the border. Script and style of decoration are the same as those in Part. 31. Assigned Date: s. XVI2/4. Part 31. 1 leaf. [Dogale]. Latin. Commission from Pietro Lando (doge, 1539-45) to Gaspare Raineri as Commissioner of Asolo. Raineri arms, per pale, argent, a chevron sable counter-changed (Rietstap, vol. 5, pl. 122 , which, however, is argent and vert). Decoration: The appointee kneeling before the Virgin and Child; Mary Magdalene (?) in a medallion in the border. Part 32. 1 leaf. [Dogale]. Latin. Commission from Marcantonio Trevisan (doge, 1553-54) to Francesco Pisani as Podestà of Treviso. Pisani arms, per fess, azure and argent a lion rampant counterchanged (Rietstap, vol. 5, pl. 62). Decoration: Christ blesses the kneeling appointee, who is presented by John the Baptist; in the background, Piazzetta San Marco. Assigned Date: s. XVImed. Part 33. 1 leaf. [Dogale]. Latin. Commission of Girolamo Priuli (doge, 1559-67) to Agostino Bembo as "Comes" of Traù (now Trogir). Bembo arms, azure, a chevron or, 3 roses or (Rietstap, vol. 1, pl. 173); also on Part 36. Decoration: In an architectural niche 2 figures embrace; below, in the inscription, "Iustitia et Pax Osculatae sunt" and "Virtutis Illustris Comes Benefactorum Merces." Part 34. 1 leaf. [Dogale]. Latin. No arms. Blank on the verso. Decoration: A bishop kneels in adoration before the Virgin and Child; the Child is holding a gold cross. Part 35. 1 leaf. [Dogale]. Latin. Arms of Pasqualigo, barry of 6 or and argent (Rietstap, vol. 5, pl. 17, where the colors are or and azure); also on Part 37. Decoration: The figure of Justice hands her scales and sword to a man in classical dress with 2 lions. Part 36. 1 leaf. [Dogale]. Latin. Arms of Bembo, as on Part 33. Blank on the verso. Decoration: The appointee receives his commission from a crowned Justice. Part 37. 1 leaf. [Dogale]. Latin. Arms of Pasqualigo, barry of 6 or and azure (Rietstap, vol. 5, pl. 17); also on Part 35. Blank on the verso. Decoration: A saint in classical dress hands his commission to the elderly appointee; out of a window an army is visible. Part 38. 4 cuttings. [Antiphonal fragments]. Latin. The cuttings, all from the same book, vary in size: 1) 170 x 150 mm; 2) 110 x 133 mm; 3) 115 x 117 mm; 4) 107 x 130 mm. Decoration: 4 historiated initials: Nativity; male saint with book and a knife (?); Presentation in the temple; Massacre of the Innocents. A modern hand on the second cutting offers the attribution to "Girolamo de Libri de Padua __?___." Assigned Date: s. XV.
633396
mssCosway
mssFreeman papers
mssEL 9 H 13