Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
Image not available
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Image not available
Visual Materials
A group of eight press photographs of chiefly Latino agricultural workers, their children, and their living conditions in California, dating between 1958 and 1989. There is one photograph taken near Las Vegas, Nevada in 1959 showing children fetching polluted water from an irrigation ditch; it is captioned "children of jobless migrant workers." The unrelated photographs are credited to the Associated Press, the New York Times, and others, and were published in various newspapers, with detailed captions attached. Subjects include workers' shacks in Mendota, Central Valley; a field worker in Salinas carrying a short-handled hoe, which was later banned in California; tomato picking; a female picker; and a white woman, identified as Mrs. Henry Pennington, comforting her disheveled child in a dusty, rural area.
photPF 26031
Image not available
Visual Materials
A large panoramic photograph of the original Hotel Green building and adjacent park in Pasadena, before the Castle Green annex building and bridge were constructed. In the foreground, people are sitting in a horse-drawn carriage decorated with flowers, possibly for the annual Rose Parade. There are also men and women in Victorian dress standing in front of the hotel or on the pathways in the park, including a man with a bicycle. The bottom right corner is stamped with the photographers' names, Stiffler & Gill of Los Angeles. Approximate date devised by cataloger; photographers Frank M. Stiffler and R. B. Gill only appear as partners in the 1896 Los Angeles City Directory.
photPAN 151
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Visual Materials
A panoramic photograph depicting a funeral held by the Sagara family in Los Angeles Little Tokyo in 1941. Japanese American men, women, and children are seen standing in a group portrait behind a coffin surrounded by flower wreaths and banners in Japanese, and the photograph is titled in Japanese. The group is standing in front of the original Hompa Hongwanji Buddhist Temple on North Central Avenue, in Little Tokyo, with part of First Street visible in the background.
photPAN 149

Visual Materials
Two men in suits observing Mexican men, women and child workers working with crops in a field in Santa Monica, California.
photCL_555_06_1430
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Visual Materials
A panoramic photograph depicting the funeral of Japanese American Otoji Hara, who once worked as a superintendent at a tuna cannery on Terminal Island. The image was taken at Sunnyside Cemetery in Long Beach, California, and shows a large group of mourners made up of men, women, and children, facing the camera, with the casket in the middle. The scene includes a long line of flower wreaths with ribbons in Japanese, and several oil derricks feature prominently in the background. The print is captioned in Japanese and is signed Ninomiya, L.A., a photography studio founded by Kinso Ninomiya in 1922.
photPAN 150
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Visual Materials
A panoramic photograph of the Japanese American incarceration camp at Manzanar, California, known as the War Relocation Center. The image was taken from a tower along the camp boundary, and shows rows of military-style bunkers, dirt roads, and surrounding desert, with the Sierra Nevada Mountains prominent in the background; no people appear in the photograph. The print is titled and credited in the lower left corner, part of which says: "Copyrighted by Manzanar Cooperative Enterprises, Inc." This was a prisoner-run co-op established in 1943 with the War Relocation Authority. Cameras were not allowed to be used by prisoners, so a cooperative photo studio was established to centralize these services. The studio, run by Toyo Miyatake, performed all work for the school annuals and for WRA administrators. It is likely this image was printed by Toyo Miyatake while he was imprisoned there. It is not signed by him, but Archie Miyatake (Toyo's son), stated in a later interview that panoramic photographs were most often stamped with Manzanar Cooperative and that Toyo signed only smaller size prints.
photPAN 154