Visual Materials
Pennsylvania
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Pennsylvania
Visual Materials
The Eugene Swarzwald Pictorial California and the Pacific Collection consists of 9,674 black and white photographs, negatives, a photograph album, magazine mock-ups, letters, and ephemera, dated 1909-ca. 1968. Eugene Swarzwald and the Swarzwald family collected the material for use in the magazine "Pictorial California and the Pacific." Images depict California and the West with some coverage of the rest of the United States and international destinations. The collection contains photographs depicting general city views of communities in California, scenic views of wilderness areas, images of parks, schools and universities, museums, and points of historic interest (including California mining towns and missions). The collection is strong in subjects related to leisure and social and recreational activities. Many of the photographs are by the Keystone Photo Service. Other photographers include Chuck Abbott, Adelbert Bartlett, Lionel T. Berryhill, Lil and Al Bloom, Hal Boucher, Campbell-Ricco-Mazzuchi Photography, Caroll Photo Service, Garth Chandler, Walter J. Collinge, Fairchild Aerial Surveys, George O. Fales, Frasher's, J. P. Graham, Dean Hesketh Company, Charles M. Hiller, Pat and G. E. Kirkpatrick, Don Knight, Albert J. Kopec, Ward Linton, Lothers and Young, Hubert A. Lowman, David M. Mills, Don Milton, Gabriel Moulin Studios, Karl Obert, Earle O'Day, Pacific Air Industries Aerial Photography, Dave Packwood, Padilla Studios, Maynard L. Parker, Jack W. Patterson, Julius Shulman, Spence Air Photos, H. W. Steward, Thiem, Harry Vroman, Whithurse Aerial Photos, and Steven H. Willard.
photCL 310
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Pennsylvania
Visual Materials
A collection of photographs and maps compiled by American geologist and petroleum engineer Ralph Arnold (1875-1961), documenting his pioneering work in oil and mineral exploration, chiefly in the Western United States, Mexico and Venezuela, from 1900 to 1954. The collection centers on 64 photograph albums that span 50 years of Arnold's life and work. Photographs are accompanied by Arnold's typed captions identifying geological features; oil and mining activities; technical data; and dates and locations, i.e. often an oil or mining "district" or "field," such as "Sunset Field" (California). Subject matter includes geological and topographical features such as rock formations, faults and schisms, mountain structure, geothermal activity, and open land with potential drilling or mining spots. Earthquake faults are seen and described in many of Arnold's California investigations. There are also views of small and large-scale oil operations (by individuals and by organized companies); details of oil flow and reservoirs; asphalt; drilling equipment; workers and fields of oil wells. Arnold's work took him all over the Western United States, particularly California oil fields, but also Texas, Wyoming, Arizona, Alaska and other states. From 1911-1916 he was primarily in South America, and in the 1920s-1940s, mostly in the U.S., Canada and Mexico. Mining operations are the focus of some albums, showing investigations for tin, gold and other minerals; mines and ore processing, all with detailed descriptions. Arnold also often photographed people: colleagues and business associates, oil lease owners on their properties; workers (particularly Black and Asian workers in Venezuela); and friends and family. Personal photographs are throughout the album, such as of his wife, Winninette, and their two daughters; Stokes family members (Winninette's family) in South Pasadena; and alumni of Pasadena High School and Stanford University. Arnold was an avid gardener and the albums contain detail views of cactus and tropical plants, and scenes of Arnold collecting wild orchids in Trinidad, Venezuela and Mexico. The maps date from 1880-1948 and include U.S.G.S. and geological maps, California oil fields and well locations; layouts of mines, and various tract maps showing oil company-owned land.
photCL 311
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Pennsylvania
Visual Materials
The collection consists of 6202 black-and-white and color photographs, pen and ink drawings, and postcards, 1412 black-and-white and color negatives, 2606 black-and-white and color slides, and ephemeral materials, 1898-1982 (bulk 1920s-1930s) collected by the Automobile Club of Southern California. They form a general photographic reference collection as well as a broad visual survey of topics of interest to California motorists. Included are images of sites in North and Central America (with an emphasis on California), Europe, the Pacific Islands, and portraits, as well as images related to other subjects of interest to the Club's membership. Many of the images were published as illustrations for articles in the Club's first member magazine, Touring Topics. A large portion of the photographs were taken by authors of articles that appeared in Touring Topics; others were commissioned by the Club; and others appear to have been sent to the Club. Photographers (and authors) include, but are not limited to, Ansel Adams, Fred Archer, Viroque Baker, George Hugh Banning, Adelbert Bartlett, Virginia S. Bartlett, Andrew R. Boone, Julius Cindrich, Norman Clyde, Will Connell, Loyd Cooper, Imogen Cunningham, Asahel Curtis, Edward Sheriff Curtis, Fred Dapprich, E.H. Davis, E.E. East, John Anson Ford, Frasher, Ewing Galloway, Forman G. Hanna, Phil Townsend Hanna, Hoag and Ford, John Edwin Hoag, Bert W. Huntoon, Philip Johnston, Dr. Frederick Monsen, Dave Packwood, C.C. Pierce, Ernest M. Pratt, Putnam Studios, E. Willard Spurr, and John L. Von Blon.
photCL 375
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Pennsylvania
Visual Materials
The collection consists of 6202 black-and-white and color photographs, pen and ink drawings, and postcards, 1412 black-and-white and color negatives, 2606 black-and-white and color slides, and ephemeral materials, 1898-1982 (bulk 1920s-1930s) collected by the Automobile Club of Southern California. They form a general photographic reference collection as well as a broad visual survey of topics of interest to California motorists. Included are images of sites in North and Central America (with an emphasis on California), Europe, the Pacific Islands, and portraits, as well as images related to other subjects of interest to the Club's membership. Many of the images were published as illustrations for articles in the Club's first member magazine, Touring Topics. A large portion of the photographs were taken by authors of articles that appeared in Touring Topics; others were commissioned by the Club; and others appear to have been sent to the Club. Photographers (and authors) include, but are not limited to, Ansel Adams, Fred Archer, Viroque Baker, George Hugh Banning, Adelbert Bartlett, Virginia S. Bartlett, Andrew R. Boone, Julius Cindrich, Norman Clyde, Will Connell, Loyd Cooper, Imogen Cunningham, Asahel Curtis, Edward Sheriff Curtis, Fred Dapprich, E.H. Davis, E.E. East, John Anson Ford, Frasher, Ewing Galloway, Forman G. Hanna, Phil Townsend Hanna, Hoag and Ford, John Edwin Hoag, Bert W. Huntoon, Philip Johnston, Dr. Frederick Monsen, Dave Packwood, C.C. Pierce, Ernest M. Pratt, Putnam Studios, E. Willard Spurr, and John L. Von Blon.
photCL 375
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Louisiana; Texas; Pennsylvania; Maryland
Visual Materials
The Charles Francis Saunders and Mira Culin Saunders Collection of Photographs and Negatives consists of 5826 black and white photographs, 68 glass plate negatives, 3832 film negatives, 10 photographs albums, 261 lantern slides, and related ephemera, ca. 1871-1965 (bulk 1910s-1920s), collected and created by Charles Francis Saunders, Elisabeth Hallowell Saunders, and Mira Culin Saunders. The collection provides a comprehensive overview of Charles Saunders' activities as a naturalist and travel writer.
photCL 276
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[Monument of 75th Pennsylvania Volunteers]
Visual Materials
The Singleton Collection is organized into four discrete yet interrelated units. The first consists of 79 photographs by Mathew Brady (1823-1896) and Alexander Gardner (1821-1882) of scenes of the Civil War taken between 1861 and 1865. Included are group portraits of generals with their staffs, important wartime sites and activities, and photographs of paintings depicting various skirmishes. While the photographs were taken by Brady and Gardner during the war, the images were printed around 1885 by John Taylor and marketed by the firm of Taylor & Huntington. These photographer-entrepreneurs hoped to capitalize on twenty-fifth anniversary war reunions and commemorations by reissuing the once-familiar views. On the verso of each image is a partial list of the photographs sold by Taylor & Huntington for 75 cents a piece. The second grouping of photographs depicts two views of Abraham Lincoln and portraits of the Lincoln conspirators and their execution. These were also taken by Brady and Gardner during the war and, as with the first group, printed and issued around 1885 by Taylor & Huntington. Of particular rarity are the fourteen photographs of the Lincoln assassination conspirators including portraits of David Herold, George Atzerodt, Edward Spangler, two views of Lewis Payne, two views of Michael O'Laughlin, and an unidentified conspirator. Additionally, there is a complete set of three images depicting the execution of Mrs. Surratt and the conspirators taken by Alexander Gardner on July 7, 1865, as well as three of the five known images documenting the execution of Captain Wirz, the notorious Keeper of Andersonville Prison. Eighty-three cabinet portraits of Confederate Generals and other Southern leaders by George S. Cook (1819-1902) comprise the third section of the collection. Cook was a friend and former employee of Matthew Brady, and he provided E.& H.T. Anthony Co. with portraits from the South, including the first portrait of Colonel Robert Anderson. These portraits may come from sources other than Cook as he purchased competing photographers negatives, issuing them on his mounts. These portraits were taken in the 1860s but printed between 1880 and 1890 when Cook operated his Richmond, Virginia studio at 913 East Main Street. The last grouping of photographs contains 210 images by William H. Tipton (1850-1929), the self-described "Battlefield Photographer." The imperial-sized photographs depict the numerous monuments erected on the Gettysburg battlefield to honor the soldiers who fought and died in this decisive battle. The photographs date from the 1880s. The Singleton Collection constitutes of one of the most complete historic archives of the Gettysburg monuments.
photCL 445