Visual Materials
The Tip Top House, Summit of M't Washington
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The Tip Top House, Summit of Mount Washington
Visual Materials
Two variant views.
photCL 756
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126. Donner Lake and Eastern Summit, from top of Summit Tunnel, Western Summit
Visual Materials
This collection contains 372 stereographic photographs (including some variants and duplicates) by photographer A. A. Hart that document the construction of the western half of first transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. The collection includes all but seven of the original series, numbered from 1 to 364 by Hart (lacking 193, 323, 333, 358, 359, 362, and 364). The images chronicle the advancement of the railroad over 742 miles in California and the Sierra Nevada Mountains, Nevada, and Utah. The majority of the photographs are views of mountains, lakes, rivers, and forested areas (some with stumps from clear-cutting in the foreground), often with railroad tracks running through the center of the images. In addition, there are also images of locomotives, Chinese and other workers, equipment, bridges, tunnels, frontier and mining towns, construction camps, as well as some images of Native Americans, including Paiute and Shoshone Indians. The stereographs primarily contain Hart's own Sacramento imprint with series titles including: "Scenes in the Sierra Nevada Mountains"; "Scenes in the Valley of the Sacramento"; "Scenes in the Washoe Range"; "Scenes on the Humboldt River"; and "Scenes near Great Salt Lake". Interspersed in the collection are stereographs published without credit to Hart by Frank Durgan and Carleton E. Watkins.
photCL 184
126. Donner Lake and Eastern Summit, from top of Summit Tunnel, Western Summit
Visual Materials
photCL 184 (126)
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Tip top weekly : an ideal publication for the American youth
Rare Books
Includes Frank and Dick Merriwell stories by Burt L. Standish
336304
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Summit House, White Mountains
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555