Custom box - We Are Essential (Mahalaga Tayo) | Collections | The Huntington

Custom box - We Are Essential (Mahalaga Tayo) | Collections | The Huntington

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Zines
Visual Materials
Gelatin silver prints and photograph-based zines created by Valerie J. Bower. The We Are Essential (Mahalaga Tayo) portfolio includes eighty 8"x12" gelatin silver prints with a custom box: photographs 2021, printed 2024. Bower produced this set of prints from the photographs used in the We Are Essential (Mahalaga Tayo) zine, a homage to food distributors, farmworkers and the Manong generation of Filipino immigrants to Central California in the 1920s-1970s. For the zine, Bower visited the town of Delano, north of Los Angeles, to photograph the grape farms and historic Filipino Community Hall, where much of the 1965 Delano Grape Strike organizing took place. While researching the zine, Bower also had conversations with her mother, an immigrant to California from Butuan, Philippines, about the roots and significance of food in Filipino culture. She also photographed restaurants and cultural signage of Historic Filipinotown near downtown Los Angeles, Filipino markets in Long Beach and Carson, a major Filipino food product distributor, and followed volunteers who were preparing and delivering food to Filipino eldersOther prints include seven miscellaneous prints from 2016-2019, and eight 8"x12" gelatin silver prints: photographs 2015, printed 2024. These photographs were originally reproduced in Gusmano Cesaretti's Fotofolio publication featuring car club and lowrider scenes taken around Watts, North Hollywood, Crenshaw, and East Los Angeles.
photCL 747
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Photographic prints
Visual Materials
Gelatin silver prints and photograph-based zines created by Valerie J. Bower. The We Are Essential (Mahalaga Tayo) portfolio includes eighty 8"x12" gelatin silver prints with a custom box: photographs 2021, printed 2024. Bower produced this set of prints from the photographs used in the We Are Essential (Mahalaga Tayo) zine, a homage to food distributors, farmworkers and the Manong generation of Filipino immigrants to Central California in the 1920s-1970s. For the zine, Bower visited the town of Delano, north of Los Angeles, to photograph the grape farms and historic Filipino Community Hall, where much of the 1965 Delano Grape Strike organizing took place. While researching the zine, Bower also had conversations with her mother, an immigrant to California from Butuan, Philippines, about the roots and significance of food in Filipino culture. She also photographed restaurants and cultural signage of Historic Filipinotown near downtown Los Angeles, Filipino markets in Long Beach and Carson, a major Filipino food product distributor, and followed volunteers who were preparing and delivering food to Filipino eldersOther prints include seven miscellaneous prints from 2016-2019, and eight 8"x12" gelatin silver prints: photographs 2015, printed 2024. These photographs were originally reproduced in Gusmano Cesaretti's Fotofolio publication featuring car club and lowrider scenes taken around Watts, North Hollywood, Crenshaw, and East Los Angeles.
photCL 747
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Valerie J. Bower photographs and zines
Visual Materials
Gelatin silver prints and photograph-based zines created by Valerie J. Bower. The We Are Essential (Mahalaga Tayo) portfolio includes eighty 8"x12" gelatin silver prints with a custom box: photographs 2021, printed 2024. Bower produced this set of prints from the photographs used in the We Are Essential (Mahalaga Tayo) zine, a homage to food distributors, farmworkers and the Manong generation of Filipino immigrants to Central California in the 1920s-1970s. For the zine, Bower visited the town of Delano, north of Los Angeles, to photograph the grape farms and historic Filipino Community Hall, where much of the 1965 Delano Grape Strike organizing took place. While researching the zine, Bower also had conversations with her mother, an immigrant to California from Butuan, Philippines, about the roots and significance of food in Filipino culture. She also photographed restaurants and cultural signage of Historic Filipinotown near downtown Los Angeles, Filipino markets in Long Beach and Carson, a major Filipino food product distributor, and followed volunteers who were preparing and delivering food to Filipino elders.Other prints include seven miscellaneous prints from 2016-2019, and eight 8"x12" gelatin silver prints: photographs 2015, printed 2024. These photographs were originally reproduced in Gusmano Cesaretti's Fotofolio publication featuring car club and lowrider scenes taken around Watts, North Hollywood, Crenshaw, and East Los Angeles.Also included are copies of eleven of Bower's zines: Girls L.A., 2016; Homegirls, 2017; Tonight, 2019; Picture Us, 2021; We Are Essential (Mahalaga Tayo), 2021; Watts (revisited), 2023; Now and Forever, 2023; JP17: photographs 2017, published 2024; Philippines Street: photos 2016, published 2024; Blue Line: photographs 2014, 2015, published 2024; and Tropikal: photographs 2009, 2011, 2016, published 2025.
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Sturgis residence, Pasadena, Calif
Visual Materials
Box 24, Folder 9 contains one snapshot; five gelatin silver prints, two by William E. Clarke and one by Hiller; and two later prints, one depicting the garden and its features and one a reproduction of Yoch and Council's design for the grounds. Box 24, Folder 10 contains 16 photographs, including eight gelatin silver prints mounted on cardstock and signed by William M. Clarke and eight snapshots. Also includes hand-lettered portfolios.
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Eshman residence, Bel Air, Calif
Visual Materials
Contains three gelatin silver photographs by George D. Haight and two prints of the garden development plan.
archYoch
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California Institute of Technology, Pasadena, Calif
Visual Materials
Folder 17 contains 11 gelatin silver prints depicting the Athenaeum, patio, Blacker House, Fleming Court, and sunken court; five of the photographs are by D. Brown, four by Hiller, one by William M. Clarke, and one by an unidentified photographer. Also includes hand-lettered portfolio and three later prints showing various views of the Institute. Folder 18 contains 11 photographs depicting various exterior views of the dormitories, including one gelatin silver print each by D. Brown and by Hiller and nine later prints.
archYoch