Photograph album of northern China after the Boxer Uprising

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  T. Moriya commercial photograph album of Beijing and Tianjin after the Boxer Uprising

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  A commercial photograph album published by T. Moriya, Yokohama, Japan, containing 50 hand-colored photographs of scenes in Beijing and Tianjin following the Boxer Uprising in China. The album has decorative lacquered covers and folds out accordion style, with commercially-made photographs mounted on both sides of the leaves. It was most likely created as a souvenir album for the international military forces of the Eight-Nation Alliance that took part in the suppression of the Boxer Rebellion in 1900. All photographs have printed captions in English in the negative, and most have handwritten descriptions in French below the photographs, indicating the previous owner may have been a French officer or soldier who took part in the crisis. Images include famous sites in Beijing and Tianjin, some of which are partly ruined; group portraits of international soldiers and marines; and three images of the execution (beheading) of Chinese Boxers. One photograph shows the Catholic Church of Our Lady of Victory in Tientsin, which burned down after the Allies' bombardment in 1900, accompanied by an extensive handwritten note in French in the margin.

  photCL 649

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  Photograph album of China during the occupation by the Eight-Nation Alliance

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  An album of 80 photographs of Beijing, China, after the invasion of the Eight-Nation Alliance during the Boxer Uprising in 1900. The high-quality photographs were presumably taken by a French military officer, as many images feature French officers and soldiers, and one image depicts the French flag flying on top of a city gate. A few other Western officers are seen in group portraits, riding horses at camp, or posed with Chinese residents. A series of images shows the construction of a music bandstand by French and Chinese workers, most likely in the French Legation in Beijing. Other subjects include portraits of Chinese women in traditional clothing, Chinese soldiers, Beijing buildings and street scenes, and Chinese workers and families.

  photCL 722

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  Photograph album of China, Korea, and Japan

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  A photograph album containing 263 photographs of China, Korea, and Japan, dating from the time of the Boxer Uprising in China to the Russo-Japanese War, 1901 to 1905. The photographs are primarily unique images, along with some commercial photographs and foldout panoramas, and many have handwritten captions. The album's inside cover is inscribed: "John Rory Macey / H.M.S. Blenheim / China Station / Vol. II / Jan 1st 1901 - July 18th, 1905"; Macey was a naval engineer in the British Admiralty and most likely took some of the photographs, particularly naval-related scenes, and images of British servicemen. Photographic subjects in China include navy ships in the port of Weihaiwei, street scenes in Peking (Beijing) and other cities, Chinese residents, monuments (including the Forbidden Palace under foreign occupation), palaces, gardens, and temples. A number of photographs focus on the aftermath of the Boxer Uprising, including ruined buildings. The second portion of the album depicts scenes in Korea during the Russo-Japanese War; these include Korean people in daily activities, street scenes, commercial images of Chemulpo, and the palace grounds in Seoul. The third portion of the album contains amateur and commercial photographs of Japan, including the port cities of Maizuru and Yokohama, Japanese residents, tea ceremonies, the hot spring resort of Tonosawa, and panoramic images of the Osaka Exhibition of 1903. At the back of the album are 17 large, hand-colored photographs of Japan, including images of landscapes, street vendors, and Japanese women in genre scenes.

  photCL 632

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  Photograph album of a British expatriate in China

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  An album of 210 photographs of China taken sometime after the end of World War I, by an unidentified British expatriate likely working in Shanghai, China. Subjects include Shanghai, Hong Kong, Huangpu River, local residents, Westerners, naval and civil ships, coastal villages, Chinese architecture, and historical landmarks. There is no writing in the album, though one photograph of buildings along a waterfront has "my office" in pencil, with an arrow to a building. Many of the snapshots are of local people: children, fishermen, weavers, a shoe cobbler, workers with building materials, and others.

  photCL 691

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  Sylvester Thomas Blue photograph album and correspondence related to World War II in China

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  A photograph album and letters documenting the experiences of Sylvester Thomas "Bud" Blue, a private in the United States Marine Corps, in Shanghai, China, during World War II. The album contains 127 photographs: personal snapshots, photo booth portraits, commercially-made photographs, and a few photographic postcards of Shanghai. The album has no writing and people are not identified. Subjects include American and Chinese soldiers; images of war dead and destruction in Shanghai; a military parade; portraits of American and Chinese women; and scenes of soldiers drilling and at leisure. A few images show prominent figures such as Chiang Kai-shek and Soong May-ling, and other military scenes in Shanghai. Accompanying the album are nine letters from Blue to his parents in Danville, Illinois, posted from Shanghai and elsewhere between 1939 and 1945. One letter includes a newspaper clipping noting Blue and other soldiers being sent to the Fourth Marines in China.

  photCL 711

• Image not available

  Sylvester Thomas Blue photograph album and correspondence related to World War II in China

  Visual Materials

  A photograph album and letters documenting the experiences of Sylvester Thomas "Bud" Blue, a private in the United States Marine Corps, in Shanghai, China, during World War II. The album contains 127 photographs: personal snapshots, photo booth portraits, commercially-made photographs, and a few photographic postcards of Shanghai. The album has no writing and people are not identified. Subjects include American and Chinese soldiers; images of war dead and destruction in Shanghai; a military parade; portraits of American and Chinese women; and scenes of soldiers drilling and at leisure. A few images show prominent figures such as Chiang Kai-shek and Soong May-ling, and other military scenes in Shanghai. Accompanying the album are nine letters from Blue to his parents in Danville, Illinois, posted from Shanghai and elsewhere between 1939 and 1945. One letter includes a newspaper clipping noting Blue and other soldiers being sent to the Fourth Marines in China.

  photCL 711