Visual Materials
Photograph album (disbound)
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Photograph album (disbound)
Visual Materials
A collection of various Civil War photographs that were bound into an album (now disbound), and were compiled by John P. Nicholson, Civil War veteran and collector. The albumen prints are approximately 10 x 12 1/2 inches, mounted on boards, with a few small, amateur photographs pasted on backs of some boards. The album begins with views of City Point by William Hathaway, including General U.S. Grant's headquarters and other barracks, and civilian men and women aboard a steamboat. Views in Richmond depict Libby Prison, building ruins, and Jefferson Davis' residence. Other subjects are: Lookout Mountain, Tennessee; soldiers and officers; an army camp at Scottstown, Alabama; an army bridge created from boats at Fredericksburg, Virginia (1862); U.S. Colored Troops standing in formation at Camp William Penn, Philadelphia (approximately 1863); Citizens' Volunteer Hospital; and a group of Black and white children, men, and women at "Scott House, opposite Fredericksburg." There are two photographs of illustrations by Civil War artist James E. Taylor depicting the Battle of Vermillion Bayou and Custer's charge through a Cheyenne village, Wyoming (1868). The album is disbound, and four photographs have been matted and housed in Box 2.
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Photograph album (disbound)
Visual Materials
A collection of 63 Civil War photographs compiled by John P. Nicholson, Civil War veteran and collector. The albumen photographs are mounted on boards and were bound into an album (now disbound). Most are undated and have little identifications, though some have faded pencil writing on back. Many images depict battlefields, primarily in Gettysburg, such as Little Round Top, Devil's Den, and others. Of particular note are photographs of war dead on the battlefield by Mathew B. Brady and Timothy O'Sullivan (1863); and an image of a dead young man, labeled a "rebel sharpshooter," by Alexander Gardner. Another image shows Brady overlooking "The Wheat Field" at Gettysburg, July 1863, attributed to Egbert Guy Fowx. There are several group portraits of soldiers and officers, often at camp, sitting or standing in front of tents; one features officers with women, presumably their wives or family members. Those identified include General Francis Preston Blair Jr. and staff; soldiers of the 8th New York State Militia at camp; 1st U.S. Cavalry at Brandy Station, Virginia; musical band of the 114th Pennsylvania Infantry (Zouaves); and artillery of the Army of the Cumberland near Chattanooga, Tennessee. Other subjects are: General George G. Meade's headquarters; men building fortifications; a government coal wharf; the Orange and Alexandria Railroad roundhouse in Alexandria, Virginia; a bird's-eye-view of Washington, D.C. with the Capitol and Smithsonian Institute Building "The Castle"; and a panoramic image of "the field over which Pickett charged" by photographer William Bell. A few images include Black men in civilian clothing. The album is disbound, and three photographs have been matted and housed in Box 2.
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Photograph album (disbound)
Visual Materials
A collection of 97 photographs, chiefly of Civil War veterans, monuments, and other views at Gettysburg National Memorial Park, taken approximately 1890 to 1910. The photographs were compiled into an album (now disbound) by John P. Nicholson, Civil War veteran and collector. There are a few wartime photographs dating to the 1860s, but the majority were taken in the years after the Gettysburg battlefield was designated a national park in 1893. The albumen photographs are various sizes and are mounted on boards. Many depict veterans gathered in groups at Gettysburg, sometimes in front of a monument for a specific army division. Women and children appear in some images, posing with monuments, and there are portraits of individuals in uniforms, mostly unidentified. Other subjects are: landscape views of former battlefields (with annotations identifying landmarks), graves, gun carriages outside a barn, cannons, visitors in horse and buggy, and the Old Soldiers Home (Washington, D.C.?). Six small images on page 47 date to much earlier; there are two wartime images of Ulysses S. Grant and officers seated outside a tent; a group of soldiers standing by cabins; and single images of three of Grant's horses, "Jeff. Davis, Cincinnati, and Egypt," at City Point, Virginia, 1865. Some images are by William Tipton and one is credited to F. Gutekunst. The album is disbound, and two photographs have been matted and housed in Box 2.
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Album (disbound) of photographs of paintings, art objects and galleries, ca. 1928-1930
Visual Materials
This collection contains approximately 10,000 photographs, negatives and ephemera created or compiled by Grace Nicholson (1877-1948), a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The bulk of the collection dates from 1903 to the 1920s and includes photograph albums and individual photographs with views of Native Americans of the Northwest Coast, California, and the Southwest of North America; pictures documenting Nicholson's basket collecting trips primarily between 1902 and 1912; images of Nicholson's stores and residences in Pasadena, including the building of the "Grace Nicholson Treasure House of Oriental Art" in the mid-1920s; and personal photographs of Nicholson, her family, friends, and associates. Nicholson's personal snapshots and photograph albums provide a valuable resource for studying Native American communities, particularly in Northern California, in the early 20th century. Many of the photographs depict daily life and include images of homes, community events, dances and rituals, families and children, and portraits. Most of these photographs were taken by Grace Nicholson or her assistant, Mr. Carroll S. Hartman, and are often accompanied by Nicholson's handwritten identifications.
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Rhinoceros horn cup albums (disbound)
Visual Materials
The Life of Edward E. Ayer. Chicago: A. C. McClurg & Co., 1929, pp. 202-204.)]
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