Gold of Ophir rose bush. H.N. Rust's residence. South Pasadena, California

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  Century plants. H.N. Rust's residence. South Pasadena, California

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  Pasadena. East Colorado. Gold of Ophir roses

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  The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

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  [Map of H.N. Rust and Son's subdivision of the Palm Place Nursery at South Pasadena]

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  H. N. Rust family members: Esther A. Rust; Mr. and Mrs. Charles Blair (Rust's aunt and uncle)

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  Horatio N. Rust Photograph Collection

  Visual Materials

  A collection of photographs compiled by Horatio N. Rust (1828-1906), U.S. Indian agent and archaeological artifact collector. The main focus of the collection is Indians of Southern California and the Southwest in the late 19th century, including a set of photographs of Southwest Pueblos by John K. Hillers. There is also a collection of photographs related to abolitionist John Brown and his descendants living in the West. The collection has been divided into five groups: (photCL 7) Album of Indians of Southern California and the Southwest, approximately 1886-1905. A photograph album compiled by Rust, documenting Indians living in Southern California, Arizona and New Mexico, approximately 1886-1905. Includes group portraits of Indian school students in California; members of the Cahuilla, Luiseno, Morongo, Mojave, Hopi, and Navajo tribes; the Indian Council at Pala, 1886; and scenes in Pechanga, Soboba and other native communities of Southern California. (photCL 8) Trip to Arizona, 1895 Photographs made mostly by A. C. Vroman during Rust's 1895 trip from Southern California to Arizona to see the Hopi Snake Dance at Walpi. Rust was accompanied by Mrs. Thaddeus (Leontine) Lowe, Vroman, and Charles J. Crandall. Views include Hopi and Navajo Indians and scenes of pueblo life; the Snake Dance at Walpi; the Grand Canyon; the Petrified Forest; desert landscapes; a group portrait of Mojave Indians at Needles, California; and several views of Rust and his fellow travelers with guides, wagons and supplies. (photCL 9) John Brown Collection, approximately 1850-1897. Photographs, prints and ephemera pertaining to abolitionist John Brown and his family. Includes portraits of Brown, his family members, supporters and other abolitionists; participants in the raid on Harper's Ferry and officials involved in Brown's trial; views of Harper's Ferry and buildings related to the raid; and views of Brown's grave and home in New York. There are also several views of Jason and Owen Brown's Las Casitas homestead in the mountains near Pasadena, California, and a scene of mourners gathered at Owen Brown's grave. A few additional items in the collection were acquired from other sources and transferred to the collection at various times. (photCL 10) U.S. Bureau of Ethnology Expedition Photographs of Southwest Pueblos by John K. Hillers, approximately 1879-1881. Views of pueblo villages and surrounding landscape; some show people and details such as pottery, ovens, and food and water sources. (photCL 11) Photographs and Lantern Slides of Artifacts and Indians of California, Southwest and Great Plains, approximately 1870s-1890s. Views of artifacts, some of which were excavated by Rust himself, as he describes in captions; Indians from Great Plains and western tribes; Indian schools in Tahlequah, Oklahoma, and Perris, California; Southern California Indians. The lantern slides are mostly copies of photographs elsewhere in the Rust Collection, such as: Southwest Pueblo views by John K. Hillers (photCL 10); Rust's trip to Arizona, 1895, with A. C. Vroman (photCL 8). Topics of other slides: Southwest Indians by photographer Frederick H. Maude; San Gabriel Mission; two views of H. N. Rust's home; Aztec artifacts and ruins.

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  South Pasadena (House with climbing roses.)

  Visual Materials

  This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.

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