Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Visual Materials
A collection of photographs compiled by Horatio N. Rust (1828-1906), U.S. Indian agent and archaeological artifact collector. The main focus of the collection is Indians of Southern California and the Southwest in the late 19th century, including a set of photographs of Southwest Pueblos by John K. Hillers. There is also a collection of photographs related to abolitionist John Brown and his descendants living in the West. The collection has been divided into five groups: (photCL 7) Album of Indians of Southern California and the Southwest, approximately 1886-1905. A photograph album compiled by Rust, documenting Indians living in Southern California, Arizona and New Mexico, approximately 1886-1905. Includes group portraits of Indian school students in California; members of the Cahuilla, Luiseno, Morongo, Mojave, Hopi, and Navajo tribes; the Indian Council at Pala, 1886; and scenes in Pechanga, Soboba and other native communities of Southern California. (photCL 8) Trip to Arizona, 1895 Photographs made mostly by A. C. Vroman during Rust's 1895 trip from Southern California to Arizona to see the Hopi Snake Dance at Walpi. Rust was accompanied by Mrs. Thaddeus (Leontine) Lowe, Vroman, and Charles J. Crandall. Views include Hopi and Navajo Indians and scenes of pueblo life; the Snake Dance at Walpi; the Grand Canyon; the Petrified Forest; desert landscapes; a group portrait of Mojave Indians at Needles, California; and several views of Rust and his fellow travelers with guides, wagons and supplies. (photCL 9) John Brown Collection, approximately 1850-1897. Photographs, prints and ephemera pertaining to abolitionist John Brown and his family. Includes portraits of Brown, his family members, supporters and other abolitionists; participants in the raid on Harper's Ferry and officials involved in Brown's trial; views of Harper's Ferry and buildings related to the raid; and views of Brown's grave and home in New York. There are also several views of Jason and Owen Brown's Las Casitas homestead in the mountains near Pasadena, California, and a scene of mourners gathered at Owen Brown's grave. A few additional items in the collection were acquired from other sources and transferred to the collection at various times. (photCL 10) U.S. Bureau of Ethnology Expedition Photographs of Southwest Pueblos by John K. Hillers, approximately 1879-1881. Views of pueblo villages and surrounding landscape; some show people and details such as pottery, ovens, and food and water sources. (photCL 11) Photographs and Lantern Slides of Artifacts and Indians of California, Southwest and Great Plains, approximately 1870s-1890s. Views of artifacts, some of which were excavated by Rust himself, as he describes in captions; Indians from Great Plains and western tribes; Indian schools in Tahlequah, Oklahoma, and Perris, California; Southern California Indians. The lantern slides are mostly copies of photographs elsewhere in the Rust Collection, such as: Southwest Pueblo views by John K. Hillers (photCL 10); Rust's trip to Arizona, 1895, with A. C. Vroman (photCL 8). Topics of other slides: Southwest Indians by photographer Frederick H. Maude; San Gabriel Mission; two views of H. N. Rust's home; Aztec artifacts and ruins.
photCL 7-11
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Visual Materials
A collection of photographs and lantern slides compiled by Horatio Nelson Rust (1828-1906), a U.S. Indian agent and artifact collector in California in the late 19th century. The disbound photograph album in Boxes 1 and 2 include many views of Indian artifacts, such as arrowheads, pottery, metal and stone relics, some of which were excavated by Rust himself, as he describes in captions. There are also views of skulls excavated in Missouri, 1879, by Rust. Rust's handwritten captions identifying items and where they were found, by himself or others, are of particular interest in this collection. The album also contains photographs of Indians from Great Plains and western tribes, and Indian schools in Tahlequah, Oklahoma, and Perris, California. There are two striking "before and after" photographs of Chiricahua Apache children sent to Carlisle Indian School, Pennsylvania. Also of note are many views of Southern California Indians, including portraits of Cabazon, Soboba, Luiseno and Cahuilla tribe members, some partially identified by family names: Estudillo; Victoriano of Soboba; Lugo (or Lubo); Casero; Costo; Pablo "Chief of Cahuilla"; Silvestre. Other subjects included: two group portraits of Yuma Indian men, 1891; studio portraits of Keokuk (Sauk); Billy Bowlegs (Seminole); Ouray and Ignacio (Ute); reproductions of drawings of Indians on horses; reproductions of 17th-century deeds related to John Pynchon and colonial Deerfield, Massachusetts; a John K. Hillers photograph of John W. Powell, George W. Ingalls and others in Colorado, 1873; scenes of the Indian Council at Pala, California, 1886; Old Creek Indian Council House, Okmulgee, OK; and portraits of Sam Temple and the Cahuilla woman known as "Ramona," who inspired characters in Helen Hunt Jackson's novel, Ramona. Photographs in Box 3 include views of: Trinity River and vicinity, Northern California, approximately 1880s; camping; scenery; Indian workers standing outside agency; trading post; railroad station in Holbrook, Arizona; missions in California and Tucson, Arizona; Southwest Indians; portrait of Otis T. Mason; archaeological specimens; H. N. Rust family members. Most of the lantern slides in Boxes 4-7 are copies of photographs elsewhere in the Rust Collection, such as: Southwest Pueblo views by John K. Hillers (photCL 10); Rust's trip to Arizona, 1895, with A. C. Vroman (photCL 8). Topics of other slides: Southwest Indians by photographer Frederick H. Maude; San Gabriel Mission; two views of H. N. Rust's home; Aztec artifacts and ruins.
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Visual Materials
A collection of photographs made during Horatio Nelson Rust's 1895 trip from Southern California to Arizona to see the Hopi Snake Dance at Walpi. Rust, a former U.S. Indian agent and artifact collector, was accompanied by Mrs. Thaddeus (Leontine) Lowe, A. C. Vroman, and Charles J. Crandall. Vroman made the majority of the photographs, with the remainder produced by Crandall, who is visible with his camera in some scenes. There is one photograph of scenery (48) credited to F. H. Maude; it is unclear when it was taken. Views include Hopi and Navajo Indians and scenes of pueblo life; the Snake Dance at Walpi; the Grand Canyon; the Petrified Forest; desert landscapes; a group portrait of Mojave Indians at Needles, California; and several views of Rust and his fellow travelers with guides, wagons and supplies. Also included are Rust's notes on "Elevations on the line of the Atlantic & Pacific Railroad" and his business card. One of Vroman's photographs (40a) has a signed note from George W. Ingalls, U.S. Indian agent. There is also one view (19b) of a rock memorial in Arizona for Col. C. "Kit" Carson.
photCL 8
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Visual Materials
A collection of photographs made during Horatio Nelson Rust's 1895 trip from Southern California to Arizona to see the Hopi Snake Dance at Walpi. Rust, a former U.S. Indian agent and artifact collector, was accompanied by Mrs. Thaddeus (Leontine) Lowe, A. C. Vroman, and Charles J. Crandall. Vroman made the majority of the photographs, with the remainder produced by Crandall, who is visible with his camera in some scenes. There is one photograph of scenery (48) credited to F. H. Maude; it is unclear when it was taken. Views include Hopi and Navajo Indians and scenes of pueblo life; the Snake Dance at Walpi; the Grand Canyon; the Petrified Forest; desert landscapes; a group portrait of Mojave Indians at Needles, California; and several views of Rust and his fellow travelers with guides, wagons and supplies. Also included are Rust's notes on "Elevations on the line of the Atlantic & Pacific Railroad" and his business card. One of Vroman's photographs (40a) has a signed note from George W. Ingalls, U.S. Indian agent. There is also one view (19b) of a rock memorial in Arizona for Col. C. "Kit" Carson.
photCL 8
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Visual Materials
Two letters (Feb. 23 and 29, 1888) from James C. Pilling (Bureau of Ethnology, Smithsonian Institution) to H. N. Rust. Letters refer to "a set of the Pueblo photographs of New Mexico" being sent to Rust at his request.
photCL 7-11
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Visual Materials
The Southern California Edison collection of negatives and photographs consists of approximately 80,000 images created and acquired by the company from approximately 1883-1989, with the bulk of the collection covering 1910-1960. Formats include glass and film negatives, photo cards, loose photographs, photograph albums, lantern slides, and related materials. Most of the images were produced by Edison staff and contract photographers to document Edison facilities, products, operations, activities, and employees and for the purposes of education, advertising, training, and liability. The SCE collection offers a range of subjects far broader than the company's original intent. In addition to infrastructural images of transmission lines, steam plants, substations, equipment, vehicles, and hydroelectric plants, the company captured the uses of light and electricity in its myriad capacities, including night lighting of streets, billboards, storefronts, and gas stations; electric kitchens and appliances in domestic and industrial settings such as restaurants and cafes; agricultural innovations in the dairy and poultry industries; lighting for recreational uses such as swimming pools, bathhouses, tennis courts; golf courses; office work; and accident scenes and disasters, particularly the St. Francis Dam disaster of 1928.
photCL SCE
photCL 11