Visual Materials

Harriet Beecher Stowe portrait

Description: A cabinet photograph of an older Harriet Beecher Stowe, showing her in profile, taken approximately 1880s by photographer George H. Hastings, Boston, Massachusetts. Signed by Stowe on the lower front mount, below the image.
Type: Visual Materials(Opens in new tab)
Date: approximately 1880s
Call number: photCL 688
Provenance: Purchased for the Huntington from Luxury Catalogs Inc. - 19th Century Rare Book & Photograph Shop by the Library Collectors' Council, March 19, 2022.
Restrictions: Open for use by qualified researchers and by appointment. Please contact Reader Services at the Huntington Library for more information.; RESTRICTED: Box 1: Item is fragile and only available with curatorial approval.

Portraits of Harriet Elizabeth (Beecher) Stowe and Henry Ward Beecher

Manuscripts

Eight black and white printed portraits, one frontispiece of Harriet Beecher Stowe, and one portrait of Henry Ward Beecher.

mssHM 24162-24166

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Beecher family photograph collection

Visual Materials

A collection of five photographs of various Beecher family members in five different photographic formats: ambrotype, albumen print, carte-de-visite, cabinet photograph, and a hand-colored salted paper print. A portrait of Lyman Beecher produced by Mathew Brady in 1856 is a combination of watercolor, ink, and pencil added to the surface of a salted paper print. There are two variants of a Beecher family group portrait taken in 1859 depicting Lyman Beecher and nine of his adult children; one is a large albumen print and the other an ambrotype. Also included are an autographed cabinet photograph of an older Harriet Beecher Stowe; and a hand-colored Augustus Morand print based on a miniature of a young Eunice White (Bullard) Beecher, author and wife of Henry Ward Beecher. This carte-de-visite portrait is within a Bullard family album containing 45 additional cartes-de-visite and cabinet photographs. Only a few portraits in the album are identified, including some cousins of Eunice Bullard.

photCL 688

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Bullard family album with portrait of Eunice White (Bullard) Beecher

Visual Materials

An album featuring a hand-colored albumen print based on a miniature of a young Eunice White (Bullard) Beecher, author and wife of Henry Ward Beecher. The print by photographer Augustus Morand was made approximately 1860s and is on a carte-de-visite mount. Handwriting on the back reads: "Mrs. Henry Ward Beecher, taken from a miniature when she was 18 years old." The Bullard family album contains 45 additional cartes-de-visite and cabinet photographs dating from approximately 1860s to 1880s. Most people are unidentified, though three identified people were cousins of Eunice: Clara G. Bullard, daughter of William Reed Bullard; and two children, Florence May Wyman and Arthur Wyman, whose parents were Charles F. Wyman and Helen Knight (Bullard) Wyman. Visible imprints identify photographic studios in Boston, New York, Michigan, Indiana, and Ohio.

photCL 688

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Beecher family portrait (ambrotype)

Visual Materials

An ambrotype of ten members of the Beecher family in a group portrait originally taken by Mathew Brady in New York, in March 1859. This ambrotype was copied by photographer George M. Howe from one of the original salted paper prints. The image is in the bottom half of a leather case and has a gold mat with the stamp of G. M. Howe of Portland and Upton, Maine. Lyman Beecher is seated at center, flanked by his four daughters (from left to right, Isabella, Catharine, Mary, and Harriet). Behind them stand five of the seven brothers (from left to right, Thomas, William, Edward, Charles, and Henry Ward - George died in 1843, and James was in Hong Kong serving as a missionary). This was the last time they came together before Lyman died in 1863. The portrait was reproduced in several photographic formats over the years, including the print in Box 4.

photCL 688

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Lyman Beecher portrait

Visual Materials

A half-length seated portrait of Lyman Beecher by photographer Mathew Brady. A combination of watercolor, ink, and pencil has been added to the surface of the salted paper print. "Brady's Gallery, 205 & 359 Broadway, New York" is stamped in the red velvet case lining.

photCL 688

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Storrs-Stowe, Harriet Elizabeth Beecher manuscripts

Manuscripts

The collections consist primarily of letters from various American and British authors to James Fields, mostly relating to publication of their manuscripts by his firm Ticknor and Fields and in The Atlantic monthly. The collection, and especially the addenda, also includes letters to Annie Fields concerning literary matters. There are also poems, manuscripts, and correspondence by and about the following individuals: Thomas Aldrich, Charlotte Cushman, Charles Dickens, Ralph Waldo Emerson, Jessie Benton Frémont, Edward Everett Hale, Nathaniel Hawthorne, Oliver Wendell Holmes, Julia Ward Howe, Helen Hunt Jackson, Sarah Orne Jewett, Lucy Larcom, Sara Jane Clarke Lippincott (better known by her pen name Grace Greenwood), Henry Wadsworth Longfellow, Helena Modjeska, Harriet Beecher Stowe, Celia Thaxter, Booker T. Washington and John Greenleaf Whittier. The collection also contains essays, notes, speeches, notebooks, photographs, and articles. The collections chiefly deal with the activities of Ticknor and Fields, as well as Fields' and his wife's own literary efforts. The following authors are subjects in the collections: Robert Burns, Lord Byron, John Milton and Percy Shelley. Presidential items in this collection include John Adams autograph bill for legal services to Thomas Pratt, 1767 October 14 (mssFI 5102) and two autograph letters signed from William H. Taft to Annie Adams Fields, 1914 February? and 1914 March 10 (mssFI 4098, mssFI 4099).

mssFI

Harriet Beecher Stowe portrait

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