Visual Materials
Louisiana Purchase Exposition album compiled by Lily H. Tiedeman
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Ground plan of the Louisiana Purchase Exposition St Louis, Mo. 1904
Rare Books
Oriented with North to the bottom. With an index to locations on the map. Text on verso of map details hotel accommodations, excursion rates to St. Louis, transportation facilities, facts about the Exposition, odd things on the Pike and travel facilities. With an illustration. Issued with a paper cover. Cover title: Map of the World's Fair grounds Saint Louis, 1904 ; compliments of Hunkins-Willis Lime & Cement Co. ... St. Louis, Mo. "Copyright, 1904 by Parker Eng. Co.". Alternate title from cover. Prime meridian: GM. Relief: no. Projection: Plane. Printing Process: Lithography. Verso Text: Text and photo describing Exposition.
492463
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Elizabeth Benton (Lily) Frémont letter to Clara Stanton Howe
Manuscripts
Miss Frémont writes that she is leaving town for a month and that a lady with a subscription book for the F.F. Society called on her that day, but she didn't have time to look into the matter. Miss Frémont told the caller that all connections to that society are now through her (Mrs. Howe) and that she would see her about it when she got back unless the matter was pressing. In that case, Mrs. Howe could write her at Long Beach. The letter is signed: Yours sincerely, E. Benton Frémont, Los Angeles, Thursday afternoon.
mssHM 16698
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[Wattles, Gurdon Wallace, 1855-1932]. "Louisiana Purchase Exposition:" [speech] (1904). 1 item
Manuscripts
The manuscripts mainly consist of speeches or short pieces written by Gurdon Wallace Wattles regarding business practices, Nebraska, and his political views. It also includes scripts written by True Boardman. The majority of the correspondence is from Gurdon Wallace Wattles or addressed to him. These letters deal with his business matters in both Nebraska and California, family news and business, and there are many which describe the Wattles House and Gardens, especially the decorating of the Italian garden. There are also letters pertaining to the disposition of his will. Another set of letters describes Wattles' investment in a company which explored sound in film technology. The Ephemera section contains material relating to the Wattles family and their life in California. Among these materials are drawings for the Italian garden, weddings plans for the two daughters, membership cards, invitations to private and public events and photographs of the family on vacation and at the Wattles property. There are also materials related to the disposition of Wattles' will, some business papers and materials related to musicians the Wattles' supported. Participants include: Harry Chandler, Herbert Hoover, Henry Workman Keller, Robert Andrews Millikan, Cornelius Vanderbilt, Gurdon Wallace Wattles, Jr., and the Republican National Committee. Subjects in the collection include: Beverly Hills Hotel; Los Angeles history; Los Angeles gardens; Hollywood, California; Motion picture industry in New York; Hot Springs, South Dakota; Los Angeles Newspapers; Omaha, Nebraska; Universal City, California; Herbert Hoover; Henry Workman Keller; and Wattles Jr.'s correspondence from World War, 1939-1945.
mssWattles papers
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Photograph Album (1910-[c.1960]). Note: the photographs have been taken out of album and are in an envelope. 103 items. Purchased from Elliott Mittler, 2010
Manuscripts
Subjects of the entire collection include: Ruth St. Denis, Ted Shawn, American dance and dancers, dance instruction and notes, exercises and warm-up routines, various dance types (international as well as American), famous dancers from around the globe, Denishawn dancers, the Ruth St. Denis Center, the Ruth St. Denis Foundation, the Ruth St. Denis Theatre Intime, Jacob's Pillow dance festival, American Dance Film Association, Society of Spiritual Arts Church, the various teachers and pupils at St. Denis' dance studio and school, the Orient trip the Denishawn dancers took in 1926, as well as dance productions and events St. Denis put on throughout her career. There is also much material about St. Denis' effort to have her studio and school become a non-profit entity and her desire to create an artist colony in Hemet, California. More specifically, several dancers show up in the notebooks and photographs, including: Harold Kreutzberg, Peter di Falco, La Meri, Karoun Tootikian, Miriam Schiller, Jean Léon, Gladys Bowen, Antonio Gades, Devi Dja, Doris Humphrey, Mary Wigman, and Martha Graham.
mssStDenis
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Mollison, Lily – O., H
Manuscripts
There are 8,002 pieces of manuscripts, 6,044 of which are by Annie C. Bill. The manuscripts comprise of articles, drafts, essays, excerpts, notebooks, proofs, speeches, statements, and miscellaneous notes. There are 7,218 pieces of correspondence, 1,629 of which are by Annie C. Bill; most of her correspondence comprises of incomplete drafts of letters. The majority of the correspondence includes letters by her publisher, A.A. Beauchamp, Deputy Advisor, John V. Dittemore, officers, and students relating to her religious movement. There are 2,129 pieces of ephemera, the majority being related to Annie C. Bill. The first part of the ephemera is applications, brochures, fliers, and tracts that are arranged according to Bill's religious organization that she joined or led. The remaining ephemera consists of an appointment book, British Museum copyright receipts, Bill's British passport, calling cards, circular letters, empty envelopes, financial records, a greeting card, Kelly's Directors LTD., legal documents, miscellaneous ephemera, newspaper clippings, periodicals, photographs, postcards, and reprints.
mssBill collection
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Albums (Records) 12" (in album)
Manuscripts
Subjects of the entire collection include: Ruth St. Denis, Ted Shawn, American dance and dancers, dance instruction and notes, exercises and warm-up routines, various dance types (international as well as American), famous dancers from around the globe, Denishawn dancers, the Ruth St. Denis Center, the Ruth St. Denis Foundation, the Ruth St. Denis Theatre Intime, Jacob's Pillow dance festival, American Dance Film Association, Society of Spiritual Arts Church, the various teachers and pupils at St. Denis' dance studio and school, the Orient trip the Denishawn dancers took in 1926, as well as dance productions and events St. Denis put on throughout her career. There is also much material about St. Denis' effort to have her studio and school become a non-profit entity and her desire to create an artist colony in Hemet, California. More specifically, several dancers show up in the notebooks and photographs, including: Harold Kreutzberg, Peter di Falco, La Meri, Karoun Tootikian, Miriam Schiller, Jean Léon, Gladys Bowen, Antonio Gades, Devi Dja, Doris Humphrey, Mary Wigman, and Martha Graham.
mssStDenis