Visual Materials
Photographs of Snader Telescriptions operations and filming of musicians for television, Hollywood, California
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Photographs of cinema, radio, and television production
Manuscripts
Includes Don Lee TV Production, circa 1942, 1954; various views of television production, 1948-1952; First Annual Television Workshop, staff and students, 1953; Second Annual Television Workshop, students, faculty and guest speakers; and performance photos, 1954.
mssPlayhouse

NBC and KNBH Television, Hollywood, California
Visual Materials
Image of a street view of the northeast corner of Radio City, a National Broadcasting Company studio on Sunset Boulevard and Vine Street in Hollywood, California, with a sign that reads "KNBH television channel 4."
photCL_555_06_1938

Making movies, Hollywood, California
Visual Materials
Image of a film crew filming a scene with actors in a house on fire, firefighters, and a man sitting in a director's chair that reads "M. Beaudine" next to a cameraman with movie camera. William Beaudine was a prolific early film director.
photCL_555_01_607
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Film and television scripts, articles, and source materials
Manuscripts
The collection contains correspondence, film and television scripts, articles, and photographs related to the writings and interests of Stuart Lake. The letters make up the largest part of the collection (13 boxes), and correspondents include Wyatt Earp, Josephine Earp, Eugene Manlove Rhodes, Eugene Cunningham, John Philip Clum and J. Frank Dobie. There is also a significant amount of correspondence between Lake and the Houghton Mifflin Company. The subject matter includes western personalities, motion pictures, and western places such as Tombstone, AZ, and Dodge City, KS. The collection contains a large amount of source material for the film, Wells Fargo (1937).
mssLake papers
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Photographs
Manuscripts
Primarily studio portraits of actors and actresses, dancers, singers, musicians, composers, conductors, and other individuals associated with the performing arts. Many photographs are signed with inscriptions to Lynden E. Behymer. Miscellaneous and unidentified images are located at the end of each size range. All boxes contain photographs except for Box 344, which holds an empty ornate photograph album. Please note that this series contains historical images and language that library users may find harmful, offensive, or inappropriate.
mssBehymer
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Hollywood - Radio, television and movie studios
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555