Visual Materials
16 album pages with Fanchon and Marco clippings
You might also be interested in
Image not available
808 Camden Drive, B.H. [group portrait including Fanchon and Marco]
Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers. Photographers represented in the collection are: Archer's Art Shop of Los Angeles; Hollywood photographers Irving Archer; Archer's Studios; Curt Fox; Paralta Studios; and Harry Wenger. A few photographs include the imprints of Peerless Photo of Los Angeles, John Sirgio, H.W. Steward of San Francisco, Talbot of New York, Weaver of Los Angeles, and White Studio of New York.
photCL 487
Image not available
Fanchon & Marco modes fashion promotional publication produced in association with Phiffer's dress manufacturer
Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers. Photographers represented in the collection are: Archer's Art Shop of Los Angeles; Hollywood photographers Irving Archer; Archer's Studios; Curt Fox; Paralta Studios; and Harry Wenger. A few photographs include the imprints of Peerless Photo of Los Angeles, John Sirgio, H.W. Steward of San Francisco, Talbot of New York, Weaver of Los Angeles, and White Studio of New York.
photCL 487
Image not available
Fanchon and Marco collection of photographs and ephemera
Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, scrapbooks of clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers.Accompanying descriptive information is scant with few performers identified by name. A typescript inventory with Idea titles precedes volumes 1-8. The production name appears in pencil on the back of many of the pages in Volumes 1-12. Volume 13 contains stage and lighting directions in typescript on the backs of some photographs.Photographers represented in the collection are: Archer's Art Shop of Los Angeles (Volume 6, 8, 11, 13); Hollywood photographers Irving Archer (Volume 12, 13, 14), Archer's Studios (Volume 8, 11, 13, 14); Curt Fox (Volumes 5-6); Paralta Studios (Volumes 2-4); and Harry Wenger (Volumes 1, 2-4, 6). A few photographs include the imprints of Peerless Photo of Los Angeles (Volume 13), John Sirgio (Volume 13), H.W. Steward of San Francisco (Volume 1), Talbot of New York (Volume 12), Weaver of Los Angeles (Volume 1), and White Studio of New York (Volume 9).
photCL 487
Fanchon & Marco, Volume 8
Visual Materials
87 album pages, each containing an 8 x 10-inch photograph depicting sets, performers, and concepts from live variety stage shows performed before feature films. These shows, known as "Ideas," were produced by the Los Angeles-based theatrical production team of Fanchon and Marco. The photographs document stages, often with ornate set designs, rehearsals, dance and musical numbers, costumes, and group and single portraits of dancers, musicians, and actors for shows performed from approximately 1931 to 1932. Some of the photographs include imprints for Archer's Art Shop of Los Angeles and Archer's Studio of Hollywood, California. The photographs were originally housed in a custom binder and comprise volume 8 of a 16-volume set that served as a visual inventory for hundreds of Fanchon & Marco performances.
photCL 487
Fanchon & Marco, Volume 11
Visual Materials
75 album pages, each containing an 8 x 10-inch photograph depicting sets, performers, and concepts from live variety stage shows performed before feature films. These shows, known as "Ideas," were produced by the Los Angeles-based theatrical production team of Fanchon and Marco. The photographs document stages, often with ornate set designs, rehearsals, dance and musical numbers, costumes, and group and single portraits of dancers, musicians, and actors for shows performed from around 1932. Some of the photographs include imprints for Archer's Art Shop and Archer's Studios of Hollywood, California. Photographs were originally housed in a custom binder and comprise volume 11 of a 16-volume set that served as a visual inventory for hundreds of Fanchon & Marco performances.
photCL 487
Fanchon & Marco, Volume 3
Visual Materials
103 album pages, each with four photographs per page, depicting sets, performers, and concepts from live variety stage shows performed before feature films. These shows, known as "Ideas," were produced by the Los Angeles-based theatrical production team of Fanchon and Marco. The photographs document stages, often with ornate set designs, rehearsals, dance and musical numbers, costumes, and group and single portraits of dancers, musicians, and actors for shows performed around 1929. There is also one 8 x 10 inch group portrait of individuals including Fanchon Wolff and Marco Wolff, photCL 487 vol 3 (103). Identified photographers include Harry Wenger and Paralta of Los Angeles. The photographs were originally housed in a custom binder and comprise volume 3 of a 16-volume set that served as a visual inventory for hundreds of Fanchon & Marco performances.
photCL 487