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Visual Materials

photCL 480 Part I


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    photCL 480 Part II

    Visual Materials

    This set of 27 loose prints documents the Century Freeway project from 1990 to 1995. The images consist of views of vacant lots, construction workers, the unfinished freeway, runners on the highway participating in the "Run of the Century" race, and the October 14, 1983, Opening Day Festivities, including a photograph of California Governor Pete Wilson and officials during the pledge of allegiance. The photographs are accompanied by a letterpress title page, introduction, and numbered descriptive notes for images 1-11 by the photographer. Image titles for 1-11 are transcribed from the accompanying "Notes on Photographs." (1-2) Century Freeway Pre-Apprenticeship Training Program (3) Morning Rush Hour (4) Willco Dump near Normandie and Imperial (5) Hawthorne Terrance Replenishing Housing Project (6) Run of the Century (7-11) Opening Day Festivities (12-27) [Untitled images of construction area]

    photCL 480

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    In Our Path

    Visual Materials

    In Our Path contains two series of black-and-white photographs by Jeff Gates that chronicle the construction and impact of the I-105 Century Freeway in Los Angeles, California, between 1982 and 1983 and later from 1990 and 1995. The first set of 19 images focus primarily on the initial condemnation and relocation of houses and property in the proposed path of the freeway in the early 1980s. The later set of 27 images document the continued construction in the early 1990s and the opening of the freeway. Each set of photographs is accompanied by a letterpress title page, introduction, and numbered descriptive notes by the photographer.

    photCL 480

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    "Southern California, Part I"

    Visual Materials

    The Peabody Collection consists of 672 glass plate negatives in various sizes, 1054 film negatives in various sizes, 24 photograph albums, 887 loose photographs in a variety of formats, published works, and manuscript material, created and collected by Henry G. Peabody, 1859-1993 (bulk 1890s-1900s). The materials collectively describe Peabody's long career as a commercial landscape photographer working on both the east and west coasts of the United States. The photographs and negatives depict Peabody and his family; landscape views in New England, Canada, the western United States, California, and Mexico; Native Americans; city and landscape views in Great Britain, France, and Switzerland; portraits; architectural renderings; plants and animals; unidentified landscapes; and miscellaneous images. Additional photographers and photographic firms represented in the collection include Alexander Hesler, Charles F. Lummis, and Spence Air Photos. The published works contain photographs by Peabody. The manuscript material provides information about Peabody's negatives; contains catalogs of Peabody's works for sale; describes Peabody's commercial dealings as both a photographer and seller of photographic equipment; and contains ephemeral material collected by Peabody throughout his life.

    photCL 478

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    Photograph album and photograph

    Visual Materials

    Includes 1 photograph album containing 39 photographs depicting post-World War I scenes including buildings in ruins; a British dugout; coal mining machinery in Lens; a British Officers' rest house in Germany; soldiers and men, women, and children on streets in France and Brussels, Belgium; a post office in the Netherlands; and several images of Bailleul, including the destroyed Hotel de Ville. The loose photograph is an aerial image of an unidentified location by the United States Navy (1917).

    photCL 361

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    Long Beach Steam Station - Plant 1 (411-480)

    Visual Materials

    The Southern California Edison collection of negatives and photographs consists of approximately 80,000 images created and acquired by the company from approximately 1883-1989, with the bulk of the collection covering 1910-1960. Formats include glass and film negatives, photo cards, loose photographs, photograph albums, lantern slides, and related materials. Most of the images were produced by Edison staff and contract photographers to document Edison facilities, products, operations, activities, and employees and for the purposes of education, advertising, training, and liability. The SCE collection offers a range of subjects far broader than the company's original intent. In addition to infrastructural images of transmission lines, steam plants, substations, equipment, vehicles, and hydroelectric plants, the company captured the uses of light and electricity in its myriad capacities, including night lighting of streets, billboards, storefronts, and gas stations; electric kitchens and appliances in domestic and industrial settings such as restaurants and cafes; agricultural innovations in the dairy and poultry industries; lighting for recreational uses such as swimming pools, bathhouses, tennis courts; golf courses; office work; and accident scenes and disasters, particularly the St. Francis Dam disaster of 1928.

    photCL SCE

  • Downey Block

    Downey Block

    Visual Materials

    Image of the corner of Temple Street and Main Street in Los Angeles, California, showing the Downey Block building, with dirt street and horse-drawn wagons in the foreground. Visible signs and lettering on the Downey building include "Carpets," "Levy and Coblentz, wholesale dealers in wines and liquors" (located at 71 Main Street in the 1875 Los Angeles city directory) and "I.O.O.F." and "New York Millinery Store" can be seen on the building in the background.

    photCL 555