Visual Materials
Battleship Connecticut
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Battleship Connecticut
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402
Battleship Connecticut
Visual Materials
Port view of the battleship Connecticut at anchor off Santa Barbara on its voyage round the world as flagship of the Great White Fleet. Hotel Potter can be seen in the background. DANFS: Joining the Atlantic Fleet, Connecticut became flagship 16 April 1907, and later that month joined in the Presidential Fleet Review and other ceremonies opening the Jamestown Exposition. On 16 December 1907, still flagship, she sailed from Hampton Roads on the cruise round the world of the Great White Fleet. On 8 May 1908, the Atlantic Fleet joined the Pacific Fleet in San Francisco Bay for a review by the Secretary of the Navy, and the combined fleets continued their cruise, with Connecticut as flagship, showing the flag and bringing a show of American strength to many parts of the world. The fleet returned to Hampton Roads 22 February 1909.
photCL 402 (40129)
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U.S. battleship Connecticut
Visual Materials
The B.D. Jackson Collection of Negatives and Photographs consists of 804 4 x 5 in. and 8 x 10 in. glass plate negatives, 1782 film negatives (including stereo negatives), 2302 black and white photographs (including stereos, postcards, and photograph albums), and related manuscript and ephemeral materials, 1903-1950s (bulk 1920s-1930s), that provide a visual history of the growth of many of the San Gabriel Valley's suburban communities, a survey of many of California's (and the western United States') notable landscapes, and an overview of Jackson's career as a landscape and scenic view photographer.
photCL 332
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The Pacific fleet (flagship "Connecticut" in lead) steaming out to sea. [battleships] (Imprint no: 10051)
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555
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Battleship
Visual Materials
The Patton Family Collection consists of 156 glass plate negatives, 218 film negatives, 875 photographs, and a negative book, 1885-1945 (bulk 1895-1907), created and/or collected by members of the Patton family and friends. Also included are photographs of Lake Vineyard II taken in 1971. The collection provides an intimate look into the private lives of one of Southern California's prominent families around the turn of the twentieth century. In addition to the images created by Ann Wilson, the collection includes photographs created by Joseph Harrison Lamson, Frank G. Schumacher, George Steckel, and James D. Westervelt.
photCL 282
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Battleship
Visual Materials
The Patton Family Collection consists of 156 glass plate negatives, 218 film negatives, 875 photographs, and a negative book, 1885-1945 (bulk 1895-1907), created and/or collected by members of the Patton family and friends. Also included are photographs of Lake Vineyard II taken in 1971. The collection provides an intimate look into the private lives of one of Southern California's prominent families around the turn of the twentieth century. In addition to the images created by Ann Wilson, the collection includes photographs created by Joseph Harrison Lamson, Frank G. Schumacher, George Steckel, and James D. Westervelt.
photCL 282