Bird's eye view of City Terrace

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  Bird's eye view across the Arroyo toward Arroyo Terrace, Pasadena

  Visual Materials

  photCL 402, photCL 470, photCL Whitt

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  Unidentified bird's eye view

  Visual Materials

  photCL 402, photCL 470, photCL Whitt

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  Bird's eye view across the Arroyo toward Arroyo Terrace, Pasadena

  Visual Materials

  The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

  photCL 402

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  Bird's eye view of the University of Southern California

  Visual Materials

  photCL 402, photCL 470, photCL Whitt

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  Bird's eye view looking NE over Pasadena

  Visual Materials

  photCL 402, photCL 470, photCL Whitt

• Image not available

  Unidentified bird's eye view

  Visual Materials

  The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

  photCL 402