Visual Materials
Laguna Beach
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Laguna Beach
Visual Materials
The collection consists of 70 panoramic negatives, 3207 copy prints, and corresponding negatives and interpositives, covering the years 1924-1948. The images depict specific places, businesses, and commercial activity in both central and southern California, with the emphasis on Los Angeles County. The collection provides a broad overview of the commercial landscape of the area during the first half of the twentieth century. In addition, there is also a tape measure produced by the studio in the 1950s. The 70 panoramic negatives depict undeveloped and newly developed areas of Los Angeles, including Pacific Palisades, Santa Monica, and Alhambra, views of Lido Isle in Newport, and Republic Studios in Studio City. There are also images of Los Angeles industries, including film and automotive, as well as specific locations, such as the Hollywood Bowl, and events, such as swimming events during the 1932 Olympics. The first part of the collection of copy prints depicts specific towns, businesses, street scenes and landscapes in central and southern California, specifically El Dorado, Inyo, and Nevada Counties, Lake Tahoe, Kern, Tulare, San Luis Obispo, Santa Barbara, Ventura, Orange, Riverside, San Bernardino, San Diego, and Imperial Counties, Mexico, and Los Angeles County. The bulk of these images depict Ventura, Orange, Riverside, San Bernardino, San Diego, and Los Angeles Counties. The Ventura County images concentrate on Port Hueneme. The Orange County images depict Fullerton, Santa Ana, Anaheim, Laguna Beach, Capistrano Beach, Balboa and Newport Beach, and Lido Isle. In Riverside County, the images depict Lake Elsinore, Perris, Corona, the Sherman Institute, Riverside, Norco, Palm Springs, San Jacinto, Hemet, and a number of hot springs. The San Bernardino images depict Twentynine Palms, Fontana, Chino, Ontario, San Bernardino, Big Bear and Lake Arrowhead. In San Diego County, images depict Mount Helix, La Mesa, El Cajon, Alpine, Pine Valley, Descanso, Lakeside, Ramona, Escondido, Vista, Rancho San Luis Rey, Bonsall, Tahiti Beach, Del Mar, Solana Beach, La Jolla, Casa de Manana, and the San Diego Fairgrounds (Balboa Park). Los Angeles County images form the bulk of the second section. Images of the San Gabriel Valley and nearby areas depict Flintridge, Altadena, Monrovia, Glendora, Azusa, East Los Angeles, Montebello, Whittier, the Pio Pico Adobe, Santa Fe Springs, Downey, Norwalk, Bellflower, El Monte, Baldwin Park, Covina, the Pomona Fairgrounds, San Marino, Pasadena, Sierra Madre, Alhambra, El Sereno, San Gabriel, Monterey Park, Arcadia, and Santa Anita. Images of Los Angeles beach communities include Long Beach, San Pedro and Fish Harbor, Palos Verdes and Rancho Palos Verdes, Redondo Beach, Hermosa Beach, Manhattan Beach, Playa del Rey, Venice, Santa Monica and coastal areas. The collection also depicts West Los Angeles, specifically Westwood and the University of California, Los Angeles, Bel Air, and Brentwood. Central, East and South Los Angeles are represented by images of Hollywood, Los Feliz, Culver City, Leimert Park, Baldwin Hills, Inglewood, View Park, Hawthorne, Westchester, and Gardena. The San Fernando Valley images depict Woodland Hills, Encino, Sherman Oaks, North Hollywood, and Studio City. Also present in the collection are images of specific locations within Los Angeles proper (such as the Los Angeles riverbed, the Farmer's Market and Gilmore Stadium, Olvera Street, Los Angeles theaters, hospitals and businesses, City Hall, the Los Angeles Public Library, the Los Angeles Times Building under construction, Memorial Coliseum and the Olympic pool, and the Pan-Pacific Auditorium). Of particular note are the series of photographs that depict new housing tracts (Midwick View Estates, Rolling Knolls, Rolling Hills Estates, Beverly Wood), Wilshire Boulevard from Westlake to Western Avenues, the business district around La Brea Avenue and Wilshire Boulevard, and the construction of the Federal Building and Post Office in central Los Angeles. The collection also contains images arranged by subject. These include photographs of advertising (signs, billboards and displays); radio and television communications; clubs; people (including Herbert Hoover, J.W. Robinson, Franklin Delano Roosevelt, Frank Shaw, Archibald Joseph Cronin, and Bing Crosby); transportation (including Los Angeles Railway cars and Union Station); industries (food processing, fruits, water, rubber, steel, quarries, entertainment, and miscellaneous); construction (dams and aqueducts, housing); recreation; circuses; police and fire; cemeteries, charities and relief; religion; photography and photographers; World War II effort; medical; ranches; automobiles; trucks; buses; motorcycles; automobile dealerships and used car lots; racing cars; races; National Auto School; and aviation. Of particular note are the series of photographs depicting tire production by Goodyear; the interior of the Bethlehem Steel Plant; the construction of the Metropolitan aqueduct and Parker Dam; the construction of Boulder (now Hoover) Dam; assembly lines in Ford, Plymouth, Studebaker, and Willys-Knight plants; photographs of Amelia Earhart, Howard Hughes, and other aviators; images of the Douglas Aircraft plant; Timm Aircraft plastic plane construction; and images of Vultee Aircraft plants.
photCL Whitt
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Laguna Beach. Waves bursting upon the rocks at Laguna Beach, possibly Woods Cove
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
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Hills and coast, Laguna Beach. approximately 1930
Visual Materials
A broad panoramic view taken from the hills of the coast and Laguna Beach. The hills are undeveloped and mostly covered with scrub. There are a few dozen houses on the narrow strip of land between the hills and the ocean.
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Laguna Beach, South Laguna
Visual Materials
This collection contains photographs, negatives, and some ephemera chiefly collected by California conservationist and editor William H. Thrall (1873-1963) for use in Trails magazine. Thrall served as managing editor of the publication from 1934 to 1939, which was produced to encourage the use of mountain trails and outdoor recreation in Los Angeles County. The collection includes approximately 1200 prints (Boxes 1-4); 68 glass negatives (Boxes 7-8); approximately 2300 film negatives; 150 slides; and miscellaneous documents and ephemera, and a folding pocket camera. The photographs primarily date from the 1930s, but also include copy prints (and some originals) of late 19th and early 20th photographs. The images depict mountain and forested landscapes and outdoor recreational activities including hiking, skiing, and camping, chiefly in the San Gabriel Mountains and surrounding mountains of Southern California. Many of the photographs include individuals involved in recreational activities as well images of historical mountain pioneers. The photographs chiefly consist of 4.5 x 2.75 inch snapshots and 8 x 10 and 6 x 10 inch prints, by photographers including Dan P. Alexander, Carl H. Bauer, Harlow Dormer, C. C. Vernon, and Thrall. There is also a group of glass plate negatives and film negatives, including a group of unprinted film negatives that appear to be personal photographs with views of nature, groups of people, family scenes, buildings, boating, and trips, in the 1930s-1950s (Box 15). The film negatives have handwritten numbers presumably assigned by Thrall. Many of the prints appear in Trails magazine, which was published quarterly by the Mountain League of Southern California from Winter 1934 to Spring 1939 (Volume 6, No. 1). In Autumn 1941, the Southern California Outdoor Federation began publishing a new edition of Trails Magazine (without Thrall as editor), but only two issues were published (Volume 2, Nos. 1-2).
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Laguna Beach
Visual Materials
The Charles Francis Saunders and Mira Culin Saunders Collection of Photographs and Negatives consists of 5826 black and white photographs, 68 glass plate negatives, 3832 film negatives, 10 photographs albums, 261 lantern slides, and related ephemera, ca. 1871-1965 (bulk 1910s-1920s), collected and created by Charles Francis Saunders, Elisabeth Hallowell Saunders, and Mira Culin Saunders. The collection provides a comprehensive overview of Charles Saunders' activities as a naturalist and travel writer.
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Laguna Beach
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
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