Central Los Angeles. 4th to 9th Streets, Hill to Figueroa; Washington and Hoover Streets; Subway Terminal Building; Pershing Square; Rosslyn Hotel; Biltmore Hotel; Hazard's Pavilion; Alexandria Hotel; Security Building; Friday Morning Club

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  Central Los Angeles. Plaza; Temple Block; Downey Block; 1st through 4th Streets, Spring to Broadway

  Visual Materials

  This collection consists of 278 lantern slides comprising a variety of different images of Southern California and its residents. The first section consists of images of central Los Angeles, primarily street scenes, including a number of images of La Fiesta celebrations and World War I-era parades. Other landscapes and cityscapes in the collection include views of Hollywood and Santa Monica; locations in the San Fernando and San Gabriel Valleys, with an emphasis on Monrovia; communities in Orange, San Bernardino and Kern Counties; scenes in Yosemite and other central California locations; and Tijuana. Also included are a number of images of Santa Barbara in the late nineteenth century. The collection is notable for a number of images of Los Angeles area high schools and universities, especially Los Angeles High School. Also included are photographs by members of, and about, the Los Angeles Camera Club; these include photographs by C.C. Pierce, W.M. Frisbie, F.H. Maude, C.C. Valentine, and O. Granicher. Studio portraits and group photographs can be found in the collection; among the identified images are a group portrait of the Los Angeles City Council in 1888; and portraits of Mrs. O.W. Childs, wife of the early Los Angeles pioneer; Isidore Dockweiler, an influential Southern California Democrat; Max Meyberg, organizer of the first La Fiesta celebration in 1894; and Caroline Severance, founder of the Friday Morning Club. The collection also contains images of Native Americans, and Chinese in Chinatown. In addition to the Los Angeles Camera Club photographers, the collection contains images created by Penney and Bennett, James B. Blanchard, and Carleton Watkins.

  photCL 400 volume 27

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  Central Los Angeles. Angelus Temple; Unidentified buildings; La Fiesta de Los Angeles; WWI-era parades; Eastlake Park; Hollywood

  Visual Materials

  This collection consists of 278 lantern slides comprising a variety of different images of Southern California and its residents. The first section consists of images of central Los Angeles, primarily street scenes, including a number of images of La Fiesta celebrations and World War I-era parades. Other landscapes and cityscapes in the collection include views of Hollywood and Santa Monica; locations in the San Fernando and San Gabriel Valleys, with an emphasis on Monrovia; communities in Orange, San Bernardino and Kern Counties; scenes in Yosemite and other central California locations; and Tijuana. Also included are a number of images of Santa Barbara in the late nineteenth century. The collection is notable for a number of images of Los Angeles area high schools and universities, especially Los Angeles High School. Also included are photographs by members of, and about, the Los Angeles Camera Club; these include photographs by C.C. Pierce, W.M. Frisbie, F.H. Maude, C.C. Valentine, and O. Granicher. Studio portraits and group photographs can be found in the collection; among the identified images are a group portrait of the Los Angeles City Council in 1888; and portraits of Mrs. O.W. Childs, wife of the early Los Angeles pioneer; Isidore Dockweiler, an influential Southern California Democrat; Max Meyberg, organizer of the first La Fiesta celebration in 1894; and Caroline Severance, founder of the Friday Morning Club. The collection also contains images of Native Americans, and Chinese in Chinatown. In addition to the Los Angeles Camera Club photographers, the collection contains images created by Penney and Bennett, James B. Blanchard, and Carleton Watkins.

  photCL 400 volume 27

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  New Rosslyn Hotels, Fifth Street

  Visual Materials

  This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.

  photCL 555

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  Chinese; Miscellaneous

  Visual Materials

  This collection consists of 278 lantern slides comprising a variety of different images of Southern California and its residents. The first section consists of images of central Los Angeles, primarily street scenes, including a number of images of La Fiesta celebrations and World War I-era parades. Other landscapes and cityscapes in the collection include views of Hollywood and Santa Monica; locations in the San Fernando and San Gabriel Valleys, with an emphasis on Monrovia; communities in Orange, San Bernardino and Kern Counties; scenes in Yosemite and other central California locations; and Tijuana. Also included are a number of images of Santa Barbara in the late nineteenth century. The collection is notable for a number of images of Los Angeles area high schools and universities, especially Los Angeles High School. Also included are photographs by members of, and about, the Los Angeles Camera Club; these include photographs by C.C. Pierce, W.M. Frisbie, F.H. Maude, C.C. Valentine, and O. Granicher. Studio portraits and group photographs can be found in the collection; among the identified images are a group portrait of the Los Angeles City Council in 1888; and portraits of Mrs. O.W. Childs, wife of the early Los Angeles pioneer; Isidore Dockweiler, an influential Southern California Democrat; Max Meyberg, organizer of the first La Fiesta celebration in 1894; and Caroline Severance, founder of the Friday Morning Club. The collection also contains images of Native Americans, and Chinese in Chinatown. In addition to the Los Angeles Camera Club photographers, the collection contains images created by Penney and Bennett, James B. Blanchard, and Carleton Watkins.

  photCL 400 volume 27

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  People (group and individual portraits); Native Americans

  Visual Materials

  This collection consists of 278 lantern slides comprising a variety of different images of Southern California and its residents. The first section consists of images of central Los Angeles, primarily street scenes, including a number of images of La Fiesta celebrations and World War I-era parades. Other landscapes and cityscapes in the collection include views of Hollywood and Santa Monica; locations in the San Fernando and San Gabriel Valleys, with an emphasis on Monrovia; communities in Orange, San Bernardino and Kern Counties; scenes in Yosemite and other central California locations; and Tijuana. Also included are a number of images of Santa Barbara in the late nineteenth century. The collection is notable for a number of images of Los Angeles area high schools and universities, especially Los Angeles High School. Also included are photographs by members of, and about, the Los Angeles Camera Club; these include photographs by C.C. Pierce, W.M. Frisbie, F.H. Maude, C.C. Valentine, and O. Granicher. Studio portraits and group photographs can be found in the collection; among the identified images are a group portrait of the Los Angeles City Council in 1888; and portraits of Mrs. O.W. Childs, wife of the early Los Angeles pioneer; Isidore Dockweiler, an influential Southern California Democrat; Max Meyberg, organizer of the first La Fiesta celebration in 1894; and Caroline Severance, founder of the Friday Morning Club. The collection also contains images of Native Americans, and Chinese in Chinatown. In addition to the Los Angeles Camera Club photographers, the collection contains images created by Penney and Bennett, James B. Blanchard, and Carleton Watkins.

  photCL 400 volume 27

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  Santa Barbara, cont'd; Catalina; Orange County; Victorville; Fort Tejon; Yosemite; San Francisco; Tahoe; Santa Cruz; Tijuana; Los Angeles High School

  Visual Materials

  This collection consists of 278 lantern slides comprising a variety of different images of Southern California and its residents. The first section consists of images of central Los Angeles, primarily street scenes, including a number of images of La Fiesta celebrations and World War I-era parades. Other landscapes and cityscapes in the collection include views of Hollywood and Santa Monica; locations in the San Fernando and San Gabriel Valleys, with an emphasis on Monrovia; communities in Orange, San Bernardino and Kern Counties; scenes in Yosemite and other central California locations; and Tijuana. Also included are a number of images of Santa Barbara in the late nineteenth century. The collection is notable for a number of images of Los Angeles area high schools and universities, especially Los Angeles High School. Also included are photographs by members of, and about, the Los Angeles Camera Club; these include photographs by C.C. Pierce, W.M. Frisbie, F.H. Maude, C.C. Valentine, and O. Granicher. Studio portraits and group photographs can be found in the collection; among the identified images are a group portrait of the Los Angeles City Council in 1888; and portraits of Mrs. O.W. Childs, wife of the early Los Angeles pioneer; Isidore Dockweiler, an influential Southern California Democrat; Max Meyberg, organizer of the first La Fiesta celebration in 1894; and Caroline Severance, founder of the Friday Morning Club. The collection also contains images of Native Americans, and Chinese in Chinatown. In addition to the Los Angeles Camera Club photographers, the collection contains images created by Penney and Bennett, James B. Blanchard, and Carleton Watkins.

  photCL 400 volume 27