Visual Materials
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
View of front of mission, with two children in foreground and a graveyard on left next to the building.
photCL 444 (9)
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Visual Materials
The album, one of three depicting the Henry Family of Los Angeles, California, contains 403 snapshots, presumably compiled by Alexander Ellwood Henry (1890-1979) and primarily consisting of group portraits of the Henry family and unidentified individuals between 1907 and 1916. The photographs reflect trips and outings to a variety of locations in California (Santa Catalina Island, Pasadena, Venice, Los Angeles, Big Bear, Yosemite, San Francisco), as well as Niagara Falls, Canada, Europe, and Japan. There are many images of Henry and his friends as teenagers and young adults. Among the images are photographs of Henry's brother Thomas Cecil Henry (died 1910) as a student at Stanford around 1908-1910, the Henry home at 1400 S. Manhattan Place in Los Angeles, and individuals at the beach.
photCL 400 volume 9
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Visual Materials
The album contains 30 photographs that depict Yosemite and San Francisco, California.
photCL 400 volume 7
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Visual Materials
The collection consists of 249 black-and white-photographs (some exist in duplicate), 235 negatives, and 1 blueprint, dating from the 1870s to 1933 (bulk 1923-1933), that are primarily related to the history of the Los Angeles and the Southern California region. The collection was compiled by Los Angeles historian Charles J. Prudhomme, and Prudhomme took the bulk of the photographs. The images mainly depict sites within Los Angeles and California, as well as people associated with the history of the Los Angeles region. Included are images of streets in Central Los Angeles including Olvera Street; Los Angeles parks and squares; adobes and homes in the Los Angeles area; and photographs of members of pioneer families associated with the history of Los Angeles and Southern California. These include Don Juan Bautista Alvarado, members of the Alvarado family, members of the Dominguez family, Senora Luisa Avila de Garfias, Don Juan de la Guerra, members of the Lugo family, Senorita Josephine Ocampo, Eugene R. Plummer and members of the Plummer family, Andrea Alvarado Rowland and Viola Rowland, members of the Sepulveda family, members of the Tapia family, Francisco Viejar, and Maria Ybarra de Lopez. Some images exist only in negative format; cards indicating this are interfiled within the collection of photographs. Negatives are housed in Box 3.
photCL 400 volume 4
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Visual Materials
The album is composed of 19 black-and-white photographs of historic sites in Los Angeles, California, in 1945 including La Golondrina Restaurant (formerly the Pelanconi Winery); the Avila Adobe; Olvera Street; the Plaza; the Lugo Adobe; Pico House; the Plaza Church (Nuestra Senora La Reyna de Los Angeles); the Abbot Block and the Merced Theater; the Amestoy Block; the Baker Block; the United States Post Office Terminal Annex; views from Fort Hill; the Plaza de la Justicia and the Hall of Records; Union Station; the tomb of Los Angeles pioneer Robert Carlisle; and the remains of the Protestant cemetery.
photCL 400 volume 18
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Visual Materials
This collection contains 209 photographs and negatives related to Southern California history that were collected by Ana Bégué de Packman, a descendant of early Spanish-Mexican landowners in the region and the Secretary of the Historical Society of Southern California from the 1930s to 1950s. The collection dates from 1820 to 1955 (bulk 1930s) and includes photographs, as well as correspondence, maps, ephemera, and newspaper clippings related to Southern California ranchos, the Spanish-Mexican families who owned them, and Los Angeles during the late 1800s. The majority of the collection consists of portraits of rancho families and their descendants, as well as photographs of the town of San Juan Capistrano and its environs, including Mission San Juan Capistrano and the adobe houses surrounding the mission. The photographs include a variety of formats and sizes, and photographers include: Charles C. Pierce, Charles J. Prudhomme, Charles C. Puck, and Edward Vischer. The collection includes a small number of the California rancho families are pictured in both professional and amateur portraits, with a focus on the Dominguez, Machado, Sepulveda, and Yorba families. Other portraits include those of Los Angeles mayors and pioneers, such as Matthew Keller, Cameron Erskine Thom, and Elijah H. Workman. Photographs of Mission San Juan Capistrano show the mission complex in ruins, with views of the church, courtyard, bell tower, and outside workspaces. The interior of the restored Serra Chapel are also shown, with an emphasis on the altarpiece and its statuary. Other missions that are shown in the collection are Missions Santa Barbara, San Antonio de Padua, and San Gabriel Arcangel. Another emphasized portion of the collection concerns adobe houses, specifically ones that are or had been located in the western and southern parts of San Juan Capistrano. Among these adobes are the Blas Aguilar Adobe, Casa de Los Rios, the Burruel Adobe, the Manuel Garcia Adobe, and the Domingo Yorba Adobe. Other Southern California adobes that are also included are the Yorba-Slaughter Adobe, the Dana Adobe, and the Workman-Temple Homestead. Oversized photographs show La Iglesia de Nuestra Señora Reina de Los Angeles (Plaza Church) and the statue of Felipe de Neve in Los Angeles Plaza. Notable photographs include an interesting photograph of Plaza Church shows Don Antonio F. Coronel surveying the church exterior. Another photograph relating to the Los Angeles area is one of the Beverly Hills Centennial Parade with Eugene W. Biscailuz, Leo Carrillo, and William Boyd on horseback. Of particular interest are two tintypes related to photographer Charles J. Prudhomme. The first is of his mother, Maria Merced Tapia de Prudhomme, and the other is of Prudhomme's daughter. The rest of the collection contains correspondence, maps, notes, ephemera, and negatives. Noteworthy items from these materials include: a manuscript letter written by Manuel Dominguez; postcards from Bruce Condé (Alfonso de Bourbon Condé) to Ana Bégué de Packman; death notices for Isaac Williams and Henry Mellus; a glass plate negative of Horton House in San Diego; a film negative of Juan Bandini and his daughter Ysidora; and an index book with the names of rancho families written in Packman's hand. Photographs with corresponding film negatives are: (12), (26), and (29).
photCL 400 volume 33