Skip to content

Visual Materials

Looking West from Clay Street, 1957


You might also be interested in

  • Image not available

    Looking south on Olive from near West 3rd, 1957

    Visual Materials

    Left to right, 324, 326, 330 and 334 South Olive St. These four structures were built as two-unit flats by Marcellus Manley, an oil man from Ohio, in 1898. All demolished in 1963.

    Book 3, pg. 29 / Neg. 10372

  • Image not available

    Astoria Apartments on Olive near West 3rd

    Visual Materials

    The Astoria at 248 S. Olive (architect: Arthur L. Haley, 1904). Its neighbor, the Hill Crest, 258 S. Olive, was built in 1905 by Col. Eddy of Angels Flight fame, and designed by Henry Cogswell. It was demolished in September 1961.

    Book 1, pg. 43 / Neg. 10229

  • Image not available

    From West 3rd, on Olive looking South, 1957

    Visual Materials

    Partial view of the Casa Alta at right, then from right, the Ems Apartment Hotel at 321 South Olive, the Olive Inn and the Central Garage on the corner of Fourth Street.

    Book 3, pg. 28 / Neg. 12693

  • Image not available

    Back of apartment between Clay and Olive streets, 1957

    Visual Materials

    This collection contains approximately 9,000 negatives (2 1/4 x 2 1/4 inches), 7 binders of contact prints of a large portion of the negatives, and 3 photobooks (11 x 14 inches). The photographs were taken by Theodore Hall, an avid amateur photographer and resident of Bunker Hill, Los Angeles from 1938 to 1963. Photographs depict the historic structures and streets of the neighborhood before and during the urban renewal of the 1950s, when buildings were razed and much of the hill was lopped off and graded. Hall photographed houses, storefronts, signs, architectural details, cars, and often the residents: shopkeepers, newsstand vendors, local children, and people on their front porches. A diverse population including African American, Asian American, Latin American, and white residents are pictured in everyday activities in the neighborhood. Grand Central Market, the downtown food and grocery emporium, is featured extensively in detailed images of vendors, customers, neon signs, and food stalls. Also seen on Bunker Hill are hotels and apartment buildings, the Angels Flight funicular railway, Victorian mansions turned into rooming houses, liquor stores, and construction crews grading land and pouring cement. Many historic buildings are seen in disrepair, and some are pictured in the midst of being torn down. Other Los Angeles sites depicted are: Union Station, City Hall, Olvera Street and the Plaza, churches, freeways, and automotive tunnels. The contact print binders also contain Hall's photographs of friends, social gatherings, camera club members, practice portrait sessions, annual visits to family in the San Francisco Bay Area, and a few day trips in Southern California. Some of the Los Angeles architects whose buildings are represented are: John C. W. Austin, Austin and Brown, Welton Becket, Dodd and Richards, Frederick R. Dorn, Edelman & Barnett, Theodore A. Eisen, Charles O. Ellis, Arthur L. Haley, Marsh and Russell, T. J. McCarthy, William H. Mohr, Joseph C. Newsom, John Parkinson, John Cotter Pelton Jr., James M. Shields, Lewis A. Smith, Train and Williams, George Herbert Wyman, and Robert Brown Young.

    Book 3, pg. 48 / Neg. 10104

  • Image not available

    512 West First Street, 1957

    Visual Materials

    This collection contains approximately 9,000 negatives (2 1/4 x 2 1/4 inches), 7 binders of contact prints of a large portion of the negatives, and 3 photobooks (11 x 14 inches). The photographs were taken by Theodore Hall, an avid amateur photographer and resident of Bunker Hill, Los Angeles from 1938 to 1963. Photographs depict the historic structures and streets of the neighborhood before and during the urban renewal of the 1950s, when buildings were razed and much of the hill was lopped off and graded. Hall photographed houses, storefronts, signs, architectural details, cars, and often the residents: shopkeepers, newsstand vendors, local children, and people on their front porches. A diverse population including African American, Asian American, Latin American, and white residents are pictured in everyday activities in the neighborhood. Grand Central Market, the downtown food and grocery emporium, is featured extensively in detailed images of vendors, customers, neon signs, and food stalls. Also seen on Bunker Hill are hotels and apartment buildings, the Angels Flight funicular railway, Victorian mansions turned into rooming houses, liquor stores, and construction crews grading land and pouring cement. Many historic buildings are seen in disrepair, and some are pictured in the midst of being torn down. Other Los Angeles sites depicted are: Union Station, City Hall, Olvera Street and the Plaza, churches, freeways, and automotive tunnels. The contact print binders also contain Hall's photographs of friends, social gatherings, camera club members, practice portrait sessions, annual visits to family in the San Francisco Bay Area, and a few day trips in Southern California. Some of the Los Angeles architects whose buildings are represented are: John C. W. Austin, Austin and Brown, Welton Becket, Dodd and Richards, Frederick R. Dorn, Edelman & Barnett, Theodore A. Eisen, Charles O. Ellis, Arthur L. Haley, Marsh and Russell, T. J. McCarthy, William H. Mohr, Joseph C. Newsom, John Parkinson, John Cotter Pelton Jr., James M. Shields, Lewis A. Smith, Train and Williams, George Herbert Wyman, and Robert Brown Young.

    Book 3, pg. 54 / Neg. 9902

  • Image not available

    Looking East on 2nd Street, between Grand and Olive, 1953

    Visual Materials

    The Koster House, on the north side of Second Street, 515 W Second. The mansard-roofed Argyle Hotel, right, sits at Second and Olive. Other lost structures include the Hall of Records, California State Building, and the gasometers at Commercial and Center streets.

    Book 3, pg. 32 / Neg. 7102