California. Landscape views | Collections | The Huntington

California. Landscape views | Collections | The Huntington

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United States Southwest. Landscape views
Visual Materials
This collection contains 1289 photographs, chiefly gelatin silver prints, reflecting the professional life and travels of American impressionist painter Alson Skinner Clark, some taken by Alson Clark and some by commercial and unidentified photographers, from approximately 1889-1939. The collection chiefly comprises portraits of Alson and his wife Atta Medora Clark; photographs depicting their studio home in the Arroyo Seco area of Los Angeles County, California; views of Clark's work, including murals at the Pasadena Playhouse, the Polytechnic Elementary School, and the First Trust and Savings Bank in Pasadena; and images of Alson Clark's travels, both with and without Medora Clark, to Thousand Islands, New York; throughout the Southwestern United States; Mexico; and, to a lesser extent, in Europe and Canada. The collection also includes photograph albums depicting the aftermath of World War I in Europe and the Panama-Pacific International Exposition of 1915 in San Diego, and photographs depicting various locations in India, China, and Korea in the late 19th and early 20th centuries. This collection is directly related to the Alson Skinner Clark papers, 1870-1971, bulk 1890-1940, held by the Archives of American Art at the Smithsonian Institution in Washington, D.C.
photCL 361
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Series II. California and Southwest. Views
Visual Materials
This collection contains 1289 photographs, chiefly gelatin silver prints, reflecting the professional life and travels of American impressionist painter Alson Skinner Clark, some taken by Alson Clark and some by commercial and unidentified photographers, from approximately 1889-1939. The collection chiefly comprises portraits of Alson and his wife Atta Medora Clark; photographs depicting their studio home in the Arroyo Seco area of Los Angeles County, California; views of Clark's work, including murals at the Pasadena Playhouse, the Polytechnic Elementary School, and the First Trust and Savings Bank in Pasadena; and images of Alson Clark's travels, both with and without Medora Clark, to Thousand Islands, New York; throughout the Southwestern United States; Mexico; and, to a lesser extent, in Europe and Canada. The collection also includes photograph albums depicting the aftermath of World War I in Europe and the Panama-Pacific International Exposition of 1915 in San Diego, and photographs depicting various locations in India, China, and Korea in the late 19th and early 20th centuries. This collection is directly related to the Alson Skinner Clark papers, 1870-1971, bulk 1890-1940, held by the Archives of American Art at the Smithsonian Institution in Washington, D.C.
photCL 361
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Various views
Visual Materials
This collection contains 1289 photographs, chiefly gelatin silver prints, reflecting the professional life and travels of American impressionist painter Alson Skinner Clark, some taken by Alson Clark and some by commercial and unidentified photographers, from approximately 1889-1939. The collection chiefly comprises portraits of Alson and his wife Atta Medora Clark; photographs depicting their studio home in the Arroyo Seco area of Los Angeles County, California; views of Clark's work, including murals at the Pasadena Playhouse, the Polytechnic Elementary School, and the First Trust and Savings Bank in Pasadena; and images of Alson Clark's travels, both with and without Medora Clark, to Thousand Islands, New York; throughout the Southwestern United States; Mexico; and, to a lesser extent, in Europe and Canada. The collection also includes photograph albums depicting the aftermath of World War I in Europe and the Panama-Pacific International Exposition of 1915 in San Diego, and photographs depicting various locations in India, China, and Korea in the late 19th and early 20th centuries. This collection is directly related to the Alson Skinner Clark papers, 1870-1971, bulk 1890-1940, held by the Archives of American Art at the Smithsonian Institution in Washington, D.C.
photCL 361
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Interior and exterior views
Visual Materials
This collection contains 1289 photographs, chiefly gelatin silver prints, reflecting the professional life and travels of American impressionist painter Alson Skinner Clark, some taken by Alson Clark and some by commercial and unidentified photographers, from approximately 1889-1939. The collection chiefly comprises portraits of Alson and his wife Atta Medora Clark; photographs depicting their studio home in the Arroyo Seco area of Los Angeles County, California; views of Clark's work, including murals at the Pasadena Playhouse, the Polytechnic Elementary School, and the First Trust and Savings Bank in Pasadena; and images of Alson Clark's travels, both with and without Medora Clark, to Thousand Islands, New York; throughout the Southwestern United States; Mexico; and, to a lesser extent, in Europe and Canada. The collection also includes photograph albums depicting the aftermath of World War I in Europe and the Panama-Pacific International Exposition of 1915 in San Diego, and photographs depicting various locations in India, China, and Korea in the late 19th and early 20th centuries. This collection is directly related to the Alson Skinner Clark papers, 1870-1971, bulk 1890-1940, held by the Archives of American Art at the Smithsonian Institution in Washington, D.C.
photCL 361
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Views of Arroyo Seco
Visual Materials
This collection contains 1289 photographs, chiefly gelatin silver prints, reflecting the professional life and travels of American impressionist painter Alson Skinner Clark, some taken by Alson Clark and some by commercial and unidentified photographers, from approximately 1889-1939. The collection chiefly comprises portraits of Alson and his wife Atta Medora Clark; photographs depicting their studio home in the Arroyo Seco area of Los Angeles County, California; views of Clark's work, including murals at the Pasadena Playhouse, the Polytechnic Elementary School, and the First Trust and Savings Bank in Pasadena; and images of Alson Clark's travels, both with and without Medora Clark, to Thousand Islands, New York; throughout the Southwestern United States; Mexico; and, to a lesser extent, in Europe and Canada. The collection also includes photograph albums depicting the aftermath of World War I in Europe and the Panama-Pacific International Exposition of 1915 in San Diego, and photographs depicting various locations in India, China, and Korea in the late 19th and early 20th centuries. This collection is directly related to the Alson Skinner Clark papers, 1870-1971, bulk 1890-1940, held by the Archives of American Art at the Smithsonian Institution in Washington, D.C.
photCL 361
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Series IV. Views of Asia, Europe, and Canada
Visual Materials
This collection contains 1289 photographs, chiefly gelatin silver prints, reflecting the professional life and travels of American impressionist painter Alson Skinner Clark, some taken by Alson Clark and some by commercial and unidentified photographers, from approximately 1889-1939. The collection chiefly comprises portraits of Alson and his wife Atta Medora Clark; photographs depicting their studio home in the Arroyo Seco area of Los Angeles County, California; views of Clark's work, including murals at the Pasadena Playhouse, the Polytechnic Elementary School, and the First Trust and Savings Bank in Pasadena; and images of Alson Clark's travels, both with and without Medora Clark, to Thousand Islands, New York; throughout the Southwestern United States; Mexico; and, to a lesser extent, in Europe and Canada. The collection also includes photograph albums depicting the aftermath of World War I in Europe and the Panama-Pacific International Exposition of 1915 in San Diego, and photographs depicting various locations in India, China, and Korea in the late 19th and early 20th centuries. This collection is directly related to the Alson Skinner Clark papers, 1870-1971, bulk 1890-1940, held by the Archives of American Art at the Smithsonian Institution in Washington, D.C.
photCL 361