Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Image not available
Visual Materials
This series contains a set of interpositives which The Huntington generated from the glass plate negatives, likely in the mid to late twentieth century. The item numbers correspond to the item numbers on the prints as well as the negatives.
photCL 352
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Visual Materials
This series contains prints (largely cyanotype) made by Johnston from the glass plate negatives that are a part of this collection, as well as a small number of prints made by The Huntington at later dates. There are also two pieces of ephemera: empty Eastman Kodak glass plate boxes with Johnston's handwriting on them. A small amount of index cards with Johnston's handwritten notes about the dates and subjects of the images can be found alongside some of the prints.
photCL 352
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Visual Materials
The collection contains photographic prints and corresponding glass plate negatives by American photographer Frances Benjamin Johnston that focus on the portrait work of Johnston's earlier career in Washington, DC, mainly in the 1890s. The collection also contains interpositive copies of the glass plate negatives produced by The Huntington sometime during the mid to late twentieth century. The photographic prints and glass plate negatives were hand-selected by Johnston for The Huntington based on their "historical interest or value" and include many autographed prints. The prints are largely cyanotypes, with a few gelatin silver and platinum prints. Also included alongside Johnston's original prints are copy prints made by The Huntington at a later date. The collection is largely made up of Johnstons portraits of Washington, DC, socialites, politicians, artists, and more. In addition to that, there are photographs Johnston made for articles about government buildings and architectures, copies Johnston made of Matthew Brady's daguerreotypes, copies of State Department archives and War Department images, views of Bell Telephone Company instruments, and images of Abraham Lincoln objects and ephemera intended to illustrate Ida Tarbell's Life of Lincoln. Additional inventories are included that list subjects arranged first by title and then by last name.
photCL 352
Image not available
Visual Materials
The collection contains photographic prints and corresponding glass plate negatives by American photographer Frances Benjamin Johnston that focus on the portrait work of Johnston's earlier career in Washington, DC, mainly in the 1890s. The collection also contains interpositive copies of the glass plate negatives produced by The Huntington sometime during the mid to late twentieth century. The photographic prints and glass plate negatives were hand-selected by Johnston for The Huntington based on their "historical interest or value" and include many autographed prints. The prints are largely cyanotypes, with a few gelatin silver and platinum prints. Also included alongside Johnston's original prints are copy prints made by The Huntington at a later date. The collection is largely made up of Johnstons portraits of Washington, DC, socialites, politicians, artists, and more. In addition to that, there are photographs Johnston made for articles about government buildings and architectures, copies Johnston made of Matthew Brady's daguerreotypes, copies of State Department archives and War Department images, views of Bell Telephone Company instruments, and images of Abraham Lincoln objects and ephemera intended to illustrate Ida Tarbell's Life of Lincoln. Additional inventories are included that list subjects arranged first by title and then by last name.
photCL 352
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Visual Materials
Larger photographic prints made from Johnston's 11 x 14 inch and larger glass plate negatives. Prints include a mounted platinum print of the Officers of the First National Congress of Mothers (February 1897). This organization was the forerunner of the Parent-Teacher Association, and the portrait is autographed by all the sitters. There is a series of cyanotype proofs and platinum prints of Frances Folsom Cleveland and the Ladies of the Cabinet (items 1250-1257). Both sittings (January, February 1897) are included and two of the mounted prints are signed by some of the women in attendance. Other items are group portraits of the first and second McKinley Cabinets, signing of treaties (1898, 1899), and opening ceremonies of the 59th U.S. Congress (1905).
photCL 352
Image not available
Visual Materials
The collection contains photographic prints and corresponding glass plate negatives by American photographer Frances Benjamin Johnston that focus on the portrait work of Johnston's earlier career in Washington, DC, mainly in the 1890s. The collection also contains interpositive copies of the glass plate negatives produced by The Huntington sometime during the mid to late twentieth century. The photographic prints and glass plate negatives were hand-selected by Johnston for The Huntington based on their "historical interest or value" and include many autographed prints. The prints are largely cyanotypes, with a few gelatin silver and platinum prints. Also included alongside Johnston's original prints are copy prints made by The Huntington at a later date. The collection is largely made up of Johnstons portraits of Washington, DC, socialites, politicians, artists, and more. In addition to that, there are photographs Johnston made for articles about government buildings and architectures, copies Johnston made of Matthew Brady's daguerreotypes, copies of State Department archives and War Department images, views of Bell Telephone Company instruments, and images of Abraham Lincoln objects and ephemera intended to illustrate Ida Tarbell's Life of Lincoln. Additional inventories are included that list subjects arranged first by title and then by last name.
photCL 352