Visual Materials
Lady Annie Brassey Photograph Collection
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Fanchon and Marco collection of photographs and ephemera
Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, scrapbooks of clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers.Accompanying descriptive information is scant with few performers identified by name. A typescript inventory with Idea titles precedes volumes 1-8. The production name appears in pencil on the back of many of the pages in Volumes 1-12. Volume 13 contains stage and lighting directions in typescript on the backs of some photographs.Photographers represented in the collection are: Archer's Art Shop of Los Angeles (Volume 6, 8, 11, 13); Hollywood photographers Irving Archer (Volume 12, 13, 14), Archer's Studios (Volume 8, 11, 13, 14); Curt Fox (Volumes 5-6); Paralta Studios (Volumes 2-4); and Harry Wenger (Volumes 1, 2-4, 6). A few photographs include the imprints of Peerless Photo of Los Angeles (Volume 13), John Sirgio (Volume 13), H.W. Steward of San Francisco (Volume 1), Talbot of New York (Volume 12), Weaver of Los Angeles (Volume 1), and White Studio of New York (Volume 9).
photCL 487
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Photographs and Miscellaneous Ephemera
Manuscripts
The collection comprises 66 items including 23 travel letters, 15 diaries, 4 scrapbooks, 22 photographs and 2 pieces of miscellaneous ephemera. The travel letters cover two trips taken by Mary Catton: 1. Trip to Japan, China, Hong Kong, Cambodia, Vietnam, Thailand, India, Egypt, Israel, Switzerland, Italy, France, England, Scotland and the United States in 1931-1932; 2. Trip to Canada, the United States, Panama, New Zealand, Australia and Fiji in 1938-1939. Her travel letters, which are written like diaries but addressed and sent to family members back in Hawaii, contain detailed descriptions of each place she visited. They are illustrated with photographs and postcards, many with handwritten captions (the travel letters contain over 1,000 photographs). While Catton visited the typical tourist sites at each city, because she was a social worker, much of the content of her travel letters is dedicated to comments and discussions regarding the lesser-seen parts of the cities, their hospitals, conditions of the poor, the homeless, the available social work services, government and politics, and education and schools. She often met with doctors and social workers and talked to them about their experiences; Catton was also often a guest of honor at events where she was asked to give talks about her work in Hawaii.
mssHM 68106-68147
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James P. Hammet accounts
Manuscripts
Misc. records and accounts that Dr. Hammet entered in in January - May 1861 (ff. 1-21 v., 61-62); October 1862 - August 1863 (42-46, 49, 59, 66 v.) and July - November 1865 (ff. 22- 31 v, 40, 42, 46 v., 57-58) The entries list his patients' names, medicines and treatments administered, and fees received. Dr. Hammet's clientelle consisted mainly of local families and their slaves and employees of the Virginia and Tennessee Railroad Company. The patients include John Wyn Davidson, Gabriel C. Wharton, "Capt. Ward No. 1 Hospital Camp case," "William, slave of Miss Virinia Allen," "Wyatt slave of Miss Lettinch hire to Bob Buchner," "Dick, slave of Col. Garnett," and others. At the end of the book (ff. 70 v. - 71), there is a summary of the accounts of "D. Barnett" from July 1853 to Apr. 1859 and the 1860 accounts with the Virginia and Tennessee Railroad Company (f. 73 v.).
mssHM 71550
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Lady Chapel. Ely Cathedral. [Photographer: J.V.]
Visual Materials
This disbound album is made up of two volumes, the first containing late 19th century photographs of sites throughout Mexico and parts of South America; most notable are Mexico City, Guanajuato, Zacatecas, Peru, Bolivia, and the Mesoamerican ruins of Mitla, Tiahuanacu, and Gran Chimu. Some of the photographs in volume one are cyanotypes made by C.F. Lummis. Views of some California missions are also included, with a focus on San Fernando Rey. The second volume of the album also holds late 19th century photographs of Anglican church buildings in England, featuring York Minster, Winchester Cathedral, and Ely Cathedral.
photCL 238
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Leonard J. Rose Family Photograph Collection
Visual Materials
The collection consists of 152 photographs of the family of Leonard John Rose (1827-1899); the Rose family ranch and vineyard, "Sunny Slope," in San Gabriel, California; residences; and horses owned by the Rose family, chiefly dating from the late 19th century. An earlier archivist divided the collection into "volumes" 1 and 2, though the photographs in "volume 1" are loose. Only volume 2, Items 1-35, are bound in an album. The prints range from late 19th-century cabinet cards to copy prints of 19th century photographs. The latest photographs are two 1979 color snapshots of Mrs. John Gallagher, and among the earliest images is a reproduction of a portrait of L. J. and Amanda Rose on their wedding day, ca. 1850 (Volume 2, Item 7). Many of the photographs are cabinet card studio portraits of family members, especially the children of L.J. and Amanda Rose, including Nina Rose Wachtel (and her husband John V. Wachtel), Guy Rose, Mabel Rose Dixon, Maud Rose Easton. Many of the card photographs have imprints of Los Angeles photography studios including Steckel & Lamson and T.G. Schumacher. Among the photographs of the Sunny Slope Farm are stereographs by W.M. Godfrey (Volume 1, Items 13a and 14-14a) and stereographs and unmounted prints by Carleton Watkins (Album 1, Items 17-29 and 75 and 76). Notably, there are three photographs of interiors of the Rose residence on Grand Avenue in Los Angeles, which include displays of the types of card photographs included in this collection (see Volume 1, Items 48 and 50, and Volume 2, Item 49).
photCL 156
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Annie C. Bill Collection
Manuscripts
This collection contains the papers of English religious leader and author Annie C. Bill and consists of manuscripts, correspondence, and ephemera, chiefly dating from 1910-1936. ManuscriptsThere are 8,002 pieces of manuscripts, 6,044 of which are by Annie C. Bill. The manuscripts comprise of articles, drafts, essays, excerpts, notebooks, proofs, speeches, statements, and miscellaneous notes. The manuscripts with titles are arranged alphabetically by author and title; however, the majority of Bill's manuscripts that do not have titles so they are arranged alphabetically by the first line of the manuscript. In addition, the bulk of Bill's manuscripts are fragments that are drafts of her books and religious manuals. An item of interest is an unpublished manuscript contained in two volumes written by Daniel H. Spofford titled, "The First Six Lessons of Christian Science" and "The Last Six Lessons of Christian Science." In addition, there is a handwritten transcript of Mary Baker Eddy's private directions for treating the disease metaphysically. The subjects covered in the manuscripts section are: Christian Science, First Church of Christ, Scientist, (Boston, Mass.)., First Church of Christ, Scientist, (Boston, Mass.). Board of Directors, Fellowship of the Universal Design of Life, Mary Baker Eddy, 1821-1910, prohibition, religion and science, and signs and symbols. Correspondence There are 7,218 pieces of correspondence, 1,629 of which are by Annie C. Bill; most of her correspondence comprises of incomplete drafts of letters. The majority of the correspondence includes letters by her publisher, A.A. Beauchamp, Deputy Advisor, John V. Dittemore, officers, and students relating to her religious movement. Some of the correspondence includes reply letters from the addressee in the same folder, which is also indicated on the folder front. Also, integrated within the correspondence are letters addressed to and from A.A. Beauchamp, before he was associated with Annie C. Bill. In addition, there are also carbon copies of letters written by astronomers, economist, engineers, inventors, physicists, and a steel magnet to Walter Russell that appear to have no relation to Annie C. Bill. Notable authors include: George W. Baker, Frederick Dixon, Wellesley Tudor Pole, Frederick Lawrence Rawson, and Walter Russell. Ephemera There are 2,129 pieces of ephemera, the majority being related to Annie C. Bill. The first part of the ephemera is applications, brochures, fliers, and tracts that are arranged according to Bill's religious organization that she joined or led. Some of the listed periodicals are only fragments. The remaining ephemera consists of an appointment book, British Museum copyright receipts, Bill's British passport, calling cards, circular letters, empty envelopes, financial records, a greeting card, Kelly's Directories LTD., legal documents, miscellaneous ephemera, newspaper clippings, periodicals, photographs, postcards, and reprints. The two oversize green ephemera boxes contain a notebook, photographs, a poster, rubber stamps, and reprinted articles from the Christian Science Sentinel.
mssBill collection